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Chinese Graphic Art since the Late 19th Century to 1949 Buck, P.S., China in Black and White, New York, Asia Press/John Day, 1944 Clark, John, ‘Progress in Prints’ Asian Art News, vol.7, no.1, Jan/Feb 1997 Dixon, Christine, ‘Peter Townsend in China and Canberra: <strong>The</strong> Peter Townsend Collection <strong>of</strong> Chinese Woodcuts in the National Gallery <strong>of</strong> Australia’, Art Monthly Australia, no. 193, September 2006. Dixon, C., Chinese Woodcuts <strong>of</strong> the Thirties and Forties, [checklist], Canberra, Australian National Gallery, 1987 Epstein, I., I visit Yenan, Bombay, People’s Publishing House, April 1945, [reproductions <strong>of</strong> woodblocks and New York Times reports <strong>of</strong> 1944]. Holm, D., Art and Ideology in Revolutionary China, Oxford, Clarendon Press, 1991 [also see ‘<strong>The</strong> woodcut movement, 1930-1943’, Chapter Four in his Oxford <strong>University</strong> Ph.D. thesis which was not included in this published version]. Flath, James A., Printing Culture in Rural North China, PhD diss., <strong>University</strong> <strong>of</strong> British Columbia, 2000 Kotzenberg,H., Der Revolutionäre Holzschnitt Chinas, Köln, Museum fürOstasiatische Kunst, 1987 Laing, Ellen Johnston, Art & Aesthetics in Chinese Popular Prints: Selections from teh Muban Foudnation Collection, Ann Arbor, Center for Chinese Studies <strong>The</strong> <strong>University</strong> <strong>of</strong> Michigan, 2002 Laing, Ellen Johnston,’Reform, Revolutionary, Political and Resistance <strong>The</strong>mes in Chinese Popular Prints, 1900-1940’, Modern Chinese Literature and Culture, 12.2 Fall 2000. Lust, John, Chinese Popular prints, Leiden, E.J.Brill, 1996. Machida Shiritsu Kokusai Hanga Bijutsukan, Yamanshi Kenritsu Bijutsukan hen, 1930nendai, Shanghai, Rojin, Machida, Machida Shiritsu Kokusai Hanga Bijutsukan, 1994 Tanya McIntyre, Chinese New Year Pictures: <strong>The</strong> Process <strong>of</strong> Modernization, 1842-1942, PhD thesis, <strong>University</strong> <strong>of</strong> Melbourne, 1998. Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990 Pedersen, Bent L., ‘Popular pantheons in od, China’, Jounral <strong>of</strong> Oriental Studies, 26.1, 1988. Sun, Shirley Hsiao-ling, Lu Xun and the Woodcut Movement:1929-1936, Ph.D. diss., Stanford <strong>University</strong>, 1974 Uchiyama Kakitsu, Nara Kazuo, Rojin to Mokkoku, Tôkyô, Kenbun Shuppan, 1981. ‘Uchiyama Shoten to Uchiyama Kanzô’, Uchiyama, vol.3, no.9, Autumn, 1985. [A special issue <strong>of</strong> the house journal <strong>of</strong> Uchiyama Shoten with reminiscences and a chronology <strong>of</strong> Uchiyama Kanzô]. Van Briessen, F., Shanghai-Bildzeitung, 1884-1898, Zürich, Atlantis Verlag, 1977. Woodcuts <strong>of</strong> Wartime China, Hong Kong, Tiandi Tushu, 1978 Xiaobing Tang, ‘Echoes <strong>of</strong> Roar, China! On Vision and Voice in Modern Chinese Art’, positions, vol. 14, no. 2, 2006. Chinese Graphic Art after 1949 [Ying Tianqi] Liu Xiaochun,’Out <strong>of</strong> Xidi and regeneration’, Asian Art News, vol.11, no.5, 2001 [Zhao Yannian] Zhang Zongren, ‘In the eye <strong>of</strong> the storm’, Asian Art News, vol.9, no.6, 1999 Fraser, S.E., 100 Great Chinese Posters, London, Studio Vista, 1977. Grace, Helen., ‘Xiandai Shufa’, in Artlink: <strong>The</strong> China Phenomenon, Vol. 23, No. 4, 2003, p.38-41. Jiang, Joshua J. H., ‘<strong>The</strong> Extermination or the Prosperity <strong>of</strong> Artists?’, in <strong>The</strong> Third Text, Vol. 18, Issue 2, 2004, p.169-182. Jiang Weipu, intr., Chinese Comics, Beijing, China Exhibition Agency, 1986. Meissner,W., Holzschnitt im Neuen China, Berlin, Gesellschaft für Verständigung und Freundschaft mit China, 1976 Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990 Mui Chong-ki, Contemporary Chinese Woodcut Prints Exhibition, Hong Kong, Hong Kong ArtsCentre, 1986 Pettifor, Steven, ‘Contemporary Chinese Prints at Tang Gallery’ (review) Asian Art News, vol. 15, no. 5, 2005. Riley, R., Modern Chinese Prints from the Central Academy <strong>of</strong> Fine Arts, Peking, Preston, Harris Museum and Art Gallery, 1987
