A Working Bibliography - The University of Sydney

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Art in Hong Kong Art in 1990s 53 Art 2000+ 54 Hong Kong Photography 55 CHINA-TIBET 55 CHINA-TAIWAN/REPUBLIC OF CHINA 1946 –PRESENT 56 Japanese Colonial Period 56 General Works 1950s-1970s 56 1960s-1970s 56 1970s-1980s 56 1990s 57 Individual Artists 1960s-1990s 58 2000+ 60 Taiwan Photography 61 Political and Intellectual History of Taiwan 61 Economy and Politics of Taiwan 61 Film Taiwan [Entries from 2005] 62 CHINA-OVERSEAS 62 General Works 62 Modern Chinese Art: Texts by John Clark 63 ----------------------------------------------------------------------------------------------------------------- JAPAN 64 General Works 64 Europeans in Meiji Japan 64 Japonisme 66 Photography 67 Meiji Art and Interaction with the ‘West’ 68 Nihonga: Painting in ‘Traditional’ Japanese style since Meiji 60 Prints since Meiji 70 Art 1910s to 1930s 70 War: 1930s-1940s 71 Art since 1945, In General 72 1945 to mid-1960s 72 Late 1960s-1980s 73 1990s 74 2000+ 76 New Media 80 Crafts and Modern Design 81 Popular Culture Including Advertising 82 Popular visual Culture Including Comics 83 Domestic Architecture and Landscape Design 83 Japanese Cities [all periods] 85 General Texts on Modern Architecture 86 Meiji Architecture 86 1920s-1940s Architecture 86 Architecture since 1945 87 Architecture and Design 92 Architectural Bibliographies 92 Science, Technology and Their Representation 93 Selected Texts on Cultural and Intellectual History 93 Modern Japanese thought 95 General texts on Aesthetics 95 Kuki Shûzô 95 4
Kuki and his times 95 Nishida Kitarô 95 Watsuji Tetsurô 95 Modern Japanese History 96 Society 96 Literary representations (slected) 97 Web Resources 97 Modern Japanese Art: Texts by John Clark 98 ----------------------------------------------------------------------------------------------------------------- KOREA-REPUBLIC OF KOREA 99 General works 99 Colonial Period 99 1950s-1960s 99 1970s-1980s 99 1980s-1990s 99 Individual Artists 102 2000+ 103 Video and New Media 104 Minjung Misul 104 Korea Overseas Artists 104 KOREA-DEMOCRATIC PEOPLE’S REPUBLIC OF KOREA 105 ----------------------------------------------------------------------------------------------------------------- SOUTH-EAST ASIA 105 Southeast Asia Modern Art in General 105 Southeast Asian History 106 ----------------------------------------------------------------------------------------------------------------- MYANMAR / BURMA 106 ----------------------------------------------------------------------------------------------------------------- LAOS 106 ----------------------------------------------------------------------------------------------------------------- THAILAND 107 Historical Context 1780s to 1910s [Rama I to Rama V] 107 1910s to 1940s [Rama VI to Rama VIII] 107 1950s to present [Rama IX] 108 Politics and Society 108 Pre-Modern Thai Art (selected) 109 Pre-Modern Thai Painting (selected) 109 Thonburi & Ratanakosin (Rama I – Rama IV) 109 Ratanakosin (Rama V – Rama VIII) 110 After 1947 (Rama IX) 111 General Works on Neo-traditional Art [plus group catalogues] 111 General Works on Modern Thai Art 111 Architecture and Environment 112 Craft 112 Reference 112 Art Collections and Galleries 112 Selected Major Exhibitions in Thailand (by year) 113 Individual Artists 115 Recent Thai Art overall 120 Photography in Thailand 120 Art 1980s 120 Art 1990s 120 Art 2000+ 120 Works on Modern Thai Literature in English 123 5
Page 1 and 2: MODERN AND CONTEMPORARY ASIAN ART:
Page 3: CONTENTS Please note that paginatio
Page 7 and 8: Prints 155 ------------------------
Page 9 and 10: GENERAL WORKS ON ASIAPACIFIC AS A R
Page 11 and 12: 11 [Global Conceptualism] Global Co
Page 13 and 14: 13 Hearn, Maxwell K.; Smith Judith
Page 15 and 16: 15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18: 17 Cai Guoqiang, painter and instal
Page 19 and 20: 19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22: 21 Wen Lipeng, deceased, oil painte
Page 23 and 24: 23 during the 1990s and the role of
Page 25 and 26: 25 Andrews, Julia, Painters and Pol
Page 27 and 28: 27 Wang Yuejin, ‘Anxiety of Portr
Page 29 and 30: 29 Clark, John, ‘Official reactio
Page 31 and 32: 31 Tsao Tsing-yuan, ‘The Birth of
Page 33 and 34: 33 [Hong Lei] Goodman, Jonathan,
Page 35 and 36: 35 [Song Dong] Thomas, Taliesin,
Page 37 and 38: 37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40: 39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42: 41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44: 43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46: 45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48: 47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50: 49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54: [Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56:
