A Working Bibliography - The University of Sydney

38
Chua, Ferreolus., ‘The Great Leap Forward: Interview with Ma Liuming and Yue Minjun’, Laura Soon and Tang
Ling Nag (trans), in Vehicle: Contemporary Visual Arts, No.8, 2002, p.10-16.
Ciric, Biljana, ‘Collecting Elsewhere: An Interview with Uli Sigg’, Yishu: Journal of Contemporary Chinese Art, vol. 4,
no. 4, Dec. 2005.
Clark, John, ‘A Narrowing of Horizons: The Shanghai and Gwangju Biennales 2006’, Art Monthly Australia, no.
196, December 2006-February 2007.
Clark, John, ‘System and Style in the practice of Chinese contemporary art: the disappearing exterior?’, Yishu,
vol.1, no.2, 2002
Clarke, David, ‘The Watery Turn in Chinese Contemporary Art’, Art Journal, vol. 65, iss. 4, 2006.
Decrop, Jean-Marc, “Chinese Modernity: 1998-2002” in China: Contemporary Art, Sao Paolo, Museo de Arte
Brasiliera, 2002
Di Stephano, John, ‘A Match Made in Shanghai’, ArtAsiaPacific, no. 45, 2005.
Dijk, Hans van, and Welsh, Eduardo, Portraits, Figures, Couples and Groups: From the Collection of the Modern Chinese
Art Foundation 2001, Beijing: The Modern Chinese Art Foundation, 2001
Don, Katherine, ‘Building Code Violations at Long March Space’ (review), Asian Art News, vol. 16, no. 3, 2006.
Du, Huang, ‘A Lens on Diversity’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.50-57.
Erickson, Britta, ‘Backflow: Returned Chinese Artists’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003,
p.26-37.
Erickson, Britta, On the Edge: Contemporary Chinese Artists Encounter the West, Hong Kong, Timezone 8, 2004
Fan Di’an, ‘Synthi-scapes’, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003
Fang Jun, ‘Spreading the Image of Chinese Art’, Asian Art News, vol. 15, no. 5, 2005.
Flash Art, ‘Focus China – Red Hot: A Survey of Chinese Contemporary Art’, Flash Art, vol. XXXVIII, no. 241,
Mar-Apr, 2005 [Blurbs on artists: Bai Yiluo, Cang Xin, Cao Fei, Chen Lingyang, Chen Wengbo, Chi Peng,
Cui Xiuwen, Feng Mengbo, Feng Zhengjie, Han Lei, Ji Dachun, Li Dafang, Li Songsong, Li Wei, Liang
Shuo, Liang Yue, Liu Zheng, Lu Chunsheng, Lu Hao, Ma Han, Ma Liuming, Pan Xing Lei, Qiu Zhijie,
Rong Rong & Inri, Sheng Qi, Shi Zhongying, Song Dong, Song Tao, Wang Ningde, Wang Qingsong,
Wang Wei, Wang Xingwei, Xiang Liqing, Xie Nanxing, Xu Zhen, Xue Song, Yan Lei, Yang Mian, Yang
Yong, Yang Zhenzhong, Zhang Huan, Zhao Liang, Zheng Guogu, Zhou Tiehai and Zhu Ming].
Fujii, Lucy Birmingham, ‘China: Crossroads of Culture and Follow Me! Chinese Art at the Threshold of the New Millenium
at Mori Art Museum’, Asian Art News, vol. 15, no. 5, 2005.
Gao Minglu et. al., eds., Visible/Invisible: Does Abstract Art Exist in China?, Hong Kong, Timezone 8, 2006
Girard-Geslan, Maud, ‘Chinese contemporary art: a new reflection’, Artlink, Vol. 20, No. 2, July 2000
Gladston, Paul, ‘No matter from which side, it is still possible to see: a review of Karen Smith’s Nine Lives: The
Birth of the Avant Garde in China’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006.
Goodbody, Bridget, ‘Beyond the Delta’, ArtAsiaPacific, no. 46, 2005.
Goodman, David S.G., ‘Contending the popular: party-state and culture’, positions: east asia cultures critique, vol. 9,
no.1 Spring 2001.
Grace, Helen., ‘Xiandai Shufa’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.38-41.
Grishin, Sasha, ‘After the Cultural Revolution: Contemporary Art in Shanghai’, Art and Australia, vol. 44, no. 2,
2006.
Gu Zhenqing, and Li Yang, ‘The Decade of the Rise’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003,
p.63-67.
Gu Zhenqing, ed., Back to the Future: Shanghai Arts, Timezone 8, Hong Kong, 2007
Gu, Zhenqing and Li Yang, ‘Emerging from Behind the Screen of Female Art’, in Yishu: Journal of Contemporary
Chinese Art, Vol. 2 No. 3, September 2003, p.43-49.
Gustafson, Paula, ‘Unveiled reality’, Art AsiaPacific, 25, 2000.
Hantover, Jeffrey, ‘Serial Thrillers and the Art of the Steal’, ArtAsiaPacific, no. 50, 2006.
Hasegawa, Yuko, ‘Yang Fudong: Beyond Reality’, Flash Art, vol. XXXVIII, no. 241, Mar-Apr, 2005.
Heartney, Eleanor, ‘The body East’, Art in America, April 2002.
Hou Hanru, ‘Barricades: The Big Tail Elephants’, Hou Hanru and Andrey Powell (trans.), in Yishu: Journal of
Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.47-55.
Hou Hanru, ‘Canton Express’, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.14-16.
Hou Hanru, ‘China Today: Negotiating the Real, Longing for Paradise’, Flash Art, vol. XXXVIII, no. 241,
Mar-Apr, 2005.
Hou Hanru, ‘Z.O.U.-Zone of Urgency’, Yishu: Journal of Contemporary Chinese Art, vol.2, no., June 2003.
Huang Rui, ed., Beijing 798: Reflections on Art, Architecture, and Society in China, Hong Kong, Timezone 8, 2005