A Working Bibliography - The University of Sydney

45
Storer, Russell, ‘Shanghai Star’, Art Asia Pacific, No.34, 2002.
2002
[Paris-Pekin] Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002; Ullens, Baronn
Guy F and Binks, Hillary, ‘The Collecting Instinct’, Asian Art News, vol. 12, no. 4, July/August, 2002;
Croës, Marcel, ‘An Interview with Guy Ullens’ [Paris-Pekin exhibition focus], Orientations, Volume 33,
Number 8, October 2002
2003
[Alors la Chine?] Berghuis, Thomas J., ‘Alors la Chine? Paris’ (Review) in Art Asia Pacific, No. 38 (Fall 2003), pp.
79-80
[Between Past and Future] Wu Hung, ‘About Between Past and Future: New Photography and Video from China’ in
Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 5-14; Vine, Richard, ‘Sixty Ways of Looking at
China’ (Review) in Art in America (June/July 2004), pp. 124-129
[Chinese Maximalism] Yap, Chin Chin, ‘Chinese Maximalism’ in Art Asia Pacific, No. 38 (Fall 2003), p. 37
[Public Space and Personal Eyes – A New Vision in China] Vnuk, Gordana, Public Space and Personal Eyes – A New
Vision in China (Catalogue) Hamburg: Kampnagel, 2003
[Rong Rong], Goodman, Johathan., ‘Rong Rong’s East Village at Chambers Fine Art’, in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.106-108.
[Wang Wei], Tinari, Philip., ‘If It Isn’t Built, It Can’t Be Torn Down: Notes on Wang Wei’s Temporary Space’, in
Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73.
Chang, Tsongzung., ‘A Strange Heaven: Contemporary Chinese Photography’ (A Strange Heaven: Contemporary
Chinese Photography), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.59-67.
Chiu, Melissa., ‘China Reinvented: The Art of Overseas Chinese Artists in the United States’, in Clark, John.,
‘Alors, la Chine?’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.68-71
Geczy, Adam., ‘Yang Jiechang’ (review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78.
Goodman, Jonathan, ‘Chen Zhen At P.S.1’ (review), in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3,
September 2003, p.105-106.
Goodman, Jonahan., ‘Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art’ (review), in Yishu: Journal of
Contemporary Chinese Art, Vol.2, No.1, March 2003, p.93-94.
Goodman, Jonahan., ‘Guo Brothers at Michael Goedhuis’, in Yishu: Journal of Contemporary Chinese Art, Vol.2, No.1,
March 2003, p.98-100.
Goodman, Jonathan., ‘Tseng Kwong Chi at Chambers Fine Art’, in Yishu: Journal of Contemporary Chinese Art, Vol.
2 No. 4, December 2003, p.91-93.
Heartney, Eleanor, ‘One to One: Visions – Recent Photographs From China at Chambers’ (Review) in Art in
America (June/July 2004), pp. 172-173
Köppel-Yang, Martina, ‘The Ping-Pong Policy of Contemporary Chinese Art’ in Yishu: Journal of Contemporary
Chinese Art, June 2004, pp. 60-66
Lemonnier, A., ed. Alors, la Chine?, Paris, Centre Pompidou, 2003.
Lu, Carol, ‘Chinese Pavilion Abolished’ in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), p. 51
Przerwa, Xenia Tetmajer Von., ‘Too Much Flavor at Chambers Fine Art, New York’ (review), in Yishu: Journal of
Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.122-123.
Pollock, Barbara, ‘Mainland Dreams on Tape’ in Art in America (June/July 2004), pp. 130-134
Ulrich Obrist, Hans, ‘Madacity’ (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 103
2004
Fei Dawei, et.al., The Monk and the Demon, Lyon and Guangzhou, Guy & Myriam Ullens Foundation, 2004
Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery of Art, 2004
Wu Hung and Crisopher Phillips, Between Past and Future: New Photography and Video from China, Chicago, Smart
Museum of Art and The University of Chicago, 2004
2006
Cohen, Joan Lebold, ‘Chinese Art on Edge’ (exhibition review), ArtAsiaPacific, no. 51, 2007.
de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual), Rotterdam,
NAI Publishers, 2006
Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art Gallery,
University at Buffalo Art Galleries, and Millennium Art Museum, 2006
van Broekhuizen, Dick, Xianfeng: Chinese Avant Garde Sculpture (Bilingual), The Hague, Waanders, 2006