A Working Bibliography - The University of Sydney

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Hong Kong Photography
[Wong Hung-fei, Lee, Patrick], Binks, Hilary, ‘Visions dark, dreams fantastic’, Asian Art News, vol.9, no.1, 1999
Benge, Sophie. Private Hong Kong : where East meets West (photography byFritz von der Schulenburg), New York :
Abbeville Press Publishers, 1997.
Picturing Hong Kong : photography, 1855-1910, New York : Asia Society Galleries & George Braziller, 1997.
Warner, J., Hong Kong 100 Years Ago, Hong Kong, Museum of History, 1970, 1981
[Chen, Michael] Michael Chen, Hong Kong, Arts Centre, 1980
[Yuen Manhua] Eva Yuen, All In the Silence, Australia, St.Peters, S.A., Experimental Art Foundation, 1979; Eva
Yuen, Two Faces: Nanking-Hong Kong Project 1979/80, Hong Kong, the artist, 1980
CHINA-TIBET
[Gonkar Gyatso] Harris, Clare, ‘Gonkar Gyatso: From Lhasa to London’, ArtAsiaPacific, no. 50, 2006; Harris,
Clare, ‘The Buddha Goes Global: Some Thoughts Towards a Transnational Art History’, Art History, 29:4,
September 2006; Harris, C., ‘Struggling with Shangri-La: the works of Gongkar Gyatso’, in Korom, F., ed ,
Constructing Tibetan Culture: Contemporary Perspectives, Quebec, 1997
Alexander, A., ‘Tibetan Contemporary Art’, Asian Art News, 2, no.3, May/June 1992.
‘The Art of Tibet’, Special Issue, Orientations, Volume 32, Number 10, December 2001
Harris, Clare, In The Image of Tibet: Tibetan painting after 1959, London, Reaktion Books, 1999
Gladney, D., ‘Representing nationality in China: refiguring Majority/Minority Identities’, Journal of Asian Studies,
LIII, 1, 1994.
Kvaerne, P., ‘The ideological impact on Tibetan Art’, in Bernett R., and Akiner S. eds, Resistance and reform in Tibet,
London, 1994
Linrothe, Rob, ‘Streched on a Frame of Boundless Thought: Contemporary Religious Painting in Rebgong’
[Tibet], Orientations, Volume 33, Number 4, April 2002
Rimac, Melissa, ‘Tibetan Religious Art’, Art AsiaPacific, 22, 1999
Stoddart, H., Le mendiant de l’Amdo, Paris, 1985.
Yeshi K., ‘Gongkar Gyatso: creation of a painter in contemporary Tibet’, Chöyang, VII, 1996.
CHINA-TAIWAN/REPUBLIC OF CHINA
Japanese Colonial Period
Ching, Leo, ‘Savage Construction and Civility Making: The Musha Incident and Aboriginal Representations in
Colonial Taiwan’ in positions: east asia cultures critique, volume 8, number 3 (winter 2000), pp. 795-818
Clark, John, ‘Taiwanese Painting under the Japanese Occupation’, Journal of Oriental Studies, Vol.XXV, no.1, 1987,
pp.63-105.
Kikuchi, Yuko, ‘Yan Shuilong’, Crafts, 162:24-25, 2000.
Kikuchi, Yuko, ‘Refracted Colonial Modernity: Identity in Taiwanese Crafts from the Colonial Modern to the
Contemporary National’, The Proceedings of the Papers at the Asia-Pacific Traditional Arts Forum
organised by the Council for Cultural Affairs, the Executive Yuan, ROC and the National Institute of the
Arts in Taipei, 2002.
Kikuchi, Yuko ed. Refracted Modernity: Visual Culture and Identity in Colonial Taiwan, Hawaii University Press,
forthcoming.
Liao, Hsin-Tien, Colonialism, Post-colonialism and Local Identity in Colonial Taiwanese Landscape Paintings (1908-1945),
PhD thesis, Birmingham Institute of Art and Design, University of Central England, 2002.
Wang Xiuxiong, ‘The development of official art exhibitions in Taiwan during the Japanese occupation’, in Mayo,
Marlene J., Rimer J. Thomas, Kerkham, H. Eleanor, eds, War, Occupation and Creativity: Japan and East Asia,
1920-1960, Honolulu, University of Hawai’i Press, 2001
Yen, Chuan-Ying, ‘Colonial Taiwan and the Construction of Landscape Painting’, English version of ‘Jindai
Taiwan Fengjing guan de Jian Gou’, Meishu Shi Yanjiu Jikan, 9 :179-206. 2000.
General Works, 1950s-1970s
Clark, John, ‘Taiwanese Painting and Europe’, in Shaw, Y-M., ed., China and Europe in the Twentieth Century, Taibei,
Institute for International Relations, 1986, pp.43-60.