55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58:
57 Clark, John, ‘La peinture mode
Page 59 and 60:
59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62:
61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64:
63 Agahari, Rae, Beyond representat
Page 65 and 66:
65 General Works Clark, J., ‘Mode
Page 67 and 68:
67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70:
69 Clark, John, ‘Artist and the S
Page 71 and 72:
Smith, L.H.R., Contemporary Japanes
Page 73 and 74:
73 Abstract painting in Japan, Hokk
Page 75 and 76:
75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78:
77 Annear, J., ‘A forest of art i
Page 79 and 80:
79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82:
81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84:
83 National Museum of Modern Art, [
Page 85 and 86:
85 Clark, John, ‘Japanese houses
Page 87 and 88:
87 Society of Architects & Building
Page 89 and 90:
89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92:
91 Medical facilities : new concept
Page 93 and 94:
93 Wilson, Peter L. Western objects
Page 95 and 96:
95 Gluck, C., Japan’s Modern Myth
Page 97 and 98:
97 La Fleur, William A., ‘A turni
Page 99 and 100:
http://www.musabi.co.jp/list.html M
Page 101 and 102:
101 thesis, Australian National Uni
Page 103 and 104:
103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106:
105 [Lee, Yong-Baek] review, Flash
Page 107 and 108:
107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110:
109 Chaiyan Rajchagool, The Rise an
Page 111 and 112:
111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114:
113 Michaelsen, H., Die Entwicklung
Page 115 and 116:
115 8 Actual Visions in Thai Contem
Page 117 and 118:
117 Individual Artists Anurak Chata
Page 119 and 120:
119 to shock’ The Nation, January
Page 121 and 122:
121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124:
123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126:
125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128:
127 Suehiro Akira, Capital Accumula
Page 129 and 130:
129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132:
Nguyen Thi Dinh, No other road to t
Page 133 and 134:
133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136:
135 Holt, Claire, Art in Indonesia:
Page 137 and 138:
137 Supangkat, J., Sanento Yuliman
Page 139 and 140:
139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142:
Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144:
BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146:
145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152:
151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154:
153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156:
155 Foundation Asia Center, 2002; F
Page 157 and 158:
157 [Kuage, Mathias] review, Art As
Page 159 and 160:
159 Kapur, Geeta “Representationa
Page 161 and 162:
161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164:
163 [Tagore] Parimoo, R., The Paint
Page 165 and 166:
165 exhibition catalogue exhibition
Page 167 and 168:
167 Kapur, Geeta, ‘When was moder
Page 169 and 170:
169 Deshpande, Satish, “Imagined
Page 171 and 172:
171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174:
Martin, Courtney J. ‘South Asian
Page 175 and 176:
175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178:
177 [Asia Pacific Artists Initiativ
Page 179 and 180:
179 Gallbally, A., ‘Aestheticism
Page 181 and 182:
181 Commemorative Anthology on the
Page 183 and 184:
183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186:
185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188:
187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190:
189 Theories, Logics & Ideologies B
Page 191 and 192:
191 Hopkins, A.G., ed., Globalizati
Page 193 and 194:
Zito, Angela and Barlow, Tani E., B
Page 195 and 196:
195 Smith, T., ‘Second person/fir
Page 197 and 198:
197 Crary, Jonathan, ‘Critical Co
Page 199 and 200:
199 Preziosi, Donald & Farago, Clai
Page 201 and 202:
201 Walker, David, Anxious Nation:
Page 203 and 204:
203 Kember, Pamela., ‘A Report on
Page 205 and 206:
205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208:
207 Appadurai, Arjun, Modernity at
Page 209 and 210:
209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212:
211 4 th Asian Art Show Fukoka, ed
Page 213 and 214:
213 Clark, John, ‘Three Recent Bi
Page 215 and 216:
Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218:
217 Sydney: Biennale of Sydney: 200
Page 219 and 220:
219 The Exoperience of Art: La Bien
Page 221 and 222:
221 Tadayasu Sakai, Japan at the 10
Page 223 and 224:
223 A Primal Spirit, Hara Toshio; F
Page 225:
225 Art/34/Basel/18-23/6/03, Media
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A Working Bibliography - The University of Sydney

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