A Working Bibliography - The University of Sydney

More documents

Recommendations

Info

2 INTRODUCTORY NOTES: This a teaching and initial research bibliography which has been established over a number of years with Australian students who have no access to vernacular language materials in mind. For deep research, vernacular language speaking and reading ability is necessary, but this bibliography may also be useful for initial research by those without linguistic access to the art writings of the cultures concerned. It is usually updated every other year, depending on particular interests and available resources. Since this work originates as a personal teaching bibliography for different courses which naturally include frequent reference to my own works, I include lists of these at three places. The bibliography is available as a PDF file via the website of the Department of Art History and Film at: http://www.arts.usyd.edu.au/departs/arthistory/index.php?page=staff&id=johclark Please contact the author at arthistory.enquiries@arts.usyd.edu.au or at john.clark@arts.usyd.edu.au with any notable omissions or additions. It is desirable for speed and accuracy of updating if you can do so with a country-specific file of additions only saved in the same categories and in .doc format for PC, and only if the text mentioned is available via reasonable international circulation. Thematic or artist titles should be preceded by the name in square brackets eg [Xu Bing], [Noumea] to facilitate A-Z sorting. At the minimum a title should be held in a national library which can be accessed by international document request facilities. Some countries have valuable material in English but in obscure academic journals and some have extensive writings on modern art which are nonetheless difficult to access abroad because of small-volume and / or selective coterie circulation at home. But if a text is both important and can be found by international document search, it should be included. Entry is by Country, Topic, and Artist. In some sections which give works on specific artists, authors follow the name of the work or artist. Artists who cross cultural boundaries are generally given under contemporary art sections by their culture of origination, although there are no hard-and-fast rules for such affiliation, and some categories of overseas artists have been generated where there is sufficient material. There has been no attempt to restrict the bibliography to books alone, but obviously it is not possible to include too many journal articles, book reviews, or notes on particular exhibitions. Catalogues are usually included if little other material is available on a given artist or if they contain useful general essays. Since some works not dealing specifically with modern art also refer to its important proto-history in the 19th and early 20th centuries, they are also included here. In general, the art works referred to are after 1850. In general this bibliography seeks a balance between art historical quality, availability, and relevance. Thus texts of inadequate analytical or art historical reference have also been brought in since for some art cultures there is little other written work available in English. Many areas like modern history or writings on modern culture including literature are included on an ad hoc basis where these are available and seem useful, especially in areas where I have worked. Further suggestions for inclusion of minimum materials in political and cultural history adjacent to the field are welcome. For users of this bibliography in Australia: Works given are mostly those available in Australia and chiefly at the Australian National University Library, National Library of Australia, The Canberra School of Art Library, University of Sydney Fisher Research and Schaeffer Fine Arts Libraries and private sources in Canberra and Sydney. In the Sydney area, after holdings of the University of Sydney Fisher Research and Schaeffer Fine Arts Libraries, the best source for some of this material is probably the Art Gallery of New South Wales library which may be used for reference during weekdays. Fisher Research Library East Asian Collection is the recipient of an important ongoing donation of art catalogues via the National Art Center in Tokyo and also benefits from purchases under the Morrissey Bequest. Details of these may be accessed off-campus by the library’s English on-line catalogue, as well as by CJK terminals if one is available in your library for full details. The catalogues are almost all in Japanese but frequently include many plate titles and essays in English or other European languages. There are also quite extensive holdings of books on Asian Art at the State Library of New South Wales, and especially of pre-Second World War books on India, including important runs of early Indian art journals. For their assistance in updating this bibliography at various times I am grateful to Edan Corkill, Kikuchi Yôko, Lai Meilian, Phoebe Scott, Michael Fitzhenry, Helena Spanjaard, Helena Poropat, and Thomas Berghuis. From 2007, I have placed this bibliography under the collective authorship of those doing the updating and their names are given on the title page. John Clark, April 2007.
CONTENTS Please note that pagination given below may slightly vary with printer settings CONTENTS 3-8 ----------------------------------------------------------------------------------------------------------------- GENERAL WORKS ON ASIA AS A REGION 9 Asian-Wide Surveys 9 Museums, Art Centres and other Art Institutions1990's 9 Museums, Art Centres and other Art Institutions 2000+ 9 Asia-Wide New Art Practices and New Media 11 Web Resources 11 ----------------------------------------------------------------------------------------------------------------- RELEVANT SERIALS IN ENGLISH 11 ----------------------------------------------------------------------------------------------------------------- NORTH-EAST ASIA 12 Bibliographical Note 12 CHINA-GENERAL General Problems of Modernity and Art 12 Texts and Some Terms in Chinese 13 Chinese Art before the 20 th Century (selected texts) 13 Early Contacts with European Art 14 Chinacoast and Trade Paintings 14 Photography in China 15 Photography in China 1980s-1990s 15 Performance Art in China 1980s-1990s and after 16 MAINLAND CHINA 1911 to present 16 Albums 16 Individual Artists 16 Neo-traditional Art [guohua] 22 Late Qing and Republican China before 1949 23 Culture Contact in NE China and Manchuria 24 Wartime Period and Yan’an Base Areas 24 1949-1966 24 Selected Comparative Texts on Socialist Realism 24 Art 1966-1976 25 Art 1976-1989 25 Art 1989-2000 26 Art 2000+ 31 Recent Ink Painting 40 New Art Practices and New Media 40 Selected Exhibitions in China - 1990s Present 41 Selected Exhibitions outside China 43 Art Institutions in China [Entries after 2005] 45 Chinese Graphic Art since the Late 19th Century to 1949 45 Chinese Graphic Art after 1949 46 Selected Works on Modern Chinese Intellectual and Political History before 1949 46 Selected Works on Modern Chinese Intellectual and Political History after 1949 47 Women, Gender and Art 50 Web Resources 50 CHINA-HONG KONG AND MACAO 50 General 50 Hong Kong Ink Painting 51 Oil Painting, Photography, Prints and Mixed Media 52 Sculpture and Ceramics 52 3
