Pi Li, Art Unforbidden: <strong>The</strong> <strong>The</strong>me Exhibition <strong>of</strong> Art Beijing, Beijing, Tang Contemporary Art, 2006 Pi Li, et.al., In the View, Beijing, Tang Contemporary Art, 2006 Zhang Yonglin, ed., Second Shanghai Duolun Exhibition <strong>of</strong> Young Artists, Duolun Art Museum 2006 Zhu Qi, Woman in a Society <strong>of</strong> Dual Sexuality, Beijing, Tang Contemporary Art Gallery, 2006 44 Selected Exhibitions outside China 1989 Jean-Hubert Martin¸ Les Magiciens de la Terre, Centre Pompidou, 1989 [exhibited Huang Yongping, Gu Dexin, Yang Jiechang] 1990 Fei Dawei, ed, Art Chinois: Chine Demain pour Hier, [Cai Guoqiang, Yang Jiechang, Yan Peiming, Gu Wenda, Huang Yongping, Chen Zhen], Aix en Provence, Les Domaines de l’art & Editions Carte Segrete, 1990 1992 ‘Chinese Mainland Artists Exhibition’(?), at California Institute <strong>of</strong> Art, September [report by Wang Shouzhi in Mingbao Yuekan, September 1993. 1993 Andrews, Julia, F.; Gao Minglu, Fragmented Memory: <strong>The</strong> Chinese Avant Garde in Exile Columbus, Ohio State <strong>University</strong>, Wexner Center for the Arts, 1993. 1995 Ballegeer, Jan Pieter, Ink and Light: Collision Dialogue Blending, Gent, Lineart, 1995. Wang Luyan, Chen Shaoping, Gu Dexin, Arbeit der Gruppe “Neuer Maßstab” (4), Berlin, New Gallery Association Wang Luyan, Chen Shaoping, Gu Dexin, Grup Xin Kedu (“Nova Mida”), Obra V 1996 Zhu Zhu, Zhongguo Banhua Jiezuo / Meisterwerke Chinesischer Grafik, Aachen, Ludwigforum für Internationale Kunst & Beijing, Zhongyang Meishuxeueyuan, n.d. [1996]. 1997 Another Long March: Chinese Conceptual and Installation Art in the Nineties, Breda, Fundament Foundation. Hou Hanru, Parisien(ne)s, London, Camden Arts Centre & INIVA, 1997. 1998 Colman, Julia; Bois, Ludovic, Chinese Contemporary, 96-98, London, Chinese Contemporary Limited, 1998. Fibicher, Bernard, Großschwanzelefan / Big Tail Elephant, Bern, Kunsthalle, 1998 Gao Minglu, ed., Inside Out, San Francisco, Musem <strong>of</strong> Modern Art & New York, Asia Society. Keusen, Elle; Schmidt, Inge; Weihs, Helge, Per Video, Köln, Museum Ludwig, 1998. Solomon, Andrew, ‘China: 5,000 Years’, Artforum International, Vol.36, Issue 9, May1998 Werner, Chris; Qiu Ping; Pitzen, Marianne, Die Hälfte des Himmels, Bonn, Frauenmuseum, 1998. 1999 Asian Art Triennale, Fukuoka, 1999. Biennale di Venezia, 1999. Smith, Karen & Pi Li, Representing the People, Beijing, <strong>The</strong> Courtyard Gallery & Newcastle, Tyne and Weir Museums, 1999. Tang Xin & Urle U, 1999 Cologne-Beijing, Beijing-Cologne Exchange Exhibition, Köln, Gothaer Kunstforum, 1999. Wu Hong, Transience: Chinese Art at the End <strong>of</strong> the 20th Century, <strong>The</strong> Smart Museum <strong>of</strong> Art, <strong>University</strong> <strong>of</strong> Chicago, 1999. Logan Collection, San Francisco, Limn Gallery, 1999. China 1999, San Francisco, Limn Gallery, 1999. Wu Meichun, Zheng Shengtian, Truths from the Open Door: Chinese Conceptual Photography, (Supported by the Annie Wong Foundation), Bangkok, Art Gallery <strong>of</strong> Chulalongkorn <strong>University</strong>, 1999. Fu Shen, Nouveau reflets de la terre natale – six peintres de Taiwan, Paris, Centre Culturel et d’information de Taïpei à Paris, 1999. 2000 Jouanno, Evelyine; Hou Hanru, Paris pour escale, [incl. Chen Zhen, Huang Yongping, Shen Yuan, Wang Du, Yang Jiechang] Paris, ARC- Musée d’Art Moderne de la Ville de Paris, 2000 2001 Nuridstany, Michel, Next Generation / Art Contemporain d’Asie, Paris, [Galerie] Passage de Retz, 2001
