A Working Bibliography - The University of Sydney

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Tsao Tsing-yuan, ‘The Birth of the Goddess of Democracy’ in Wasserstrom, Jeffrey N.,Perry, Elizabeth J., eds.,
Popular Protest and Political Culture in China, Boulder,Westview Press, 1994.
Ullens, Baron Guy F, Binks, Hillary, ‘The Collecting Instinct’, Asian Art News, vol. 12, no. 4, July/August, 2002
Van Dijk, Hans, and Lindermann, Inge, China China-Aktuelles aus 15 Ateliers, Munich, Hahn, 1996
Wang Jing, High Culture Fever: Politics, Aesthetics, and Ideology in Deng’s China, Berkeley, University of California
Press, 1996.
Wang Yuejin, ‘Anxiety of Portraiture: Questioning ancestral icons in psot-Mao China’, in LiuKang; Tang
Xiaobing, eds., Politics ideology and Literary Discourse in Modern China,Durham, Duke University Press, 1993.
Watari, Koichi, Chinese Contemporary Art, Tokyo, Watari-um, 1997
Watson. R.C., ‘Revealing the Soul of a Rural World’, Asian Art News, 2, no.2. Mar/Apr 1992.
Wu Hung, ‘Tian’anmen Square: A Political History of Monuments’, Representations, no.35, Summer 1991.
Wu Hung, ed., Chinese Art at the crossroads, Between Past and Future, Between East and West, Hong Kong, New Art
Media, 2001.
Wu Hung, Exhibiting experimental art in China, Chicago: The David and Alfred Smart Museum of Art, The
University of Chicago, 2000.
Wu Hung, Transience: Chinese Experimental Art at the End of the Twentieth Century, Chicago, Smart Museum of Art,
University of Chicago, 1999
Xing Danwen, Danwen Xing, Wo-men: A Personal Diary of Chinese Avant Garde in the 1990s: Photographs, 1993-1998,
Zurich, Scalo Publishers, 2007 (Forthcoming)
Xu, Hong, ‘Dialogue; the awakening of women’s consciousness’, Art & Asia Pacific, vol.2, no.2, 1995.
Xu, Hong, ‘The Spotted Leopard’, Art & Asia Pacific, vol.1, no.2, 1994.
2000+
[Ai Wei Wei] Chen Weiqing, ed., Ai Weiwei Fragments: Beijing, 2006, Hong Kong, Timezone 8, 2007; review,
Artforum, vol. 45, Iss. 1, 2006; Adjaye, David, ‘Ai Wei Wei: House and Studio, Beijing’, Artforum, vol. 44,
Iss. 3, 2005; ‘Ai Wei Wei Urs Meile Gallery’ (review) Flash Art, vol. XXXIX, no. 249, July-September, 2006;
Colonello, Nataline, ‘Ai Weiwei: Beyond the Checkmate’ in Art Asia Pacific, No. 40 (Spring 2004), pp.
52-58; Merewether, Charles, ed., Ai Weiwei Works: Beijing, 1993-2003, Hong Kong, Timezone 8, 2004.
[Beijing International Biennale 2003], Zhang Zhaohui, ‘A Mixed Bag’, in Asian Art News, Vol. 14, No. 1,
January/February 2004, p.48-53.; Smith, Karen., ‘Review of the Inaugural Beijing Biennale’, in Yishu:
Journal of Contemporary Chinese Art, Vol. 2 No. 4, December 2003, p.88-90.
[Beijing urban landscape] Lin Xiaoping, ‘Discourse and displacement’, Art AsiaPacific, 25, 2000
[Cai Guo-Qiang] Cai, Guo-Qiang, Bunker Museum of Contemporary Art, Kinmen Island: A Permanent Sanctuary for Art
in a De-Militarised Zone, Charta, Milan, 2006; Ng, Elaine W., ‘Where I Work : Cai Guo-Qiang’,
ArtAsiaPacific, no. 47, 2006; Winchester, Rupert, ‘Zhang Lin Hai, Wang Yidong and Cai Guo-Qiang: Light
and Shadow’ (review), ArtAsiaPacific, no. 47, 2006; Goodbody, Bridget, ‘No Introductions Necessary’,
ArtAsiaPacific, no. 45, 2005; ‘Cai Guo-Qiang: Traveller’ (review), ArtAsiaPacific, no. 45, 2005;‘Cai
Guo-Qiang at Deutsche Guggenheim’ (review) World Sculpture News, vol. 12, no. 3, 2006; ‘Cai Guo-Qiang –
Inopportune, Mass. MOCA’, Parachute, 119, 2005; review, Artforum, vol 43, iss. 6, February 2005; ‘Cao
Guo-Qiang Galleria Continua’, (review) Flash Art, vol. XXXIX, no. 249, July-September, 2006; Xu Bing,
ed., Where Heaven and Earth Meet: The Art of Xu Bing and Cai Guo-qiang, Hong Kong, Timezone 8, 2006; Cai
Guo-Qiang: Head On, Hatje Cantz, Ostfildern, 2005; Cai, Guoqiang. Cai Guo-Qiang : life beneath the shadow.
Edinburgh; London: The Fruitmarket Gallery; Distributed by Art Data, 2005; Raspali, Thierry, Cai
Guo-Qiang: Une histoire arbitraire/ An Arbitrary History, Paris, 5 Continents Editions, 2003.
[Cai Jin] review, Art AsiaPacific 28, 2001
[Cao Fei] Hou Hanru, ‘Cao Fei: A Mini-Manifesto of New Human Beings’, Flash Art, vol. XXXVIII, no. 242,
May-Jun, 2005; Low, Joni, ‘Realities and Other Absurdities: A Conversation with Cao Fei’,Yishu: Journal of
Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Kovskaya, Maya, ‘Heroes of the Mundane: The Syncretic
Imagination of Cao Fei’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006; Obrist,
Hans-Ulrich, ‘Hans-Ulrich Obrist on Cao Fei’, Artforum, vol. 44, Iss. 5, 2006; Thea, Carolee, ‘Cao Fei:
Global Player’, ArtAsiaPacific, no. 50, 2006.
[Chang Yungho], Rehberg, Vivian., ‘Three Men and A Camera: Chang Yung Ho, Wang Jianwei, and Yang
Fudong’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.62-63; Chang Yungho,
Obrist, Hans U. ‘Hans Ulrich Obrist Camera Interviews’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2
No. 3, September 2003, p.64-67.
[Chao Ge] review, Asian Art News, vol. 15, no. 1, 2005.