A Working Bibliography - The University of Sydney

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34 [Lu Shengzhong] Tancock, John, Wu Hung, Fan Di’an, The New Emerging from the Old, Lu Shengzhong: Works, 1980-2005, New York, Chambers Fine Art, 2006; review, Art in America, vol. 93, iss. 6, Jun-Jul, 2005. [Ma Dasheng] University Museum and Art Gallery, University of Hong Kong, Ma Dasheng: Faceted Symphonies, Hong Kong, 2006. [Ma Liuming] review, Asian Art News, vol. 15, no. 2, 2005. [Mamat, Aniwar] review, Art AsiaPacific 29, 2001 [Miao Xiaochun] ‘Miao Xiaochun: Phantasmagoria’ (review), ArtAsiaPacific, no. 45, 2005; Thompson, Jonathan, ‘Silent Witness’, Asian Art News, vol. 16, no. 5, September/October 2006; Wu Hung, ‘Phantasmagoria: Recent Photographs by Miao Xiaochun’, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005; Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002. [Ni Haifeng] Brouwer, Marianne, et.al., Ni Haifeng, Amsterdam, Artimo, 2003 [Niu An] Thompson, Jonathan, ‘The Tragedy of the Figure’, Asian Art News, vol. 15, no. 6, 2005. [Post-material] Combs, Nicky, ‘Post-material’, Art AsiaPacific, 31, 2001 [Public Art] Wang, Val, ‘Do you mind my art?’, Art AsiaPacific 28, 2001 [Qi Zhilong] review, Asian Art News, vol. 15, no. 3, 2005. [Qin Fengling] Huang Du, et.al., eds., Qin Fengling, Hong Kong, Timezone 8, 2006 (Distributor) [Qin Ga] Lu Jie, ‘Qin Ga: miniature long march’ [online] Artlink, v.25, no.3, 2005. [Qin Yufen] Bingyi Huang, ‘One Person’s Classics of Mountain and Sea: On Qin Yufen and her Installation Art’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006. [Qiu Ping] Lawn, Andrzej, ‘Qiu Ping: Beyond the Hand’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006. [Qiu Shihua] review, Art in America, vol. 93, iss. 10, Nov 2005. [Qiu Zhijie] Mao, Christoph, et.al., The Shape of Time: Light Calli-photography by Qiu Zhijie, New York, Chambers Fine Art Gallery, 2006; Tetmajer von Przerwa, Xenia, ‘Qiu Zhijie at CourtYard Gallery’ in Asian Art News, Vol. 14, Number 5 (September/October 2004), p. 85; Napack, Jonathan, ‘Qiu Zhijie’ in Art Asia Pacific, Issue 37 (2003), p. 50. [Qu Lei Lei] ‘Qu Lei Lei: Everyone’s Life is an Epic’ (review), ArtAsiaPacific, no. 46, 2005. [Rong Rong & Inri] ‘Rong Rong and Inri’ (review) ArtAsiaPacific, no. 47, 2006; Wu Hung, ed., Rong Rong & Inri: Transfiguration/Tui, Hong Kong: Timezone 8, 2005 [Rong Rong] Wu Hung, Rong Rong’s East Village, 1993-1998, New York and Chicago, Chambers Fine Art and Chicago University Press, 2003 [Shanghai Biennale 2000] Ken Lum, ‘Shanghai Biennale’, Review, Art & Text 65, 1999; Hou Hanru, ‘A naked city, Art AsiaPacific, 31, 2001; Wu Hung, ‘The 2000 Shanghai Biennale’, Art AsiaPacific, 31, 2001 [Shanghai Biennale 2002] Withers, Rachel, ‘Shanghai Biennale’, Artforum International, Vol.41, Issue 1, September 2002 [Shanghai, Parachute Special Issue] Parachute 114 (2004): Wright, Stephen, ‘Shanghai/Shanghai: Spaces without Qualities/ Spaces of Promise’ in Parachute 114 (2004), pp. 8-35; Ken Lum, ‘«I Don’t Know’ (Visual Essay) in Parachute 114 (2004), pp. 36-39; Merewether, Charles, ‘The