A Working Bibliography - The University of Sydney

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56 Hong Kong Photography [Wong Hung-fei, Lee, Patrick], Binks, Hilary, ‘Visions dark, dreams fantastic’, Asian Art News, vol.9, no.1, 1999 Benge, Sophie. Private Hong Kong : where East meets West (photography byFritz von der Schulenburg), New York : Abbeville Press Publishers, 1997. Picturing Hong Kong : photography, 1855-1910, New York : Asia Society Galleries & George Braziller, 1997. Warner, J., Hong Kong 100 Years Ago, Hong Kong, Museum of History, 1970, 1981 [Chen, Michael] Michael Chen, Hong Kong, Arts Centre, 1980 [Yuen Manhua] Eva Yuen, All In the Silence, Australia, St.Peters, S.A., Experimental Art Foundation, 1979; Eva Yuen, Two Faces: Nanking-Hong Kong Project 1979/80, Hong Kong, the artist, 1980 CHINA-TIBET [Gonkar Gyatso] Harris, Clare, ‘Gonkar Gyatso: From Lhasa to London’, ArtAsiaPacific, no. 50, 2006; Harris, Clare, ‘The Buddha Goes Global: Some Thoughts Towards a Transnational Art History’, Art History, 29:4, September 2006; Harris, C., ‘Struggling with Shangri-La: the works of Gongkar Gyatso’, in Korom, F., ed , Constructing Tibetan Culture: Contemporary Perspectives, Quebec, 1997 Alexander, A., ‘Tibetan Contemporary Art’, Asian Art News, 2, no.3, May/June 1992. ‘The Art of Tibet’, Special Issue, Orientations, Volume 32, Number 10, December 2001 Harris, Clare, In The Image of Tibet: Tibetan painting after 1959, London, Reaktion Books, 1999 Gladney, D., ‘Representing nationality in China: refiguring Majority/Minority Identities’, Journal of Asian Studies, LIII, 1, 1994. Kvaerne, P., ‘The ideological impact on Tibetan Art’, in Bernett R., and Akiner S. eds, Resistance and reform in Tibet, London, 1994 Linrothe, Rob, ‘Streched on a Frame of Boundless Thought: Contemporary Religious Painting in Rebgong’ [Tibet], Orientations, Volume 33, Number 4, April 2002 Rimac, Melissa, ‘Tibetan Religious Art’, Art AsiaPacific, 22, 1999 Stoddart, H., Le mendiant de l’Amdo, Paris, 1985. Yeshi K., ‘Gongkar Gyatso: creation of a painter in contemporary Tibet’, Chöyang, VII, 1996. CHINA-TAIWAN/REPUBLIC OF CHINA Japanese Colonial Period Ching, Leo, ‘Savage Construction and Civility Making: The Musha Incident and Aboriginal Representations in Colonial Taiwan’ in positions: east asia cultures critique, volume 8, number 3 (winter 2000), pp. 795-818 Clark, John, ‘Taiwanese Painting under the Japanese Occupation’, Journal of Oriental Studies, Vol.XXV, no.1, 1987, pp.63-105. Kikuchi, Yuko, ‘Yan Shuilong’, Crafts, 162:24-25, 2000. Kikuchi, Yuko, ‘Refracted Colonial Modernity: Identity in Taiwanese Crafts from the Colonial Modern to the Contemporary National’, The Proceedings of the Papers at the Asia-Pacific Traditional Arts Forum organised by the Council for Cultural Affairs, the Executive Yuan, ROC and the National Institute of the Arts in Taipei, 2002. Kikuchi, Yuko ed. Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, Hawaii University Press, forthcoming. Liao, Hsin-Tien, Colonialism, Post-colonialism and Local Identity in Colonial Taiwanese Landscape Paintings (1908-1945), PhD thesis, Birmingham Institute of Art and Design, University of Central England, 2002. Wang Xiuxiong, ‘The development of official art exhibitions in Taiwan during the Japanese occupation’, in Mayo, Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu, University of Hawai’i Press, 2001 Yen, Chuan-Ying, ‘Colonial Taiwan and the Construction of Landscape Painting’, English version of ‘Jindai Taiwan Fengjing guan de Jian Gou’, Meishu Shi Yanjiu Jikan, 9 :179-206. 2000. General Works, 1950s-1970s Clark, John, ‘Taiwanese Painting and Europe’, in Shaw, Y-M., ed., China and Europe in the Twentieth Century, Taibei, Institute for International Relations, 1986, pp.43-60.
