A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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45<br />
Storer, Russell, ‘Shanghai Star’, Art Asia Pacific, No.34, 2002.<br />
2002<br />
[Paris-Pekin] Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002; Ullens, Baronn<br />
Guy F and Binks, Hillary, ‘<strong>The</strong> Collecting Instinct’, Asian Art News, vol. 12, no. 4, July/August, 2002;<br />
Croës, Marcel, ‘An Interview with Guy Ullens’ [Paris-Pekin exhibition focus], Orientations, Volume 33,<br />
Number 8, October 2002<br />
2003<br />
[Alors la Chine?] Berghuis, Thomas J., ‘Alors la Chine? Paris’ (Review) in Art Asia Pacific, No. 38 (Fall 2003), pp.<br />
79-80<br />
[Between Past and Future] Wu Hung, ‘About Between Past and Future: New Photography and Video from China’ in<br />
Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 5-14; Vine, Richard, ‘Sixty Ways <strong>of</strong> Looking at<br />
China’ (Review) in Art in America (June/July 2004), pp. 124-129<br />
[Chinese Maximalism] Yap, Chin Chin, ‘Chinese Maximalism’ in Art Asia Pacific, No. 38 (Fall 2003), p. 37<br />
[Public Space and Personal Eyes – A New Vision in China] Vnuk, Gordana, Public Space and Personal Eyes – A New<br />
Vision in China (Catalogue) Hamburg: Kampnagel, 2003<br />
[Rong Rong], Goodman, Johathan., ‘Rong Rong’s East Village at Chambers Fine Art’, in Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.106-108.<br />
[Wang Wei], Tinari, Philip., ‘If It Isn’t Built, It Can’t Be Torn Down: Notes on Wang Wei’s Temporary Space’, in<br />
Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73.<br />
Chang, Tsongzung., ‘A Strange Heaven: Contemporary Chinese Photography’ (A Strange Heaven: Contemporary<br />
Chinese Photography), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.59-67.<br />
Chiu, Melissa., ‘China Reinvented: <strong>The</strong> Art <strong>of</strong> Overseas Chinese Artists in the United States’, in Clark, John.,<br />
‘Alors, la Chine?’, in Artlink: <strong>The</strong> China Phenomenon, Vol. 23, No. 4, 2003, p.68-71<br />
Geczy, Adam., ‘Yang Jiechang’ (review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78.<br />
Goodman, Jonathan, ‘Chen Zhen At P.S.1’ (review), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3,<br />
September 2003, p.105-106.<br />
Goodman, Jonahan., ‘Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art’ (review), in Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, Vol.2, No.1, March 2003, p.93-94.<br />
Goodman, Jonahan., ‘Guo Brothers at Michael Goedhuis’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol.2, No.1,<br />
March 2003, p.98-100.<br />
Goodman, Jonathan., ‘Tseng Kwong Chi at Chambers Fine Art’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol.<br />
2 No. 4, December 2003, p.91-93.<br />
Heartney, Eleanor, ‘One to One: Visions – Recent Photographs From China at Chambers’ (Review) in Art in<br />
America (June/July 2004), pp. 172-173<br />
Köppel-Yang, Martina, ‘<strong>The</strong> Ping-Pong Policy <strong>of</strong> Contemporary Chinese Art’ in Yishu: Journal <strong>of</strong> Contemporary<br />
Chinese Art, June 2004, pp. 60-66<br />
Lemonnier, A., ed. Alors, la Chine?, Paris, Centre Pompidou, 2003.<br />
Lu, Carol, ‘Chinese Pavilion Abolished’ in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), p. 51<br />
Przerwa, Xenia Tetmajer Von., ‘Too Much Flavor at Chambers Fine Art, New York’ (review), in Yishu: Journal <strong>of</strong><br />
Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.122-123.<br />
Pollock, Barbara, ‘Mainland Dreams on Tape’ in Art in America (June/July 2004), pp. 130-134<br />
Ulrich Obrist, Hans, ‘Madacity’ (Review) in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 103<br />
2004<br />
Fei Dawei, et.al., <strong>The</strong> Monk and the Demon, Lyon and Guangzhou, Guy & Myriam Ullens Foundation, 2004<br />
Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery <strong>of</strong> Art, 2004<br />
Wu Hung and Crisopher Phillips, Between Past and Future: New Photography and Video from China, Chicago, Smart<br />
Museum <strong>of</strong> Art and <strong>The</strong> <strong>University</strong> <strong>of</strong> Chicago, 2004<br />
2006<br />
Cohen, Joan Lebold, ‘Chinese Art on Edge’ (exhibition review), ArtAsiaPacific, no. 51, 2007.<br />
de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual), Rotterdam,<br />
NAI Publishers, 2006<br />
Gao Minglu, <strong>The</strong> Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art Gallery,<br />
<strong>University</strong> at Buffalo Art Galleries, and Millennium Art Museum, 2006<br />
van Broekhuizen, Dick, Xianfeng: Chinese Avant Garde Sculpture (Bilingual), <strong>The</strong> Hague, Waanders, 2006