40 Scarlett, Ken, ‘sculpture, and yet more sculpture, at Changchun, China’ in Art Monthly Australia, No. 169 (May, 2004), pp. 34-37 Scarlett, Ken., ‘A Feast <strong>of</strong> Sculpture’ (<strong>The</strong> World Sculpture Park and the International Sculpture Conference at Changchun), in World Sculpture News, Vol.9, No.4, Autumn 2003, p.36-40. Serfaty, Paul, ‘New Generations in Chinese Photography’, Asian Art News, vol. 16, no. 3, 2006. Shen, Kuiyi., ‘Landscape as Cultural Consciousness in Contemporary Chinese Art’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.33-40. Shu Yang, ed., <strong>The</strong> Roadmap to Painting, Hong Kong, Timezone 8, 2006 Shu Yang, Out <strong>of</strong> the Red: <strong>The</strong> New Emerging Generation <strong>of</strong> Chinese Photographers (Catalogue), Bologna, Damiani, 2004 Shu Yang, Purity – A Dip Interview with 103, Hong Kong: Culture <strong>of</strong> China Publications Co., Ltd. Silbergeld, Jerome, “Waltzing with the Censor: Private Conventions <strong>of</strong> Protest in Contemporaery Chinese Art”, Seattle Art Museum, Fourth Annual Colloquium, April 2000 Smith, Karen, ‘<strong>The</strong> Future: In Whose Hands’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 53-59 Smith, Karen., ‘<strong>The</strong> Cost <strong>of</strong> Creativity’, in Artlink: <strong>The</strong> China Phenomenon, Vol. 23, No. 4, 2003, p.20-25. Sullivan, Michael, Modern Chinese Artists: A Bibliographical Dictionary, Berkeley, California, <strong>University</strong> <strong>of</strong> California Press, 2006 Tan, Adele, ‘A Tale <strong>of</strong> Two Performance Art Festivals: Transborder Language and the Dadao Live Art festival’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 1, 2006. Tang, Lin-yun, ‘Mao, Money and Censorship after the “Domestic Turn” in Beijing’s Art World’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 4, Dec 2006. Tetmajer von Przerwa, Xenia ‘Mahjong: Contemporary Chinese Art from the Sigg Collection’ (review), ArtAsiaPacific, no. 47, 2006. Tetmajer von Przerwa, Xenia, ‘Zooming into Focus: Chinese Contemporary Photography and Video from the Haudenschild Collection at the National Museum <strong>of</strong> Art, China, Beijing’ (review), Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 1, 2006. Tinari, Philip, ‘Beijing’, Artforum, vol. 45, iss. 4, 2006. Tinari, Philip, ‘<strong>The</strong> Complete Art Experience Project (Shi Qing, Wang Wei, rania Ho, Liu Ding, Qiu Zhijie, Liu Wei, Li Zhenhua, Wu Ershan, Zhang Hui, Colin Chinnery) (review), ArtAsiaPacific, no. 48, 2006. Tsao Hsingyuan, ‘A Dialogue on Contemporary Chinese Art: <strong>The</strong> One Day Workshop “Meaning, Image and Word”’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005. Tsao, Hsingyuan, ‘Fun, Pleasure-Seeking, but Thoughtful: On Urban Popular Culture in China’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 89-102 Ulrich Obrist,Hans, ‘<strong>The</strong> Museum <strong>of</strong> the Future: Art, Architecture, Science, and Technology’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 67-72 Vine, Richard, ‘Report fromShanghai’, Art in America, July 2001 Vine, Richard, ‘<strong>The</strong> Academy Strikes Back’ in Pollock, Barbara, ‘Mainland Dreams on Tape’ in Art in America (June/July 2004), pp. 135-141 Vine, Richard, 'Picturing China, old and new', Art in America, Vol. 91, Issue 4, April 2003 Vine, Richards, ‘Shanghai Accelerates’, Art in America, vol. 93, iss. 2, Feb 2005. 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41 Yuan Feng. and Yang Xiaoyan, ‘<strong>The</strong> Ostentatious Pearl River Delia’, Michael Fei (tran.), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.22-31. Zhang Qing, ‘Architectural junctions: where contemporary artists play up the imagination <strong>of</strong> architectural space’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol.2, no., June 2003. Zhang Zhaohui, ‘Globalisation, Urbanisation, and New Chinese Art’, Huangfu, Binghui, Site+Sight: Translating Cultures, Huangfu, Binghui, Site+Sight: Translating Cultures, Singapore, LaSalle-SIA, 2002. Zhang Zhaohui, ‘N12 at the Central Academy <strong>of</strong> Art Gallery’ (review), Asian Art News, vol. 15, no. 2, 2005. Zhou Yan, ‘Chinese Brand and Chinese Method: On the Exhibition <strong>The</strong> Wall: Reshaping Contemporary Chinese Art’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no. 1, 2006. Recent Ink Painting [see also by aretist name] Erickson, Britta, ‘<strong>The</strong> contemporary artistic deconstruction – and reconstruction – <strong>of</strong> brush and ink painting’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol.2, no., June 2003 New Art Practices and New Media [see also under Photography, Performance] Berghuis, Thomas J., “’Transcending Media’ and the Role <strong>of</strong> Contemporary