Long Striptease: Desiring Emancipation’ in Parachute 114 (2004), pp. 40-57; Tang Maohong, Song Tao and Yang Zhengzhong, ‘2004.1.1 SHANGHAI’ in Parachute 114 (2004), pp. 58-61; Wright, Stephen, ‘A City Without Leftovers’ (Conversation with Ma Qingyun) in Parachute 114 (2004), pp.62-80; Jim, Alice Ming Wai, ‘Tourism, Art and Shanghai’s Urban Skyline’ in Parachute 114 (2004), pp.81-101; de Vito, Natalie, ‘Pranks and Prohibitions: On the Art of Xu Zhen’ in Parachute 114 (2004), pp. 102-115, Zhang, Zhen, ‘Suzhou River (Urban Memory and Tacticle Cinema) in Parachute 114 (2004), pp. 116-129; Chu, Ingrid, ‘Shanghai and Beyond (A Roundtable with Ken Lum, Davide Quadrio, Xu Tan and Zhang Weiwei) in Parachute 114 (2004), pp. 130-136 [Shao Yinong & Muchen] Shao Yinong & Muchen, Hong Kong, Timezone 8, 2006 (Distributor); Little, Carl, ‘Shao Yinong and Muchen at Goedhuis Contemporary’ (Review) in Art in America (June/July 2004), p. 172 [Shen Chen] review, Art in America, 94:10 (November 2006). [Shen Hua] Thompson, Jonathan, ‘The Individual Spirit’, Asian Art News, vol. 16, no. 2, 2006. [Shen Shaomin] Thompson, Jonathan, ‘An Uncommon Evolution’, World Sculpture News, vol. 12, no. 2, 2006. [Shi Jinsong] Tancock, John, ‘Shi Jinsong: Na Zha Baby Boutique’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006; review, Art in America, 94:10 (November 2006). [Shi Xining], Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003 [Shu Mei], Binks, Hilary, ‘In search of an idyll’, Asian Art News, vol.11, no.3, 2001
35 [Song Dong] Thomas, Taliesin, ‘Song Dong’s Creative Time Video’, ArtAsiaPacific, no. 48, 2006; ‘Song Dong Beijing Tokyo Art Projects’ (review), Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006. [Song Kun] review, Artforum, vol. 45, iss. 5, 2007. [Song Yonghong] Lü Peng, et.al., Song Yonghong, Beijing, Beijing Art Now Gallery, 2006 [Su Xingping] Zhang Zhaohui, ‘A Human Narrative’, Asian Art News, vol. 16, no. 6, Nov-Dec 2006; review, Asian Art News, vol. 15, no. 4, 2005; Findlay, Ian, ‘A Singular View’ in Asian Art News, Vol. 14, Number 5 (September/October 2004), pp. 76-80; review, Asian Art News, vol.11, no.1, 2001 [Sze Tsung Leong] review, Artforum, vol. 45, Iss. 1, 2006. [Tang Maohong] Ciric, Biljana, ‘I’m a Lazy Person: Interview with Tang Maohong’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006. [Tian Yibin] Cohn, Don L., ‘Tian Yibin: In a Sea of Revolutionary Pixels’, ArtAsiaPacific, no. 50, 2006. [Tongzhou] Yang Yingshi, ‘The Tongzhou artist’s communtiy’, Art AsiaPacific, 31, 2001 [Turandot] Dal Largo, Francesca, ‘Turandot; Chinoiserie made in China’, Art AsiaPacific, 23, 1999 [Venice Biennale 1999] Dal Largo, Francesca, ‘Open And everywhere’, Art AsiaPacific, 25, 2000; Stringa, Nico, Terrecotte Cinesi dalla 48 a Biennale di Venezia (Chinese Terracota at the 48 th Venice Biennial), Cornuda: Antiga Edizoni, 2003 [Venice Biennale 2003], ‘A Panel Discussion: Looking Forward from Venice: The Prospects of Contemporary Chinese Art’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.50-61; Genocchio, Benjamin., ‘The Big One: Venice –Conflicting Agendas: No Buzz at Venice 2003’, in Art AsiaPacific, Issue 38, Fall 2003, p.42-47.; Lin, Shumin, ‘Limbo Zone’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.4-9; Fan, Di’an., ‘Synthi-scapes’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.10-16.; Hou, Hanru., ‘Z.O.U.