45 Storer, Russell, ‘Shanghai Star’, Art Asia Pacific, No.34, 2002. 2002 [Paris-Pekin] Chang Tsong-zung and Decrop, Marc, ed., Paris-Pekin, Paris: Chinese Century, 2002; Ullens, Baronn Guy F and Binks, Hillary, ‘<strong>The</strong> Collecting Instinct’, Asian Art News, vol. 12, no. 4, July/August, 2002; Croës, Marcel, ‘An Interview with Guy Ullens’ [Paris-Pekin exhibition focus], Orientations, Volume 33, Number 8, October 2002 2003 [Alors la Chine?] Berghuis, Thomas J., ‘Alors la Chine? Paris’ (Review) in Art Asia Pacific, No. 38 (Fall 2003), pp. 79-80 [Between Past and Future] Wu Hung, ‘About Between Past and Future: New Photography and Video from China’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 5-14; Vine, Richard, ‘Sixty Ways <strong>of</strong> Looking at China’ (Review) in Art in America (June/July 2004), pp. 124-129 [Chinese Maximalism] Yap, Chin Chin, ‘Chinese Maximalism’ in Art Asia Pacific, No. 38 (Fall 2003), p. 37 [Public Space and Personal Eyes – A New Vision in China] Vnuk, Gordana, Public Space and Personal Eyes – A New Vision in China (Catalogue) Hamburg: Kampnagel, 2003 [Rong Rong], Goodman, Johathan., ‘Rong Rong’s East Village at Chambers Fine Art’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.106-108. [Wang Wei], Tinari, Philip., ‘If It Isn’t Built, It Can’t Be Torn Down: Notes on Wang Wei’s Temporary Space’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.72-73. Chang, Tsongzung., ‘A Strange Heaven: Contemporary Chinese Photography’ (A Strange Heaven: Contemporary Chinese Photography), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.59-67. Chiu, Melissa., ‘China Reinvented: <strong>The</strong> Art <strong>of</strong> Overseas Chinese Artists in the United States’, in Clark, John., ‘Alors, la Chine?’, in Artlink: <strong>The</strong> China Phenomenon, Vol. 23, No. 4, 2003, p.68-71 Geczy, Adam., ‘Yang Jiechang’ (review), in Art AsiaPacific, Issue 38, Fall 2003, p.77-78. Goodman, Jonathan, ‘Chen Zhen At P.S.1’ (review), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.105-106. Goodman, Jonahan., ‘Chopsticks: Song Dong and Yin Xiuzhen at Chambers Fine Art’ (review), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol.2, No.1, March 2003, p.93-94. Goodman, Jonahan., ‘Guo Brothers at Michael Goedhuis’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol.2, No.1, March 2003, p.98-100. Goodman, Jonathan., ‘Tseng Kwong Chi at Chambers Fine Art’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.91-93. Heartney, Eleanor, ‘One to One: Visions – Recent Photographs From China at Chambers’ (Review) in Art in America (June/July 2004), pp. 172-173 Köppel-Yang, Martina, ‘<strong>The</strong> Ping-Pong Policy <strong>of</strong> Contemporary Chinese Art’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 60-66 Lemonnier, A., ed. Alors, la Chine?, Paris, Centre Pompidou, 2003. Lu, Carol, ‘Chinese Pavilion Abolished’ in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), p. 51 Przerwa, Xenia Tetmajer Von., ‘Too Much Flavor at Chambers Fine Art, New York’ (review), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.122-123. Pollock, Barbara, ‘Mainland Dreams on Tape’ in Art in America (June/July 2004), pp. 130-134 Ulrich Obrist, Hans, ‘Madacity’ (Review) in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 103 2004 Fei Dawei, et.al., <strong>The</strong> Monk and the Demon, Lyon and Guangzhou, Guy & Myriam Ullens Foundation, 2004 Köppel-Yang, Martina, Odyssey (s) 2004, (Catalogue), Shanghai: Shanghai Gallery <strong>of</strong> Art, 2004 Wu Hung and Crisopher Phillips, Between Past and Future: New Photography and Video from China, Chicago, Smart Museum <strong>of</strong> Art and <strong>The</strong> <strong>University</strong> <strong>of</strong> Chicago, 2004 2006 Cohen, Joan Lebold, ‘Chinese Art on Edge’ (exhibition review), ArtAsiaPacific, no. 51, 2007. de Baan, Christine, Huang Du, et.al., China Contemporary: Architecture, Art, Visual Culture (Bilingual), Rotterdam, NAI Publishers, 2006 Gao Minglu, <strong>The</strong> Wall: Reshaping Contemporary Chinese Art, New York and Beijing, Albright-Knox Art Gallery, <strong>University</strong> at Buffalo Art Galleries, and Millennium Art Museum, 2006 van Broekhuizen, Dick, Xianfeng: Chinese Avant Garde Sculpture (Bilingual), <strong>The</strong> Hague, Waanders, 2006
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media