A Working Bibliography - The University of Sydney

42
1998
Feng Boyi, Cai Qing, Shengcun Hengji: ‘98 Zhongguo Dangdai Yishu NeibuGuanmozhan / Trace of Existence: A Private
Showing of China Contemporary Art ‘98,Beijing, Art Now Studio, January 1998.
0431.1998 Luxiang, Dian’nao yishuzhan, Changchun, Jilinsheng Gongyeshiji Xuexiao, see Huang Yan in Yishujie,
11/12-1998.
Huang Du, Kongjian yu Shijue/Space and Vision: The impression of transmuting dailylives in Beijing, 1998, Beijing, Dangdai
Meishuguan, July
Leng Lin, Shi Wo/It’s Me [unrealized], Beijing, Xiandai Yishu Zhongxin, November.
Liao Wen, Liang Xing Pingdai’ Yishu zhan (Personal Touch) Tianjin, Taida DangdaiYishu Bowuyuan, 1998.
Fan Di’an et al, ‘98 [Fuzhou] Yataidiqu Dangdai Yishu Yaoqingzhan Zuopinji, Fuzhou, 1998.
‘98 Shanghai Meishu Shuang Nianzhan [review by Gu Zhengfeng, ‘Tayue biangu deyichang sheng’, Jiangsu Huakan,
no.1, 1999].
Jia Fangzhou, Lin Lin et al, Fanshi –Zishen yu Huangjing zhan, Beijing, BeijingshiJianshe Daxue, November 1998.
Pi Daojian et al, 90 Niandai Zhongguo Shiyan Suimo / Experimental Wash Painting ofChina in the 90s, Hong Kong,
Shijie Huaren Meishu Chubanshe, 1998.
Schneider, Eckhard R., et al, Chuantong / Fansi: Zhonguo dangdai Yishuzhan; ImSpiegel der Eigenen Tradition, Austellung
Zeitgenössischer Chinesischer Kunst, Beijing, Botschaft der Bundesrepublik Deutschland, November 1998.
[report by FengHuanian in Jiangsu Huakan, 2, 1999]
Yin Shuangxi, Beijing Qingnian Diaosujia Zuopin Lianzhan, Beijing Qingnian Diaosujia Chuangzuo Yanjiuzu, 1998.
Zhang Zhaohui, Shu Hewen, Pianzhi/The Corruptionists, Beijing, The Curators,November 1998.
1999
Chang, Tsong-zung, Fast>>Forward: New Chinese Video Art, Macao, Centro de ArteContemporãnea de Macau &
Hong Kong, TZ Hanart, 1999.
Zhang Xiaogang, ed., Shanghe Meishuguan ‘99 Xueshu Yaoqing zhan, Chengdu,Shanghe Meishuguan, [16 th April to
15th May].
Zhang Zhaohui, Cong Zhongguochufa xin yishu zhan / Departure from China; A NewChinese Art Exhibition, Beijing, Shiji
Bowuguan, 1999 [unrealized, catalogue includesa chronology for 1995-1999]
Li Xianting, Fenbenyixi / Poly Phenolrene, Beijing, Bow Gallery [May 8 th].
Xu Zhen, Yang Zhenzhong, Alexander Brandt, curators, Chaoshi / Art for Sale, [held inShanghai], Beijing, Xiandai
Yishu Zhongxin.
Wu Meichun, Qiu Zhijie et al, Houganxing: Yixing yu Wangxiang / Post sensibility:Alien Bodies and Delusion, Beijing,
1999.
Wu Shixiong, Kong Ying, A Tour of Chinese Arts at the End of the the 20th
Century, Beijing Xinshikong Club, Asian Games Village.
2000
Ai Weiwei, Feng Boyi, Buhezuo Fangshi /Fuck Off, catalogue, 2000
Gu Zhenqing, Yichang yu Richang / Unusual & Usual, Shanghai, Yuangong Xiandai Meishu Zhanlanguan, 2000
Shanghai Biennale
2001
Weng Lin, Towards a New Image: Twenty Years of Contemporary Chinese Painting, [bilingual] Beijing, Beijing Visual Art
Development Co., Ltd., 2001 [Cai Jin, Ding Yi, Fang Lijun, Liu Wei, Liu Xiaodong, Luo Zhongli, Mao
Yan, Sun Liang, Wang Guangyi, Xu Jiang, Ye Yoingqing, Yu Hong, Yue Minjun, Yan Peiming, Yang
Jiecang, Zeng Fanzhi, Zeng Hao, Zhang Xiaogang, Zheng Zaidong, Zhou Chunya].
Navarra, Enrico, et al, Made by Chinese, Paris, Galerie Enrico Navarra & Hong Kong, Hanart TX.
[Wang Jianwei], Pijnapppel, Johan, ‘Wang Jianwei, Material for Thinking’, Art Asia Pacific, No.34, 2002.
2002
[Beijing Afloat], Feng Boyi curator, BTAP, Pijnappel, Johan, ‘Beijing Afloat at Beijing Tokyo Art Projects’, Asian
Art News, vol. 13, no. 1, January/February 2003
[Guangzhou Triennial] Wu Hung, ed., The First Guangzhou Triennial, Reinterpretation: A Decade of Experimental Chinese
Art, Guangdong: Guangdong Museum of Art, 2002; Wu Hung, ‘Contesting Global/Local: Chinese
Experimental Art in the 1990s’, Orientations, Volume 33, Number 9, November 2002 [Guangzhou Triennial
focus]; Spalding, David, ‘The First Guangzhou Triennial,’ Flash Art, Vol. XXXVI, No. 229, March-April