57 Clark, John, ‘La peinture moderne a Taiwan: le contexte politique et économique’ [tr. Pierre Étienne-Will et Anne Cheng], Études Chinoises, Vol VII, no.1, Printemps 1988, pp.29-63 ; English original: ‘Painting in Taiwan after 1945: A Political and Economic Background’, Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue Council for Cultural Planning and Development, Art Development in Taiwan (1661-1971), Taipei, Executive Yuan, July 1985. Council for Cultural Planning and Development, Symposium of ‘The Artistic Trends in the R.O.C’, Taipei, Executive Yuan, November, 1991. Kuo, Jason (Guo Jisheng),’Modern art in Taiwan after 1949’, in Clark, J., ed., Modernity in Asian Art, Sydney, Wild Peony Press, 1993. Kuo, Jason,(Guo Jisheng), ‘Painting, decolonization and cultural politics in postwar Taiwan’, Ars Orientalis, XXV. Kuo, Jason C., Art and Cultural Politics in Post-war Taiwan, Seattle, London: University of Washington Press, 2000. Kuo, Jason (Guo Jisheng), ’Nihonga/Toyoga/Chiao-ts’aihua in Taiwan, 1895-1983”, from The Symposium on the Origin, Transmission, and Influence of Glue painting [date, publisher unknown]. Kuo, Jason (Guo Jisheng), ‘Painters of the postwar generation in Taiwan’, in Harrell, Steven; Huang Chun-chieh eds., Culture Change in Postwar Taiwan, Boulder, Westview Press, 1996. Li Chu-tsing, Yu Kwang-chung, and Thomas Lawton, Five Chinese Painters; Fifth Moon Exhibition, Taibei: National Museum of History, 1970 Li Chu-tsing, ‘The Fifth Moon Group of Taiwan’, The Register of the Spencer Museum of Art, The University of Kansas, vol.7, no.3, 1986 Li Chu-tsing, Lawton,T., ‘The New Chinese Landscape’, Art Journal, XXVII/2, Winter, 1967/68. Shaocheng Taocheng, Wei Liliao, Ying Chunhsieh and Ching Yuehroan, The Prime of Taiwan Contemporary Architecture, Garden City, Taipei, 2003. 1970s-1980s Clark, John, ‘A Tale of Two Cities”, Art Monthly [Australia], no.29, April 1990. Clark, John, ‘Aspects of Taipei Modernism in the 1980s’, Orientations, vol.23, no.7, July 1992. revised version in Asia Pacific TriennaleCatalogue, Brisbane, Queensland Art Gallery & Queensland University Press, 1993. Clark, John, 'Painting in Taiwan after 1945: A Political and Economic Background', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue Su Reping, A Retrospective Exhibition of Contemporary Chinese Art, Taipei, Taipei Fine Arts Museum, 1986 1990s [Taipei Biennale 1998] Hsu, Wen-rwei, ‘Subject of Desire’, Art AsiaPacific, 22, 1999 ‘Fine Arts’, Special Issue, Free China Review, vol.43, no.3, March 1993. ‘Supplement: Taiwan’, Asian Art News, vol.3, no.2, March-April 1993. Art Taiwan, Biennale Venezia, Palazzo Delle Prigioni, 1995 [organized by Taipei Fine Arts Museum] Chen Hui-chiao, ‘In search of art’s ys’ [IT Park], Asian Art News, vol.7, no.1, Jan/Feb 1997 Chen Hui-chiao (ed.), Magnetic Writing/Marching Ideas, Works on Paper, IT Park Gallery, Taipei, 1999.Clark, John, 'Painting in Taiwan after 1945: A Political and Economic Background', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue Finday, Ian & staff, ‘Coming out on top’, [Taipei Art Fair], Asian Art News, vol.10, no.1, 2000 Findlay, Ian, ‘A growing sense of independence’ [S.Taiwan galleries], Asian Art News, vol.5, no.5, Sep/Oct 1995. Findlay, Ian, ‘Bringing tradition up to date’ Asian Art News, vol. 8, no.1, January/February 1998 Findlay, Ian, ‘Building Awareness’,[Taiwan Art Galleries Association] Asian Art News, vol.3, no.6, Nov/Dec 1993. Hart, Deborah, ‘Expanding horizons: art from Taiwan’, Artlink, Vol. 20, No. 2, July 2000 Hsia, Shu-wen, New Minds: Artistic Creations in Motion, Taiwan, Taipei Fine Arts Museum, 2001 Huang Hai-Ming, 'The Shaping of the Contemporary Taiwanese Art World: A Review of Contemporary Taiwanese Art Events from the 1980s to the Present', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue Kaye, L., ‘Art for Money’s Sake’, Far Eastern Economic Review,12 April 1990 Kent, Rachel, ‘It’s about time’ [experimental art spaces], ART AsiaPacific, no.13, 1997. Kuo Jason, ‘Taiwan Sculpture’, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995. Lang, Miriam, ‘San Mao goes shopping: travel and consumption in the post-colonial world’, East Asian History, 10, December 1995. Lu, V., ‘The rising new moon’, Art & Asia Pacific, supplement to Art & Australia, September 1993.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
