A Working Bibliography - The University of Sydney

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Scarlett, Ken, ‘sculpture, and yet more sculpture, at Changchun, China’ in Art Monthly Australia, No. 169 (May,
2004), pp. 34-37
Scarlett, Ken., ‘A Feast of Sculpture’ (The World Sculpture Park and the International Sculpture Conference at
Changchun), in World Sculpture News, Vol.9, No.4, Autumn 2003, p.36-40.
Serfaty, Paul, ‘New Generations in Chinese Photography’, Asian Art News, vol. 16, no. 3, 2006.
Shen, Kuiyi., ‘Landscape as Cultural Consciousness in Contemporary Chinese Art’, in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 4, December 2003, p.33-40.
Shu Yang, ed., The Roadmap to Painting, Hong Kong, Timezone 8, 2006
Shu Yang, Out of the Red: The New Emerging Generation of Chinese Photographers (Catalogue), Bologna, Damiani, 2004
Shu Yang, Purity – A Dip Interview with 103, Hong Kong: Culture of China Publications Co., Ltd.
Silbergeld, Jerome, “Waltzing with the Censor: Private Conventions of Protest in Contemporaery Chinese Art”,
Seattle Art Museum, Fourth Annual Colloquium, April 2000
Smith, Karen, ‘The Future: In Whose Hands’ in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 53-59
Smith, Karen., ‘The Cost of Creativity’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.20-25.
Sullivan, Michael, Modern Chinese Artists: A Bibliographical Dictionary, Berkeley, California, University of California
Press, 2006
Tan, Adele, ‘A Tale of Two Performance Art Festivals: Transborder Language and the Dadao Live Art festival’,
Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006.
Tang, Lin-yun, ‘Mao, Money and Censorship after the “Domestic Turn” in Beijing’s Art World’, Yishu: Journal of
Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Tetmajer von Przerwa, Xenia ‘Mahjong: Contemporary Chinese Art from the Sigg Collection’ (review),
ArtAsiaPacific, no. 47, 2006.
Tetmajer von Przerwa, Xenia, ‘Zooming into Focus: Chinese Contemporary Photography and Video from the
Haudenschild Collection at the National Museum of Art, China, Beijing’ (review), Yishu: Journal of
Contemporary Chinese Art, vol. 5, no. 1, 2006.
Tinari, Philip, ‘Beijing’, Artforum, vol. 45, iss. 4, 2006.
Tinari, Philip, ‘The Complete Art Experience Project (Shi Qing, Wang Wei, rania Ho, Liu Ding, Qiu Zhijie, Liu
Wei, Li Zhenhua, Wu Ershan, Zhang Hui, Colin Chinnery) (review), ArtAsiaPacific, no. 48, 2006.
Tsao Hsingyuan, ‘A Dialogue on Contemporary Chinese Art: The One Day Workshop “Meaning, Image and
Word”’, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005.
Tsao, Hsingyuan, ‘Fun, Pleasure-Seeking, but Thoughtful: On Urban Popular Culture in China’ in Yishu: Journal of
Contemporary Chinese Art, June 2004, pp. 89-102
Ulrich Obrist,Hans, ‘The Museum of the Future: Art, Architecture, Science, and Technology’ in Yishu: Journal of
Contemporary Chinese Art, June 2004, pp. 67-72
Vine, Richard, ‘Report fromShanghai’, Art in America, July 2001
Vine, Richard, ‘The Academy Strikes Back’ in Pollock, Barbara, ‘Mainland Dreams on Tape’ in Art in America
(June/July 2004), pp. 135-141
Vine, Richard, 'Picturing China, old and new', Art in America, Vol. 91, Issue 4, April 2003
Vine, Richards, ‘Shanghai Accelerates’, Art in America, vol. 93, iss. 2, Feb 2005.
Wei, Lilly., ‘On Chinese Artists and the Marketplace: Xu Bing and Zhang Huan in America’, in Art AsiaPacific,
Issue 38, Fall 2003, p.28-30.
Welland, Sasha K., ‘Travelling artists, travelling art, ethnographic luggage’, Yishu, vol.1, no.2, 2002
Winchester, Rupert, ‘Zhang Lin Hai, Wang Yidong and Cai Guo-Qiang: Light and Shadow’ (review),
ArtAsiaPacific, no. 47, 2006.
Winchester, Simon ‘Painting Against the Grain’, ArtAsiaPacific, no. 45, 2005.
Wu Hung, ed., The First Guangzhou Triennial, Reinterpretation: A Decade of Experimental Chinese Art, Guangdong:
Guangdong Museum of Art, 2002
Wu Hung, Making History: Wu Hung on Contemporary Chinese Art and Art Exhibition, Hong Kong, Timezone 8, 2007
(Forthcoming)
Yao, Souchou, ‘Two Faces of Contemporary Art in China’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003,
p.16-19.
Yap Chin Chin., ‘New Art Spaces in Beijing’, in Art AsiaPacific, Issue 38, Fall 2003, p.34-36.
Ye, Sang, ‘Dragon seeds and flea circuses: moments in new Chinese art’, Artlink, Vol. 20, No. 2, July 2000
Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 2, Jun 2005, Special Issue on the conference ‘Displacements:
Transcultural Encounters in Contemporary Chinese Art’ in conjunction with the exhibition ‘On the Edge:
Contemporary Chinese Artists Encounter the West’.