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A Working Bibliography - The University of Sydney

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47<br />

Sun, S., Modern Chinese Woodcuts, San Francisco, Chinese Culture Foundation, 1979<br />

Wachs, Iris & Chang Tsong-zung, Half a Century <strong>of</strong> Chinese Woodblock Prints, Ein Harod, <strong>The</strong> Museum <strong>of</strong> Art, 1999.<br />

Selected works on Modern Chinese Intellectual and Political History before 1949<br />

Barmé, Geremie, ‘<strong>The</strong> Garden <strong>of</strong> Perfect Brightness, a life in ruins’ East Asian History, 11, July 1996.<br />

Barmé, Geremie, ‘<strong>The</strong> Garden <strong>of</strong> Perfect Brightness: A Manchu Vision <strong>of</strong> China’, Visual Arts + Culture, vol.1,<br />

no.1, 1998.<br />

Cahill, J., ‘Style as idea in Ming-Ch’ing painting’, in Meissner, M., Murphy R., eds, <strong>The</strong> Mozartian Historian,<br />

Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1976<br />

Ch’en, Jerome, China and the West, London, Hutchinson, 1979.<br />

Chen, Jerome, Mao and the Chinese Revolution, London, Oxford <strong>University</strong> Press, 1965.<br />

Chow, Tse-tsung, <strong>The</strong> May Fourth Movement, Cambridge, Harvard <strong>University</strong> Press, 1960.<br />

Dai, Jinhua, ‘Behind Global Spectacle and National Image Making’ in positions: east asia cultures critique, volume 9,<br />

number 1 (spring 2001), pp. 161-186<br />

Elvin, M., ‘Mandarins and Millenarians: Reflections on the Boxer Uprising 1899-1900’, in Baker, H.D.R.;<br />

Feuchtwang, S., eds. An Old State in New Settings, Oxford, JASO Occasional Papers, no.8, 1991.<br />

Elvin, M., ‘<strong>The</strong> Inner World <strong>of</strong> 1830’, Daedalus, Proceedings <strong>of</strong> the American Academy <strong>of</strong> Arts and Sciences, 120,<br />

2, Spring 1991<br />

Elvin, M. “How did the cracks open? <strong>The</strong> origins <strong>of</strong> the subversion <strong>of</strong> China’s late-traditional culture by the<br />

West’, <strong>The</strong>sis Eleven, no.57, May 1999.<br />

Fairbank, J.K. ed., <strong>The</strong> Cambridge History <strong>of</strong> China, 12, Republican China 1912-1949, Part I, Cambridge, Cambridge<br />

<strong>University</strong> Press, 1983, see chapters by Furth and Scwartz.<br />

Farquhar, Judith, ‘For Your Reading Pleasure: Self-Health (Ziwo Baojian) Information in 1990s Beijing’ in positions:<br />

east asia cultures critique, volume 9, number 1 (spring 2001), pp. 105-130<br />

Feuerwerker, A., Murphy,R., Wright, M.C., eds., Approaches to Modern Chinese History, Berkeley, <strong>University</strong> <strong>of</strong><br />

california Press, 1967.<br />

Friedman, Edward, ‘A Failed Chinese Modernity’, Daedalus, vol.122, no.2, 1993<br />

Fitzgerald, C.P., <strong>The</strong> Birth <strong>of</strong> Communist China, Harmondsworth, Penguin, 1964.<br />

Goldman, M., ed., Modern Chinese Literature in the May Fourth Era, Cambridge, Harvard <strong>University</strong> Press, 1977.<br />

Goodman, David S.G., ‘Contesting the Popular: Party-State and Culture’ in positions: east asia cultures critique,<br />

volume 9, number 1 (spring 2001), pp. 245-266<br />

Hamrin, Carol L., “Conclusion”, in China’s Intellectuals and the State: In search <strong>of</strong> a New Relationship, Goldman M.,<br />

Cheek T., Hamrin Carol L., eds., Cambridge, Council on East Asian Studies, Harvard <strong>University</strong>, 1987.<br />

Han, Suyin, <strong>The</strong> Crippled Tree, London, Jonathan Cape, 1965.<br />

Henriot, Christian, ‘From myth to reality; Chinese courtesans in Late Qing Shanghai’, East Asian History, no.8,<br />

December 1994.<br />

Hevia, James L. ‘World Heritage, National Culture, and the Restoration <strong>of</strong> Chengde’ in positions: east asia cultures<br />

critique, volume 9, number 1 (spring 2001), pp. 219-243<br />

Lee, Leo Ou-fan, “Shanghai Modern: Reflectioons on Urban Culture in China in the 1930s” in Positions<br />

Levenson, J.R., Revolution and Comsopolitanism: <strong>The</strong> Western Stage and the Chinese Stages; Berkeley, <strong>University</strong> <strong>of</strong><br />

California Press, 1971.<br />

Levenson, Joseph, Confucian China and Its Modern Fate: A Trilogy, Berkeley, <strong>University</strong> <strong>of</strong> California Press, [1958,<br />

1964, 1965] combined edition 1968<br />

Li, Hsiao-t’I, ‘Making a Name and a Culture for the Masses in Modern China’ positions: east asia cultures critique,<br />

volume 9, number 1 (spring 2001), pp. 29-68<br />

Lin, J., <strong>The</strong> Opening <strong>of</strong> the Chinese Mind: Democratic Changes in China since 1978, Westport, Praeger, 1994.<br />

Lin, Yü-sheng, <strong>The</strong> Crisis <strong>of</strong> Chinese Consciousness: radical Anti-Traditionalism in the May Fourth Era, Madison,<br />

<strong>University</strong> <strong>of</strong> Wisconsin Press, 1979.<br />

Mok, Ka-ho, “<strong>The</strong> Changing Relationship between the State and the Intellectuals in Post-Mao China”, Intellectuals<br />

and the State in Post-Mao China, New York, St. Martins's Press, 1998<br />

Mote, F.W., ‘<strong>The</strong> Arts and the ‘<strong>The</strong>orising’ Mode <strong>of</strong> the Civilisation’, in C. Murck, ed., Artists and Tradition,<br />

Princeton, Princeton <strong>University</strong> Press, 1976.<br />

Mote, F.W., Intellectual Foundations <strong>of</strong> China, New York: Knopf, 1971.<br />

Ng Mau-sang, ‘A common people’s literature: popular fiction and social change in Republican Shanghai’, East<br />

Asian History, no.9, June 1995.

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