Page 5 and 6: Kuki and his times 95 Nishida Kitar
Page 7 and 8: Prints 155 ------------------------
Page 9 and 10: GENERAL WORKS ON ASIAPACIFIC AS A R
Page 11 and 12: 11 [Global Conceptualism] Global Co
Page 13 and 14: 13 Hearn, Maxwell K.; Smith Judith
Page 15 and 16: 15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18: 17 Cai Guoqiang, painter and instal
Page 19 and 20: 19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22: 21 Wen Lipeng, deceased, oil painte
Page 23 and 24: 23 during the 1990s and the role of
Page 25 and 26: 25 Andrews, Julia, Painters and Pol
Page 27 and 28: 27 Wang Yuejin, ‘Anxiety of Portr
Page 29 and 30: 29 Clark, John, ‘Official reactio
Page 31 and 32: 31 Tsao Tsing-yuan, ‘The Birth of
Page 33 and 34: 33 [Hong Lei] Goodman, Jonathan,
Page 35 and 36: 35 [Song Dong] Thomas, Taliesin,
Page 37 and 38: 37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40: 39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42: 41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44: 43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46: 45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48: 47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50: 49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54: [Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55: 55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 59 and 60: 59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62: 61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64: 63 Agahari, Rae, Beyond representat
Page 65 and 66: 65 General Works Clark, J., ‘Mode
Page 67 and 68: 67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70: 69 Clark, John, ‘Artist and the S
Page 71 and 72: Smith, L.H.R., Contemporary Japanes
Page 73 and 74: 73 Abstract painting in Japan, Hokk
Page 75 and 76: 75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78: 77 Annear, J., ‘A forest of art i
Page 79 and 80: 79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82: 81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84: 83 National Museum of Modern Art, [
Page 85 and 86: 85 Clark, John, ‘Japanese houses
Page 87 and 88: 87 Society of Architects & Building
Page 89 and 90: 89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92: 91 Medical facilities : new concept
Page 93 and 94: 93 Wilson, Peter L. Western objects
Page 95 and 96: 95 Gluck, C., Japan’s Modern Myth
Page 97 and 98: 97 La Fleur, William A., ‘A turni
Page 99 and 100: http://www.musabi.co.jp/list.html M
Page 101 and 102: 101 thesis, Australian National Uni
Page 103 and 104: 103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106: 105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
Page 169 and 170:
169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174:
Martin, Courtney J. ‘South Asian
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175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178:
177 [Asia Pacific Artists Initiativ
Page 179 and 180:
179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186:
185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188:
187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190:
189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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Zito, Angela and Barlow, Tani E., B
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
Page 201 and 202:
201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208:
207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
Page 213 and 214:
213 Clark, John, ‘Three Recent Bi
Page 215 and 216:
Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media
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