A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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57<br />
Clark, John, ‘La peinture moderne a Taiwan: le contexte politique et économique’ [tr. Pierre Étienne-Will et Anne<br />
Cheng], Études Chinoises, Vol VII, no.1, Printemps 1988, pp.29-63 ; English original: ‘Painting in Taiwan<br />
after 1945: A Political and Economic Background’, Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003,<br />
Spring Issue<br />
Council for Cultural Planning and Development, Art Development in Taiwan (1661-1971), Taipei, Executive Yuan,<br />
July 1985.<br />
Council for Cultural Planning and Development, Symposium <strong>of</strong> ‘<strong>The</strong> Artistic Trends in the R.O.C’, Taipei, Executive<br />
Yuan, November, 1991.<br />
Kuo, Jason (Guo Jisheng),’Modern art in Taiwan after 1949’, in Clark, J., ed., Modernity in Asian Art, <strong>Sydney</strong>, Wild<br />
Peony Press, 1993.<br />
Kuo, Jason,(Guo Jisheng), ‘Painting, decolonization and cultural politics in postwar Taiwan’, Ars Orientalis, XXV.<br />
Kuo, Jason C., Art and Cultural Politics in Post-war Taiwan, Seattle, London: <strong>University</strong> <strong>of</strong> Washington Press, 2000.<br />
Kuo, Jason (Guo Jisheng), ’Nihonga/Toyoga/Chiao-ts’aihua in Taiwan, 1895-1983”, from <strong>The</strong> Symposium on the<br />
Origin, Transmission, and Influence <strong>of</strong> Glue painting [date, publisher unknown].<br />
Kuo, Jason (Guo Jisheng), ‘Painters <strong>of</strong> the postwar generation in Taiwan’, in Harrell, Steven; Huang Chun-chieh<br />
eds., Culture Change in Postwar Taiwan, Boulder, Westview Press, 1996.<br />
Li Chu-tsing, Yu Kwang-chung, and Thomas Lawton, Five Chinese Painters; Fifth Moon Exhibition, Taibei: National<br />
Museum <strong>of</strong> History, 1970<br />
Li Chu-tsing, ‘<strong>The</strong> Fifth Moon Group <strong>of</strong> Taiwan’, <strong>The</strong> Register <strong>of</strong> the Spencer Museum <strong>of</strong> Art, <strong>The</strong> <strong>University</strong> <strong>of</strong><br />
Kansas, vol.7, no.3, 1986<br />
Li Chu-tsing, Lawton,T., ‘<strong>The</strong> New Chinese Landscape’, Art Journal, XXVII/2, Winter, 1967/68.<br />
Shaocheng Taocheng, Wei Liliao, Ying Chunhsieh and Ching Yuehroan, <strong>The</strong> Prime <strong>of</strong> Taiwan Contemporary<br />
Architecture, Garden City, Taipei, 2003.<br />
1970s-1980s<br />
Clark, John, ‘A Tale <strong>of</strong> Two Cities”, Art Monthly [Australia], no.29, April 1990.<br />
Clark, John, ‘Aspects <strong>of</strong> Taipei Modernism in the 1980s’, Orientations, vol.23, no.7, July 1992. revised version in<br />
Asia Pacific TriennaleCatalogue, Brisbane, Queensland Art Gallery & Queensland <strong>University</strong> Press, 1993.<br />
Clark, John, 'Painting in Taiwan after 1945: A Political and Economic Background', Yishu: Journal <strong>of</strong> Chinese<br />
Contemporary Art, March 2003, Spring Issue<br />
Su Reping, A Retrospective Exhibition <strong>of</strong> Contemporary Chinese Art, Taipei, Taipei Fine Arts Museum, 1986<br />
1990s<br />
[Taipei Biennale 1998] Hsu, Wen-rwei, ‘Subject <strong>of</strong> Desire’, Art AsiaPacific, 22, 1999<br />
‘Fine Arts’, Special Issue, Free China Review, vol.43, no.3, March 1993.<br />
‘Supplement: Taiwan’, Asian Art News, vol.3, no.2, March-April 1993.<br />
Art Taiwan, Biennale Venezia, Palazzo Delle Prigioni, 1995 [organized by Taipei Fine Arts Museum]<br />
Chen Hui-chiao, ‘In search <strong>of</strong> art’s ys’ [IT Park], Asian Art News, vol.7, no.1, Jan/Feb 1997<br />
Chen Hui-chiao (ed.), Magnetic Writing/Marching Ideas, Works on Paper, IT Park Gallery, Taipei, 1999.Clark, John,<br />
'Painting in Taiwan after 1945: A Political and Economic Background', Yishu: Journal <strong>of</strong> Chinese Contemporary<br />
Art, March 2003, Spring Issue<br />
Finday, Ian & staff, ‘Coming out on top’, [Taipei Art Fair], Asian Art News, vol.10, no.1, 2000<br />
Findlay, Ian, ‘A growing sense <strong>of</strong> independence’ [S.Taiwan galleries], Asian Art News, vol.5, no.5, Sep/Oct 1995.<br />
Findlay, Ian, ‘Bringing tradition up to date’ Asian Art News, vol. 8, no.1, January/February 1998<br />
Findlay, Ian, ‘Building Awareness’,[Taiwan Art Galleries Association] Asian Art News, vol.3, no.6, Nov/Dec 1993.<br />
Hart, Deborah, ‘Expanding horizons: art from Taiwan’, Artlink, Vol. 20, No. 2, July 2000<br />
Hsia, Shu-wen, New Minds: Artistic Creations in Motion, Taiwan, Taipei Fine Arts Museum, 2001<br />
Huang Hai-Ming, '<strong>The</strong> Shaping <strong>of</strong> the Contemporary Taiwanese Art World: A Review <strong>of</strong> Contemporary<br />
Taiwanese Art Events from the 1980s to the Present', Yishu: Journal <strong>of</strong> Chinese Contemporary Art, March 2003,<br />
Spring Issue<br />
Kaye, L., ‘Art for Money’s Sake’, Far Eastern Economic Review,12 April 1990<br />
Kent, Rachel, ‘It’s about time’ [experimental art spaces], ART AsiaPacific, no.13, 1997.<br />
Kuo Jason, ‘Taiwan Sculpture’, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995.<br />
Lang, Miriam, ‘San Mao goes shopping: travel and consumption in the post-colonial world’, East Asian History, 10,<br />
December 1995.<br />
Lu, V., ‘<strong>The</strong> rising new moon’, Art & Asia Pacific, supplement to Art & Australia, September 1993.