A Working Bibliography - The University of Sydney
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A Working Bibliography - The University of Sydney

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61<br />

[Taipei Biennale 2002], Wang, Jason Chia Chi, 'From Shadow Magic to the Spectacle', Yishu: Journal <strong>of</strong> Chinese<br />

Contemporary Art, March 2003, Spring Issue; Quintero, Craig, Art as <strong>The</strong>atre: Staging the Taiwanese<br />

Biennial', Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003, Spring Issue; Kim, Yu Yeon, '2002 Taipei<br />

Biennial: Great <strong>The</strong>atre <strong>of</strong> the World', Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003, Spring Issue.<br />

[Tsui Kuang-yu] review, Flash Art, vol. XXXIX, no. 250, Oct, 2006.<br />

[Venice Biennale 2003], Lin, Shumin, ‘Limbo Zone’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June<br />

2003, p.4-9.<br />

[Wu Mali] Chen, Elsa Hsiang-chun, ‘Wu Mali: My Skin is My Country’ in Wu Mali (Catalogue), Kaoshiung:<br />

Kaohsiung Museum <strong>of</strong> Fine Arts, 2003<br />

[Wu Shanzhuan] review Asian Art News, vol.12, no.2, 2002<br />

[Yang Chihung] Teo, Louisa, ‘An Art <strong>of</strong> Personal Mythology’, Asian Art News, vol. 16, no. 5, September/October<br />

2006.<br />

[Yang Maolin], review Asian Art News, vol.11, no.3, 2001<br />

[Yuan Goang-ming] Farver, Jane, ‘Yuan Goang-ming’ in Art Asia Pacific, Issue 37 (2003), p. 43<br />

[Yuan Jai/zhai] review, Asian Art News, vol.11, no.2, 2001<br />

Chen, Elsa Hsiang-chun, ‘Complexities <strong>of</strong> Cultural Identities – Differencing the Subjectivities <strong>of</strong> Contemporary<br />

Women’s Art in Taiwan’ in Journey <strong>of</strong> the Spirit: Taiwanese Women and Contemporary Representations (Catalogue),<br />

Kaohsiung Museum <strong>of</strong> Fine Arts, 2001<br />

Chen, Elsa Hsiang-chun, ‘Reading Feminist Dimensions <strong>of</strong> Contemporary Art in Taiwan’ in Text & Subtext –<br />

Contemporary Art and Asian Women Conference, LaSalle SIA College <strong>of</strong> the Arts, Singapore, 2000<br />

Cheng, Amy Huei-Hua, 'Invisible City', Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003, Spring Issue<br />

Clark, John, ‘Global Intentions’, Asian Art News, vol. 17, no. 1, Jan-Feb 2007 (Taipei biennial).<br />

Conland, Natasha, ‘Ahoy Land! Curating on the Shoreline’, Broadsheet, vol. 35, no. 2, 2006.<br />

Frazier, David, ‘Hyper reality: Contemporary Images from the Museum Collection – Taipei Fine Arts Museum’,<br />

(exhibition review) ArtAsiaPacific, no. 50, 2006.<br />

Huang Hai-Ming, '<strong>The</strong> Shaping <strong>of</strong> the Contemporary Taiwanese Art World: A Review <strong>of</strong> Contemporary<br />

Taiwanese Art Events from the 1980s to the Present', Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003,<br />

Spring Issue.<br />

Huang, Andrew, ‘Pseudo Hackers’ Art at Parallel Zones at the Museum <strong>of</strong> Modern Art’ (review), Asian Art News, vol.<br />

15, no. 2, 2005.<br />

Kenduzak, Susan, ‘Aperto Taiwan’, Flash Art, vol. XXXIX, no. 248, May-June, 2006.<br />

Kendzulak, Susan, ‘<strong>Working</strong> Out the Tension: Taipei Biennial 2004 and Taiwan Pavilion at the Venice Biennale<br />

2005’, ArtAsiaPacific, no. 46, 2005.<br />

Lee, Yulin ‘Contemporary Taiwanese Art in the Era <strong>of</strong> Contention’ (review), ArtAsiaPacific, no. 43, 2005.<br />

Lin Shu-min ‘Limbo Zone’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol.2, no., June 2003<br />

Lin, Poshin., ‘<strong>The</strong> Discursive Formation <strong>of</strong> Contemporary Art Curation in the Late 1990s with a Discussion <strong>of</strong><br />

the Continual Evolution <strong>of</strong> the Subject Position <strong>of</strong> Taiwan Art’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />

Vol.2, No.1, March 2003, p.27-46.<br />

McIntyre, Sophie, ‘A different reality’, Art AsiaPacific, 32, 2001<br />

Nickerson, Peter, ‘A Poetics and Politics <strong>of</strong> Possession: Taiwanese Spirit-Medium Cults and Autonomous<br />

Popular Cultural Space’ in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 187-217<br />

Pai, Maggie., ‘A Fusion <strong>of</strong> Art and Science’ (art project at the Nankang S<strong>of</strong>tware Park, Taipei), in World Sculpture<br />

News, Vol.9, No.3, Summer 2003, p.44-49.<br />

Taipei National <strong>University</strong> <strong>of</strong> the Arts ed., Waves Striking: One Hundred Years <strong>of</strong> Taiwanese Arts, Taipei: Yishujia,<br />

2001.<br />

Vine, Richard, ‘Taiwan’s New Bunker Museum’, Art in America, vol. 93, iss. 6, Jun-Jul, 2005.<br />

Wang, Chia Chi Jason, ‘From iconoclasm to neo-iconolatry: Taiwan’s contemporary art in the post-martial law<br />

era’, Yishu, vol.1, no.2, 2002<br />

Wu Yin-Hui and Yu Wei, ‘Documenta 12 Magazines Special Feature: Who is the Next Freshman in Art and<br />

Culture: <strong>The</strong> New Trend in Graduate Programs in Art and Culture in Taiwan’, Yishu: Journal <strong>of</strong> Contemporary<br />

Chinese Art, vol. 5, no. 4, Dec 2006.<br />

Yishu: Journal <strong>of</strong> Chinese Contemporary Art, Special Issue on Contemporary Taiwan Art, March 2003, Spring Issue<br />

Taiwan Photography<br />

Cheng, Amy Huei-Hua, 'On Lingchi: Echoes <strong>of</strong> a Historical Photograph', Yishu: Journal <strong>of</strong> Chinese Contemporary Art,<br />

March 2003, Spring Issue

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