A Working Bibliography - The University of Sydney

46
Art Institutions –China (entries after 2005)
Fouraux, Alain, ‘Guangdong Museum of Art’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Movius, Lisa, ‘Shanghai gets Contemporary’ Art in America, vol. 93, iss. 10, Nov 2005.
Movius, Lisa, ‘Art Centre Opens in Shanghai’, Art in America, vol. 93, iss. 6, Jun-Jul 2005.
Wallace, Brian, et.al., eds., To the Watchtower: Red Gate Gallery and Contemporary Art in China, Hong Kong, Timezone
8, 2007 (Forthcoming)
Zheng Shengtian, ‘Interview with Samuel Kung, Chairman and Director, Museum of Contemporary Art,
Shanghai’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Chinese Graphic Art since the Late 19th Century to 1949
Buck, P.S., China in Black and White, New York, Asia Press/John Day, 1944
Clark, John, ‘Progress in Prints’ Asian Art News, vol.7, no.1, Jan/Feb 1997
Dixon, Christine, ‘Peter Townsend in China and Canberra: The Peter Townsend Collection of Chinese Woodcuts
in the National Gallery of Australia’, Art Monthly Australia, no. 193, September 2006.
Dixon, C., Chinese Woodcuts of the Thirties and Forties, [checklist], Canberra, Australian National Gallery, 1987
Epstein, I., I visit Yenan, Bombay, People’s Publishing House, April 1945, [reproductions of woodblocks and New
York Times reports of 1944].
Holm, D., Art and Ideology in Revolutionary China, Oxford, Clarendon Press, 1991 [also see ‘The woodcut
movement, 1930-1943’, Chapter Four in his Oxford University Ph.D. thesis which was not included in this
published version].
Flath, James A., Printing Culture in Rural North China, PhD diss., University of British Columbia, 2000
Kotzenberg,H., Der Revolutionäre Holzschnitt Chinas, Köln, Museum fürOstasiatische Kunst, 1987
Laing, Ellen Johnston, Art & Aesthetics in Chinese Popular Prints: Selections from teh Muban Foudnation Collection, Ann
Arbor, Center for Chinese Studies The University of Michigan, 2002
Laing, Ellen Johnston,’Reform, Revolutionary, Political and Resistance Themes in Chinese Popular Prints,
1900-1940’, Modern Chinese Literature and Culture, 12.2 Fall 2000.
Lust, John, Chinese Popular prints, Leiden, E.J.Brill, 1996.
Machida Shiritsu Kokusai Hanga Bijutsukan, Yamanshi Kenritsu Bijutsukan hen, 1930nendai, Shanghai, Rojin,
Machida, Machida Shiritsu Kokusai Hanga Bijutsukan, 1994
Tanya McIntyre, Chinese New Year Pictures: The Process of Modernization, 1842-1942, PhD thesis, University of
Melbourne, 1998.
Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990
Pedersen, Bent L., ‘Popular pantheons in od, China’, Jounral of Oriental Studies, 26.1, 1988.
Sun, Shirley Hsiao-ling, Lu Xun and the Woodcut Movement:1929-1936, Ph.D. diss., Stanford University, 1974
Uchiyama Kakitsu, Nara Kazuo, Rojin to Mokkoku, Tôkyô, Kenbun Shuppan, 1981.
‘Uchiyama Shoten to Uchiyama Kanzô’, Uchiyama, vol.3, no.9, Autumn, 1985. [A special issue of the house journal
of Uchiyama Shoten with reminiscences and a chronology of Uchiyama Kanzô].
Van Briessen, F., Shanghai-Bildzeitung, 1884-1898, Zürich, Atlantis Verlag, 1977.
Woodcuts of Wartime China, Hong Kong, Tiandi Tushu, 1978
Xiaobing Tang, ‘Echoes of Roar, China! On Vision and Voice in Modern Chinese Art’, positions, vol. 14, no. 2,
2006.
Chinese Graphic Art after 1949
[Ying Tianqi] Liu Xiaochun,’Out of Xidi and regeneration’, Asian Art News, vol.11, no.5, 2001
[Zhao Yannian] Zhang Zongren, ‘In the eye of the storm’, Asian Art News, vol.9, no.6, 1999
Fraser, S.E., 100 Great Chinese Posters, London, Studio Vista, 1977.
Grace, Helen., ‘Xiandai Shufa’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.38-41.
Jiang, Joshua J. H., ‘The Extermination or the Prosperity of Artists?’, in The Third Text, Vol. 18, Issue 2, 2004,
p.169-182.
Jiang Weipu, intr., Chinese Comics, Beijing, China Exhibition Agency, 1986.
Meissner,W., Holzschnitt im Neuen China, Berlin, Gesellschaft für Verständigung und Freundschaft mit China, 1976
Minick, S., Jiao, P., Chinese Graphic Design in the Twentieth Century, London, Thames & Hudson, 1990
Mui Chong-ki, Contemporary Chinese Woodcut Prints Exhibition, Hong Kong, Hong Kong ArtsCentre, 1986
Pettifor, Steven, ‘Contemporary Chinese Prints at Tang Gallery’ (review) Asian Art News, vol. 15, no. 5, 2005.
Riley, R., Modern Chinese Prints from the Central Academy of Fine Arts, Peking, Preston, Harris Museum and Art
Gallery, 1987