Page 1: MODERN AND CONTEMPORARY ASIAN ART:
Page 5 and 6: Kuki and his times 95 Nishida Kitar
Page 7 and 8: Prints 155 ------------------------
Page 9 and 10: GENERAL WORKS ON ASIAPACIFIC AS A R
Page 11 and 12: 11 [Global Conceptualism] Global Co
Page 13 and 14: 13 Hearn, Maxwell K.; Smith Judith
Page 15 and 16: 15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18: 17 Cai Guoqiang, painter and instal
Page 19 and 20: 19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22: 21 Wen Lipeng, deceased, oil painte
Page 23 and 24: 23 during the 1990s and the role of
Page 25 and 26: 25 Andrews, Julia, Painters and Pol
Page 27 and 28: 27 Wang Yuejin, ‘Anxiety of Portr
Page 29 and 30: 29 Clark, John, ‘Official reactio
Page 31 and 32: 31 Tsao Tsing-yuan, ‘The Birth of
Page 33 and 34: 33 [Hong Lei] Goodman, Jonathan,
Page 35 and 36: 35 [Song Dong] Thomas, Taliesin,
Page 37 and 38: 37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40: 39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42: 41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44: 43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46: 45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48: 47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50: 49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54:
[Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56:
55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58:
57 Clark, John, ‘La peinture mode
Page 59 and 60:
59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62:
61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64:
63 Agahari, Rae, Beyond representat
Page 65 and 66:
65 General Works Clark, J., ‘Mode
Page 67 and 68:
67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70:
69 Clark, John, ‘Artist and the S
Page 71 and 72:
Smith, L.H.R., Contemporary Japanes
Page 73 and 74:
73 Abstract painting in Japan, Hokk
Page 75 and 76:
75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78:
77 Annear, J., ‘A forest of art i
Page 79 and 80:
79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82:
81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84:
83 National Museum of Modern Art, [
Page 85 and 86:
85 Clark, John, ‘Japanese houses
Page 87 and 88:
87 Society of Architects & Building
Page 89 and 90:
89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92:
91 Medical facilities : new concept
Page 93 and 94:
93 Wilson, Peter L. Western objects
Page 95 and 96:
95 Gluck, C., Japan’s Modern Myth
Page 97 and 98:
97 La Fleur, William A., ‘A turni
Page 99 and 100:
http://www.musabi.co.jp/list.html M
Page 101 and 102:
101 thesis, Australian National Uni
Page 103 and 104:
103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106:
105 [Lee, Yong-Baek] review, Flash
Page 107 and 108:
107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110:
109 Chaiyan Rajchagool, The Rise an
Page 111 and 112:
111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114:
113 Michaelsen, H., Die Entwicklung
Page 115 and 116:
115 8 Actual Visions in Thai Contem
Page 117 and 118:
117 Individual Artists Anurak Chata
Page 119 and 120:
119 to shock’ The Nation, January
Page 121 and 122:
121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124:
123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126:
125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128:
127 Suehiro Akira, Capital Accumula
Page 129 and 130:
129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132:
Nguyen Thi Dinh, No other road to t
Page 133 and 134:
133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136:
135 Holt, Claire, Art in Indonesia:
Page 137 and 138:
137 Supangkat, J., Sanento Yuliman
Page 139 and 140:
139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142:
Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144:
BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146:
145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152:
151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154:
153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156:
155 Foundation Asia Center, 2002; F
Page 157 and 158:
157 [Kuage, Mathias] review, Art As
Page 159 and 160:
159 Kapur, Geeta “Representationa
Page 161 and 162:
161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164:
163 [Tagore] Parimoo, R., The Paint
Page 165 and 166:
165 exhibition catalogue exhibition
Page 167 and 168:
167 Kapur, Geeta, ‘When was moder
Page 169 and 170:
169 Deshpande, Satish, “Imagined
Page 171 and 172:
171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174:
Martin, Courtney J. ‘South Asian
Page 175 and 176:
175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178:
177 [Asia Pacific Artists Initiativ
Page 179 and 180:
179 Gallbally, A., ‘Aestheticism
Page 181 and 182:
181 Commemorative Anthology on the
Page 183 and 184:
183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186:
185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188:
187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190:
189 Theories, Logics & Ideologies B
Page 191 and 192:
191 Hopkins, A.G., ed., Globalizati
Page 193 and 194:
Zito, Angela and Barlow, Tani E., B
Page 195 and 196:
195 Smith, T., ‘Second person/fir
Page 197 and 198:
197 Crary, Jonathan, ‘Critical Co
Page 199 and 200:
199 Preziosi, Donald & Farago, Clai
Page 201 and 202:
201 Walker, David, Anxious Nation:
Page 203 and 204:
203 Kember, Pamela., ‘A Report on
Page 205 and 206:
205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208:
207 Appadurai, Arjun, Modernity at
Page 209 and 210:
209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212:
211 4 th Asian Art Show Fukoka, ed
Page 213 and 214:
213 Clark, John, ‘Three Recent Bi
Page 215 and 216:
Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218:
217 Sydney: Biennale of Sydney: 200
Page 219 and 220:
219 The Exoperience of Art: La Bien
Page 221 and 222:
221 Tadayasu Sakai, Japan at the 10
Page 223 and 224:
223 A Primal Spirit, Hara Toshio; F
Page 225:
225 Art/34/Basel/18-23/6/03, Media
show all

A Working Bibliography - The University of Sydney

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?