A Working Bibliography - The University of Sydney

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2003; Li, Zhe, ‘Stepping Out In Guangzhou’, 2002 Guangzhou Triennial Review, Asian Art News, vol. 13,
no. 1, January/February 2003; Wong, Aida-Yuen, 'Vestiges of Time/ Elemental Spring: Zhang Jian-Jun
and Barbara Edelstein in Guangdong', Yishu: Journal of Chinese Contemporary Art, March 2003, Spring Issue;
Köppel-Yang, Martina, 'A Bat's Life, or Big Brother is Watching You', Yishu: Journal of Chinese Contemporary
Art, March 2003, Spring Issue
[Shanghai Biennale] Xu Jiang and Li Xiangyang, ed., 2002 Shanghai Biennale, The Shanghai Biennial,’ Flash Art,
Vol. XXXVI, No. 229, March-April 2003Shanghai: Shanghai Art Museum, 2002
Huang Zhuan and Pi Li, ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002
Gao Minglu, ed., Chinese Maximalism, Beijing: Chongqing Publishing House
Lim, Michelle., ‘History from Wood’ (The Exhibition of Half a Century of Chinese Woodblock Prints: From the
Communist Revolution to the Open Door Policy and Beyond, 1945-1998), in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.60-65.
Machan, Kim, MAAP in Beijing 2002, Beijing: Hebei Education Publishing House
Stringa, Nico, Terrecotte Cinesi dalla 48 a Biennale di Venezia, Cornuda, Grafiche Antiga, 2003 [English essays by Dal
Largo, Erickson, Stringa]
2003
[1 st Beijing Biennale] Smith, Karen, ‘1 st Beijing Biennale’ (Review) in Art Asia Pacific, No. 39 (Winter 2004), p. 78
[Chinese Maximalism] Yap, Chin Chin, ‘Chinese Maximalism’ in Art Asia Pacific, No. 38 (Fall 2003), p. 37
[Left Wing (Cao Fei, Fang Lijun, Gu Dexin, Song Dong, Sui Jiangguo, Zhuang Hui, Du Zhenjun, Huang
Yongping, Shen Shaomin)], Zhang, Zhaohui., ‘Left Wing at Left Bank Gallery’, in Asian Art News, Vol. 14,
No. 1, January/February 2004, p.76-77; ‘Left Wing: An Exhibition of Contemporary Chinese Art’ (Review)
in Art Asia Pacific, No. 40 (Spring 2004), pp. 80-81
[Twenty Year Anniversary of Hanart T.Z. Gallery] Thomson, Jonathan, ‘Themes and Variations’, in History’ in
Asian Art News , Vol. 14, Number 4 (July/August 2004), pp.46-53
Gao Minglu, Chinese Maximalism, Chongqing, Chongqing Publishing House, 2003
Li Xianting, Curator’s Notes on Prayer Beads and Brush Strokes, Beijing, Beijing Tokyo Art Projects, 2003
Scarlett, Ken., ‘Changchun, China: to Confront or Confirm’ in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003,
p.72.
Shao Dazhen, et.al., eds., Symposium Papers for the First Beijing International Art Biennale, China, 2004 (Bilingual),
Beijing, Renmin meishu chubanshe, 2003
Tetmajer, Xenia., ‘The Power of the Public Realm at the 2500 Cultural Transmission Space’ (review), in Asian Art
News, Vol. 14, No. 2, March/April 2004, p.85.
2004
Coleman, Julia, ed. Critical Mass, London, Chinese Contemporary, 2004
Zhang Zhaohui, Concrete Horizons, Wellington, Adam Art Gallery, 2004
2005
Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005
2006
Absolute Images: Chinese Contemporary Art [Fang Lijun, Zhang Xiaogang, Yue Minjun, et.al.], Beijing, Arario Gallery,
2006
Beautiful Cynicism [Anselm Kiefer, Wang Guangyi, et.al.], Beijing, Arario Gallery, 2006
Chen Chieh-Jen, Hong Hao, et. al., Double –Kick Cracker: An Exhibition of Chinese Contemporary Art, Beijing, Tang
Contemporary Art, 2006
Fan Fang, et.al., Naughty Kids: The Chinese New Generation Born After 1970, Beijing, 2006
Gu Zhenqing, et.al., Two Asias, Two Europes: An International Exhibition of Contemporary Arts, Hong Kong,
Timezone 8 (Distributor)
Gu Zhenqing, To Each His Own, Hong Kong, Timezone 8, 2006 (Distributor)
Gu Zhenqing, Visual Production, Hong Kong, Timezone 8, 2006
Köppel-Yang, Martina, et.al, Surplus Value, Beijing, Tang Contemporary Art Gallery, 2006
Kung, Samuel, ed., Entry Gate: Chinese Aethetics of Hetrogeneity: 2006 MoCA Envisage, Shanghai, Museum of
Contemporary Art, 2006
Ng, Joseph, The Naked Truth: Six Chengdu-based Chinese Artists, Beijing, Tang Contemporary Art, 2006