A Working Bibliography - The University of Sydney
09.02.2013 • Views
Share Embed Flag

A Working Bibliography - The University of Sydney

A Working Bibliography - The University of Sydney

A Working Bibliography - The University of Sydney

SHOW MORE
SHOW LESS
ePAPER READ
DOWNLOAD ePAPER
sydney.edu.au

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

START NOW

55<br />

[Pan Xing Lei] Chen, Shieh-Wen, ‘When Art Clashes in the Public Sphere – Pan Xing Lei’s Strike <strong>of</strong> Freedom<br />

Knocking on the Door <strong>of</strong> Democracy in Hong Kong’.<br />

[Shieh, Wilson] Chiu, Caroline, ‘Where I Work – Wilson Shieh’, ArtAsiaPacific, no. 49, 2006; Goodbody, Bridget,<br />

‘Wilson Shieh: Perhaps, Perhaps, Perhaps’, ArtAsiaPacific, no. 46, 2005; review, Asian Art News, vol. 15, no.<br />

4, 2005.<br />

[Su Angela Sai Kee], Kember, Pamela., ‘From Science to Art’, in Asian Art News, Vol.13, No.1, January/February<br />

2003, p.64-67.<br />

[<strong>The</strong> Para/Site Collective], Para/Site Art Space, ‘Navigating the dot’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />

vol.2, no., June 2003; Thomson, Jonathan., ‘<strong>The</strong> Collective Mind’, in Asian Art News, Vol. 13, No. 3,<br />

May/June 2003, p.40-43.;Chan, Kaiyin., Kan Liang Yee-Woo Evelyna, Lau Kin-Wah Jaspar, Leung<br />

Wan-Yee Janice, Leung Chin-Fung Jeff, Li Man-Wai Tim, Man Ching-Ying, Phoebe, Tamshui, Tsang<br />

Tak-Ping, Wong Chi-Hang Sara, Yeung Yang, ‘Para/Site Collective’, Lin, Shumin, ‘Limbo Zone’, in Yishu:<br />

Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p19-20.<br />

[Tsang Kin Wah] ‘Tsang Kin Wah’ (review), ArtAsiaPacific, no. 46, 2005; review, Asian Art News, vol. 15, no. 4,<br />

2005.<br />

[Tsang Tsou Choi], Thomson, Jonathan., ‘A Vision from the Margins’, in Asian Art News, Vol. 14, No. 1,<br />

January/February 2004, p.48-51.<br />

[Twenty Year Anniversary <strong>of</strong> Hanart T.Z. Gallery] Thomson, Jonathan, ‘<strong>The</strong>mes and Variations’, in History’ in<br />

Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53<br />

[Venice Biennale] Binks, Hilary, ‘A larger identity’, Asian Art News, vol.11, no.5, 2001<br />

[Wong Wai Yin] Thomson, Jonathan, ‘Sculpture Non-Sculpture at Cattle Depot Artists Village (Review), in World<br />

Sculpture News, Vol. 10, No. 2 (Spring 2004), pp. 48-49<br />

[Young Hay] Ming Wai Jim, Alice, ‘Interview with Young Hay’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June<br />

2004, pp. 73-82<br />

Berger, Tobias, ‘Hong Kong SAR: Special Art Region’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 4, no. 4, Dec.<br />

2005.<br />

Fan, Anthea, ‘<strong>The</strong>re is This Cattle Depot Artist Village in Hong Kong’ in Mok, Harold and Chan, Yuk-keung, ed.,<br />

Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp. 102-125.<br />

Ford, Norman, ‘Do “(Hong Kong) Chinese” Artists Dream <strong>of</strong> Electric Sheep?’, Yishu: Journal <strong>of</strong> Contemporary<br />

Chinese Art, vol. 4, no. 4, Dec. 2005.<br />

Ho Hing-hay, Oscar, ‘City <strong>of</strong> make believe’, Art AsiaPacific, 25, 2000.<br />

Ho Hing-Kay, Oscar, ‘<strong>The</strong> export <strong>of</strong> Chinese avant-garde art’, Artlink, Vol. 20, No. 2, July 2000<br />

Hou Hanru, ‘<strong>The</strong> city and the artists’, Flash Art, XXXIV, 223, 2002.<br />

Jim, Alice Ming Wai, ‘Urban Meditations in Hong Kong Contemporary Art: Notes on A Very Good City and<br />

Local Orientation’ in positions: east asian cultures critique, Vol. 12, No. 3 (winter 2004).<br />

Jim, Alice Ming Wei, ‘Notes from Hong Kong’, Flash Art, XXXIV, 223, 2002.<br />

Jim, Alice Ming-Wai, Screen Structures: Overview <strong>of</strong> Media Art Development in Hong Kong’ Kong’ in Mok,<br />

Harold and Chan, Yuk-keung, ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency,<br />

2003, pp. 150-169.<br />

Kee, Joan, ‘Art, Hong Kong, and Hybridity: a task <strong>of</strong> reconciliation, Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />

vol.2, no., June 2003.<br />

Lau, Jasper K. W., ‘No Local is an Island’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 2, Jun 2006.<br />

Leung, Po-shan, ‘Reatreating From the Forefront <strong>of</strong> Officialization’ Kong’ in Mok, Harold and Chan, Yuk-keung,<br />

ed., Hong Kong Visual Arts Yearbook 2003, Hong Arts Development Agency, 2003, pp. 126-149.<br />

Patten, Eliza, ‘Report on “Re: Wanchai-Hong Kong International Artist’s Workshop’, Yishu: Journal <strong>of</strong><br />

Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.<br />

Thompson, Jonathan, ‘Heaven is Space’, Asian Art News, vol. 15, no. 1, 2005.<br />

Thomson, Jonathan, ‘Public Face – Private Emotions’ in World Sculpture News, Vol. 10, No. 2 (Spring 2004), pp.<br />

40-44.<br />

Wah, Jaspar Lau Kin., ‘<strong>The</strong> Cement <strong>of</strong> Hong Kong’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4,<br />

December 2003, p.68-76.<br />

Wei, Lily, ‘Li Xianting: a fighter for artists’, Art News, 100, 11, 2001.<br />

Wo, Leung Chi., ‘Para/Site and Hong Kong Art Spaces’, Yeung Yang (tran.), in Yishu: Journal <strong>of</strong> Contemporary<br />

Chinese Art, Vol. 3, No. 1, March 2004, p.56-62.

logo

products

Resources

Company

Terms of service
Privacy policy
Cookie policy
Cookie settings
Imprint
Change language
Made with love in Switzerland
© 2024 Yumpu.com all rights reserved

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!