Art Practices in China” in Mesh: New Media Art in Australia and Asia, No. 17, www.experiemta.org/mesh/mesh 17/berghuis Berghuis, Thomas J., “Video-REAL: Video Art from China” in Videozone: 3 – <strong>The</strong> 3 rd International Video Art Biennial in Israel (Bilingual), Tel Aviv, Center for Contemporary Art, 2006 Berghuis, Thomas, ‘Performance Art and its Constraints’, in eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong> Modern Asian Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 186-214. Huang Du, Outside the real: a new form <strong>of</strong> video art in China, <strong>Sydney</strong>, Gallery 4A, 1998 (review, Art AsiaPacific, 25, 2000 Lu, Carol, ‘Clothes and Capsules: New Installation Art From China’ in Flash Art, Vol. XXXVI, No. 231 (July-September 2003), pp.94-96 Maerkle, Andrew, ‘Furong Jiejie’s 15 Minutes’, ArtAsiaPacific, no. 48, 2006. Ni Haifeng and Zhu Jia, ed., Synthetic Reality, Hong Kong, Timezone 8, 2005 Ou Ning, ‘Revealing Keys to the Riddle <strong>of</strong> Reality: Moving Images <strong>of</strong> the Pearl River Delta From 1999 to 2003’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, June 2004, pp. 15-21 Ou Ning., ‘Shadows <strong>of</strong> Time’, Simon Young (tran.), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.63-69. Selected Exhibitions in China - 1990s-Present 1993 Gilbert & George, Nieuwenhuizen van, Martijn, Les Infos du Paradis – Gilbert & George in China’ Parkett, No. 38, 1993 1994 Shui Tianzhong, Shao Dazhen et al, Meishu pipingjia niandu timingzhan, (1994 Youhua),Chengdu, Sichuan Meishuchubanshe, 1994. 1995 Liao Wen, Zhongguo dangdai yishuzhong de nuxing fangshi / Women’s approach toChinese Contemporary Art, Beijing, Zhongguo Yishu Bowuguan, 1995, May. 1996 Huang Zhan et al, Shouceng Dangdai Yishu Xueshu Yaoqingzhan, 1996/1997,Guangzhou, Guangdong Lingnan Meishu chubanshe, 1996. [see reports in Hualangnos 5&6, 1996]. Qiu Zhijie, Wu Meichun, ‘Xianxiang/Yingxiang’ luxiang yishuzhan: Yishu yu lishi yizhi& Lu Xiang Yishu Wenxian, Hangzhou, <strong>The</strong> Authors, 1996. 1997 Leng Lin, Feng Boyi, Qian Zhijian, Zhang Xu, Zhongguo zhi Meng, ‘97 ZhongguoDangdai Yishu, Beijing, Sungari International Auctions, 1997. Song Dong, Guo Shirui, Yesheng, 1997 Nian Jing zheshi, Beijing, Xiandai YishuZhongxin, 1997 [includes a chronology for chiefly avant-garde and performance artsince 1986] Wu Meichun, ‘97 Zhongguo Luxiang Yishu Guanmo, Beijing, Zhongyang MeishuXueyuan Hualang, 1997. Zhu Qi, Xinyazhou, Xinchengshi, Xinyishu: ‘97 Zhonghan dangdai yishuzhan, Shanghai,Shanghai Dangdai Meishuguan, 1997.
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
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175 [Peries, Ivan] Bandaranayake, S
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177 [Asia Pacific Artists Initiativ
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179 Gallbally, A., ‘Aestheticism
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181 Commemorative Anthology on the
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183 [Gang Zhao] review, Art AsiaPac
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185 [Wang Du] Kent, Rachel, ‚New
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187 [Lubaina Himid; Boyce, Sonia; H
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189 Theories, Logics & Ideologies B
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191 Hopkins, A.G., ed., Globalizati
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195 Smith, T., ‘Second person/fir
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197 Crary, Jonathan, ‘Critical Co
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199 Preziosi, Donald & Farago, Clai
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201 Walker, David, Anxious Nation:
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203 Kember, Pamela., ‘A Report on
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205 Rugoff, Ralph, ‘Rules of the
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207 Appadurai, Arjun, Modernity at
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209 Turner, Caroline, ‘Cross-Cult
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211 4 th Asian Art Show Fukoka, ed
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213 Clark, John, ‘Three Recent Bi
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Lyon Biennial 2001 Budge, Andrew,
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217 Sydney: Biennale of Sydney: 200
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219 The Exoperience of Art: La Bien
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221 Tadayasu Sakai, Japan at the 10
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223 A Primal Spirit, Hara Toshio; F
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225 Art/34/Basel/18-23/6/03, Media