- Zone of Urgency’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.21.; Ou, Ning., ‘The U-thèque Organization: An End or a Beginning?’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.33-51.; Lum, Ken, ‘Interview with Hou Hanru’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.52-57 [Video art] Dal Largo, Francesca, ‘The fiction of everyday life’, Art AsiaPacific, 27, 2000 [Wang Du] Huang Liaoyuan, et.al., Wang Du, Beijing, Beijing Art Now Gallery, 2006; Gill, Rajdeep Singh, ‘Media Ecologies and Landscapes: An Interview with Wang Du’, Yishu: Journal of Contemporary Chinese Art, vol. 4, no. 3, Sep. 2005; review, Artforum, vol. 44, Iss. 3, 2005. [Wang Gongxin] Mami, Kataoka, ed., Under Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002; Pijnappel, Johan, ‘Intuitive Reflections’, Asian Art News, Vol. 13, Number 2, March/April 2003; Pijnappel, Johan., ‘Intuitive Reflections’, in Asian Art News, Vol. 14, No. 1, January/February 2004, p.74-77. [Wang Huaiqing] Zhang Zhaohui, ‘In Search of the Unknown’, Asian Art News, vol. 15, no. 5, 2005. [Wang Jianwei], Huangfu Binghui., ‘Wang Jianwei’, in Artlink: The China Phenomenon, Vol. 23, No. 4, 2003, p.58-62; Rehberg, Vivian., ‘Three Men and A Camera: Chang Yung Ho, Wang Jianwei, and Yang Fudong’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.62-63. [Wang Mai] Tung, David, ‘Situating the Inaugural Beijing Dashanzi Art Festival: The Gateway of Infinite Wonders in Wang Mai’s Work’ (Review) in Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 104-106 [Wang Peng] Carol Lu, et.al., Wang Peng, Beijing, 2006; review, Asian Art News, vol. 15, no. 6, 2005. [Wang Qingsong] ‘Wang Qingsong, Salon 94, New York’ (review), Parachute, 117, 2005; Butt, Zoe and Albion Gallery, London, Wang Qingsong, Hatje Cantz, bilingual edition, 2006 [Wang Tiande] review, Art in America, vol. 93, iss. 4, Apr 2005. [Wang Yin] Xie Wenxue, et.al., Wang Yin, Hong Kong, Timezone 8, 2006 (Distributor) [Wei Qingji] Fan Di’an, et.al, Wei Qingji, Hong Kong, Timezone 8, 2006 (Distributor) [Weng Fen], Jordan, Francesca and Marella, Primo, China Art Now: Out of the Red, Milano: Marella Arte Contemporanea, 2003 [Women’s art] Erickson, Britta, ‘The rise of a feminist spirit’, Art AsiaPacific, 31, 2001; Feng Jiali, ‘Limitless difference’, Art AsiaPacific, 31, 2001 [Xie Nanxing] Colonello, Nataline, et.al., Xie Nanxing: Paintings, 1992-2004, Beijing, China Art Archives and Warehouse, 2006 [Xin Haizhou] Liao Wen, et.al., Xin Haizhou, Beijing, Beijing Art Now Gallery, 2006 [Xing Danwen] Gu Zhen, ‘Projecting the Reality of China through the Lens: On the Artistic Practice of Xing Danwen’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 1, 2006; Maerkle, Andrew, ‘Xing Danwen’s Chinese Fantasy’, ArtAsiaPacific, no. 49, 2006. [Xing Junqin] Forsyth, Graham, ‘Hide and Seek’, Asian Art News, vol. 15, no. 2, 2005.
