A Working Bibliography - The University of Sydney

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Goldman, M., ‘The Party and the Intellectuals’, and `The Party and the intellectuals: phase two’, in MacFarquar
R., Fairbank, J.K., eds, The Cambridge History of China, vol 14, The People’s Republic, part 1: The Emergence of
Revolutionary China, Cambridge, Cambridge University Press, 1987.
Goldman, M., China’s Intellectuals, Cambridge, Harvard University Press, 1981
Goldman, M., Literary Dissent in Communist China, Cambridge, Harvard University Press, 1967.
Greider, J.B., Intellectuals and the State in Modern China: A Narrative History, New York, The Free Press, 1981.
Harding, ‘The Chinese State in Crisis’, in MacFarquar, R., Fairbank, J.K., eds, The Cambridge History of China, vol.
15, The People’s Republic, Part 2: Revolutions within the Chinese revolution 1966-1982, Cambridge, Cambridge
University Press, 1991.
Hsu, C.Y., China Without Mao, London, Oxford University Press, 1982.
Jiang, Joshua J.H., “The Extermination or the Prosperity of Artists? – Mass Art in Mid-Twentieth Century China”
in Third Text, Vol. 18, Issue 2, 2004, pp. 169-182
Lee, M; Syrokomla-Stefanowska, A.D., eds., Modernization of the Chinese Past, Sydney, Wild Peony, 1993.
Leys, S., [Pierre Ryckmans], The Chairman’s New Clothes, London, Alison and Busby, 1977,
Leys, S., [Pierre Ryckmans], Broken Images, London, Alison & Busby, 1979.
Leys, S., [Pierre Ryckmans], Chinese Shadows, New York, Viking, 1977.
Li Tuo, ‘Mao Style and its Political Institutionalization’, 1993, see Wang Jing, p.314.
Liberthal, K.G.; Dickson B.J., A Research Guide to Central Party and Government Meetings in China, 1949-1986,
Armonk, M.E. Sharpe, 1989.
Lifton, R.J., Revolutionary Immortality: Mao Tse-tung and the Chinese Cultural Revolution , New York, Vintage Books,
1968.
Lifton, R.J., Thought reform and the psychology of totalism, London,Victor Gollancz, 1962.
Liu Kang, Aesthetics and Marxism, Durham, Duke University Press, 2000.
Liu Kang, ‘Aesthetics and Chinese Marxism’, Positions, vol.3, no.2, 1995
Liu Kang, ‘Post-modernism in China’, Public Culture, vol.4, no.1, 1991.
Liu Kang, and Xiaobing Tang,, (eds.) Politics, Ideology, and Literary Discourse in Modern China: Theoretical Interventions
and Cultural Critique, Durhan and London, Duke University Press, 1993
Lu Sheldon Hsiao-peng, ‘Art, Culture and Cultural Criticism in Post-New China’, New LiteraryHistory, vol.28, 1997
Lu Sheldon Hsiao-peng, ‘Postmodernity, Popular Culture, and the Intellectual: A report on Post-Tian’anmen
China’, Boundary 2, vol.23, no.2, 1996
Macfarquar, R., ed., China Under Mao: Politics takes Command, Cambridge, The MIT Press, 1966.
Macfarquar, R.; Fairbank, J.K., eds., The Cambridge History of China, vol. 14: The People’s Republic, Part I: The Emergence
of revolutionary China 1949-1965, Cambridge, Cambridge University Press, 1987, see two chapters by
Goldman.
Macfarquar, R.; Fairbank, J.K., eds., The Cambridge History of China, vol. 15: The People’s Republic, Part 2, Revolutions
within the Chinese Revolution, 1966-1982, Cambridge, Cambridge University Press, 1991, see chapters by
Fokkema, Whyte, and Birch.
Macfarquar, Roderick, ed., The Politics of China, 2 nd edition, Cambridge University Press, 1997.
McDougall, B., ed., Popular Chinese Literature and the Performing Arts, Berkeley, University of California Press, 1984.
McDougall, B., Mao Zedong`s “Talks at the Yanan Conference on literature and art” a translation of the 1943 text with
commentary, Ann Arbor, Centre of Chinese Studies, University of Michigan, 1980 .
Otani Ichirô, et al, hen, Tenkeiki ni okeru Chûgoku Chishikijin, Jiko Shoin, 1999.
Schram, S., Mao Tse-tung, Harmondsworth, Penguin, 1967.
Schram, S.R., The Political Thought of Mao Tse-tung, New York, Frederick A. Praeger, 1963.
Spence, J., The Gate of the Heavenly Peace: The Chinese and their revolution, 1895-1980, New York, Viking Press, 1981,
and London, Faber and Faber, 1982.
Tang Xiaobing, ‘Decorating culture: Notes on Interior Design, Interiority, and Interiorization’, Public Culture,
vol.10, no.3, Spring 1998.
Tang Xiaobing, ‘Orientalism and the question of Universality: The language of Contemporary Chinese Literary
Theory’, Positions, vol. 1, no.2, 1993.
Tang Xiaobing, ‘The function of new theory: what does it mean to talk about post-modernism in China’, Public
Culture, vol.4, no.1, 1991.
Tang Xiaobing: Global space and the nationalist discourse of modernity: the historicalthinking of Liang Qichao, Stanford,
Stanford University Press, 1996
Teiwes, F., Sun, W., The Road to Disaster: Mao, Central Politicians and Provincial Leaders in the emergence of the Great Leap
Forward, 1955-1959, Armonk, N.Y., M.E.Sharpe, 1997.