47 Sun, S., Modern Chinese Woodcuts, San Francisco, Chinese Culture Foundation, 1979 Wachs, Iris & Chang Tsong-zung, Half a Century <strong>of</strong> Chinese Woodblock Prints, Ein Harod, <strong>The</strong> Museum <strong>of</strong> Art, 1999. Selected works on Modern Chinese Intellectual and Political History before 1949 Barmé, Geremie, ‘<strong>The</strong> Garden <strong>of</strong> Perfect Brightness, a life in ruins’ East Asian History, 11, July 1996. Barmé, Geremie, ‘<strong>The</strong> Garden <strong>of</strong> Perfect Brightness: A Manchu Vision <strong>of</strong> China’, Visual Arts + Culture, vol.1, no.1, 1998. Cahill, J., ‘Style as idea in Ming-Ch’ing painting’, in Meissner, M., Murphy R., eds, <strong>The</strong> Mozartian Historian, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1976 Ch’en, Jerome, China and the West, London, Hutchinson, 1979. Chen, Jerome, Mao and the Chinese Revolution, London, Oxford <strong>University</strong> Press, 1965. Chow, Tse-tsung, <strong>The</strong> May Fourth Movement, Cambridge, Harvard <strong>University</strong> Press, 1960. Dai, Jinhua, ‘Behind Global Spectacle and National Image Making’ in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 161-186 Elvin, M., ‘Mandarins and Millenarians: Reflections on the Boxer Uprising 1899-1900’, in Baker, H.D.R.; Feuchtwang, S., eds. An Old State in New Settings, Oxford, JASO Occasional Papers, no.8, 1991. Elvin, M., ‘<strong>The</strong> Inner World <strong>of</strong> 1830’, Daedalus, Proceedings <strong>of</strong> the American Academy <strong>of</strong> Arts and Sciences, 120, 2, Spring 1991 Elvin, M. “How did the cracks open? <strong>The</strong> origins <strong>of</strong> the subversion <strong>of</strong> China’s late-traditional culture by the West’, <strong>The</strong>sis Eleven, no.57, May 1999. Fairbank, J.K. ed., <strong>The</strong> Cambridge History <strong>of</strong> China, 12, Republican China 1912-1949, Part I, Cambridge, Cambridge <strong>University</strong> Press, 1983, see chapters by Furth and Scwartz. Farquhar, Judith, ‘For Your Reading Pleasure: Self-Health (Ziwo Baojian) Information in 1990s Beijing’ in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 105-130 Feuerwerker, A., Murphy,R., Wright, M.C., eds., Approaches to Modern Chinese History, Berkeley, <strong>University</strong> <strong>of</strong> california Press, 1967. Friedman, Edward, ‘A Failed Chinese Modernity’, Daedalus, vol.122, no.2, 1993 Fitzgerald, C.P., <strong>The</strong> Birth <strong>of</strong> Communist China, Harmondsworth, Penguin, 1964. Goldman, M., ed., Modern Chinese Literature in the May Fourth Era, Cambridge, Harvard <strong>University</strong> Press, 1977. Goodman, David S.G., ‘Contesting the Popular: Party-State and Culture’ in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 245-266 Hamrin, Carol L., “Conclusion”, in China’s Intellectuals and the State: In search <strong>of</strong> a New Relationship, Goldman M., Cheek T., Hamrin Carol L., eds., Cambridge, Council on East Asian Studies, Harvard <strong>University</strong>, 1987. Han, Suyin, <strong>The</strong> Crippled Tree, London, Jonathan Cape, 1965. Henriot, Christian, ‘From myth to reality; Chinese courtesans in Late Qing Shanghai’, East Asian History, no.8, December 1994. Hevia, James L. ‘World Heritage, National Culture, and the Restoration <strong>of</strong> Chengde’ in positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 219-243 Lee, Leo Ou-fan, “Shanghai Modern: Reflectioons on Urban Culture in China in the 1930s” in Positions Levenson, J.R., Revolution and Comsopolitanism: <strong>The</strong> Western Stage and the Chinese Stages; Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1971. Levenson, Joseph, Confucian China and Its Modern Fate: A Trilogy, Berkeley, <strong>University</strong> <strong>of</strong> California Press, [1958, 1964, 1965] combined edition 1968 Li, Hsiao-t’I, ‘Making a Name and a Culture for the Masses in Modern China’ positions: east asia cultures critique, volume 9, number 1 (spring 2001), pp. 29-68 Lin, J., <strong>The</strong> Opening <strong>of</strong> the Chinese Mind: Democratic Changes in China since 1978, Westport, Praeger, 1994. 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97 La Fleur, William A., ‘A turni
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
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Martin, Courtney J. ‘South Asian
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media