Page 1 and 2: MODERN AND CONTEMPORARY ASIAN ART:
Page 3 and 4: CONTENTS Please note that paginatio
Page 5 and 6: Kuki and his times 95 Nishida Kitar
Page 7 and 8: Prints 155 ------------------------
Page 9 and 10: GENERAL WORKS ON ASIAPACIFIC AS A R
Page 11 and 12: 11 [Global Conceptualism] Global Co
Page 13 and 14: 13 Hearn, Maxwell K.; Smith Judith
Page 15 and 16: 15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18: 17 Cai Guoqiang, painter and instal
Page 19 and 20: 19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22: 21 Wen Lipeng, deceased, oil painte
Page 23 and 24: 23 during the 1990s and the role of
Page 25 and 26: 25 Andrews, Julia, Painters and Pol
Page 27 and 28: 27 Wang Yuejin, ‘Anxiety of Portr
Page 29 and 30: 29 Clark, John, ‘Official reactio
Page 31 and 32: 31 Tsao Tsing-yuan, ‘The Birth of
Page 33: 33 [Hong Lei] Goodman, Jonathan,
Page 37 and 38: 37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40: 39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42: 41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44: 43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46: 45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48: 47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50: 49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54: [Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56: 55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58: 57 Clark, John, ‘La peinture mode
Page 59 and 60: 59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62: 61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64: 63 Agahari, Rae, Beyond representat
Page 65 and 66: 65 General Works Clark, J., ‘Mode
Page 67 and 68: 67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70: 69 Clark, John, ‘Artist and the S
Page 71 and 72: Smith, L.H.R., Contemporary Japanes
Page 73 and 74: 73 Abstract painting in Japan, Hokk
Page 75 and 76: 75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78: 77 Annear, J., ‘A forest of art i
Page 79 and 80: 79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82: 81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84: 83 National Museum of Modern Art, [
Page 85 and 86:
85 Clark, John, ‘Japanese houses
Page 87 and 88:
87 Society of Architects & Building
Page 89 and 90:
89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92:
91 Medical facilities : new concept
Page 93 and 94:
93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
Page 97 and 98:
97 La Fleur, William A., ‘A turni
Page 99 and 100:
http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
Page 103 and 104:
103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106:
105 [Lee, Yong-Baek] review, Flash
Page 107 and 108:
107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110:
109 Chaiyan Rajchagool, The Rise an
Page 111 and 112:
111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114:
113 Michaelsen, H., Die Entwicklung
Page 115 and 116:
115 8 Actual Visions in Thai Contem
Page 117 and 118:
117 Individual Artists Anurak Chata
Page 119 and 120:
119 to shock’ The Nation, January
Page 121 and 122:
121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124:
123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126:
125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128:
127 Suehiro Akira, Capital Accumula
Page 129 and 130:
129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132:
Nguyen Thi Dinh, No other road to t
Page 133 and 134:
133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136:
135 Holt, Claire, Art in Indonesia:
Page 137 and 138:
137 Supangkat, J., Sanento Yuliman
Page 139 and 140:
139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142:
Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144:
BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146:
145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152:
151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154:
153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156:
155 Foundation Asia Center, 2002; F
Page 157 and 158:
157 [Kuage, Mathias] review, Art As
Page 159 and 160:
159 Kapur, Geeta “Representationa
Page 161 and 162:
161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164:
163 [Tagore] Parimoo, R., The Paint
Page 165 and 166:
165 exhibition catalogue exhibition
Page 167 and 168:
167 Kapur, Geeta, ‘When was moder
Page 169 and 170:
169 Deshpande, Satish, “Imagined
Page 171 and 172:
171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174:
Martin, Courtney J. ‘South Asian
Page 175 and 176:
175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178:
177 [Asia Pacific Artists Initiativ
Page 179 and 180:
179 Gallbally, A., ‘Aestheticism
Page 181 and 182:
181 Commemorative Anthology on the
Page 183 and 184:
183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186:
185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188:
187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190:
189 Theories, Logics & Ideologies B
Page 191 and 192:
191 Hopkins, A.G., ed., Globalizati
Page 193 and 194:
Zito, Angela and Barlow, Tani E., B
Page 195 and 196:
195 Smith, T., ‘Second person/fir
Page 197 and 198:
197 Crary, Jonathan, ‘Critical Co
Page 199 and 200:
199 Preziosi, Donald & Farago, Clai
Page 201 and 202:
201 Walker, David, Anxious Nation:
Page 203 and 204:
203 Kember, Pamela., ‘A Report on
Page 205 and 206:
205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208:
207 Appadurai, Arjun, Modernity at
Page 209 and 210:
209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212:
211 4 th Asian Art Show Fukoka, ed
Page 213 and 214:
213 Clark, John, ‘Three Recent Bi
Page 215 and 216:
Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218:
217 Sydney: Biennale of Sydney: 200
Page 219 and 220:
219 The Exoperience of Art: La Bien
Page 221 and 222:
221 Tadayasu Sakai, Japan at the 10
Page 223 and 224:
223 A Primal Spirit, Hara Toshio; F
Page 225:
225 Art/34/Basel/18-23/6/03, Media
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