A Working Bibliography - The University of Sydney

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Clark, John, ‘Official reactions to modern art since the Beijing massacre’, Pacific Affairs, Fall, 1992.
Clark, John, ‘Pop goes the Maosell’, [Review of Mao Goes Pop, Exhibition of contemporary art from the People’s Republic
of China at the Museum of Contemporary Art, Sydney, July-August 1993], Art Monthly Australia, no.61, July,
15-16; see also letters by Jose & Huangfu in no.62 and Clark in no.63].
Clark, John, ‘Postmodernism and recent expressionist Chinese oil Painting’, Asian Studies Reviews, vol.15, no.2,
November 1991.
Clark, John, ed., Chinese Art at the end of the Millenium, Hong Kong New Art Media, 2000 [articles from
Chinese-art.com for 1998 and 1999].
Clark, John, Modernities compared: Chinese and Thai Art in the 1980s and 1990s, Sydney, Power Publications, 2007.
Clarke, David, ‘Foreign Bodies: Chinese art at the 1995 Venice Biennale’, Art & Asia-Pacific, vol.3, no.1, 1996.
Clarke, David, ‘Reframing Mao: aspects of recent Chinese Art, Culture and Politics’, in his Art and Place: Essays on
Art from a Hong Kong Perspective, Hong Kong, HongKong University Press, 1996.
Cohn, Don J., ‘Meditation on the Stars’, ArtAsiaPacific, no. 46, 2005.Combs, Nicky, ‘The Struggle for the New’,
Asian Art News 9:3 1999
Croizier, Ralph, ‘Nine Straws in the Wind’, [Young women artists in Beijing], Third Text, 31, Summer 1995.
Croizier, Ralph, ‘Qu Yuan and the Artists: Ancient Symbols and Modern Politics of the Post-Mao Era’, inUnger,
Jonathan, Using the Past to Serve the Present, Armonk, M.E. Sharpe, 1993.
Dal Lago, Francesca, ‘Inside Out: Chinese Avant-garde Art. [A Conversation with Gao Minglu] Art AsiaPacific,
issue 20 1998
Dal Lago, Francesca, ‘Personal Mao: Reshaping an Icon in Contemporary Chinese Art.’ Art Journal Summer 1999
Dao Zi, ‘True Lies’, [new reportage photography], ART AsiaPacific, no.13, 1997.
Decrop, Jean Marc; Erickson, Britta; Smith, Karen; Zhang Li, ed., China: Contemporary Art, Sao Paulo: Editions
FAAP, 2002
Dewar, Susan, ‘Beijing Report’, ART AsiaPacific, no.15, 1997.
Dewar, Susan, ‘Beijing Report’, Art & Asia Pacific, vol.3, no.2, 1996.
Dewar, Susan.& Doar, Bruce, ‘From Tradition to Modernity’, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995.
Dian Tong, China! New Art & Artists, Atglen (US), Schiffer Publisher, Ltd., 2005
Dijk, Hans van, ‘Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates.
Part I: 1979-1985,’ China Information, Vol. 6, No. 3, Winter 1991-1992
Doran, V.C., ‘The Commerce of Art’, Art & Asia Pacific, vol.1, no.3, 1994.
Doran, V.C., ed., China’s New Art post-1989, Hong Kong, Hanart TZ Ltd., 1993.
Erickson, Britta, “A Second Twentieth-Century Crest of Internationalism in Chinese Contemporary Art” in
China: Contemporary Art, Sao Paolo, Museo de Arte Brasiliera, 2002
Feng Boyi, et.al., Mahjong: Contemporary Chinese Art from the Sigg Collection, Ostfildern (Germany), Hatje Cantz, 2005
Findlay, Ian, ‘Kuang Jian at Palette Collections Gallery’, Exhibition Reviews, Thailand Feature, Asian Art News,
vol. 12, no. 1, January/February 2002
Findlay, Ian, ‘The Individualist Touch’, Asian Art News, vol.1, no.3, November/December 1991
Fuchs, Anneli, Cai GuoQiang: Flying Dragon in the Heaven, Louisiana 8.3-27.4 1997, Denmark, Sweden
Gao Minglu, Inside Out: New Chinese Art, Berkeley, University of California Press, 1998.
Gao, Minglu, ‘The Great Wall in Contemporary Chinese Art’ in positions: east asian cultures critique, Vol. 12, No. 3
(winter 2004)
Goodman, Jonathan, ‘Zhou Brothers at Chambers Fine Art’, Art in America, Vol. 90, Issue 7, July 2002
Harris, Clare, In the image of Tibet; Tibetan Painting after 1959, London, Reaktion Books, 1999.
Hay, Jonathan, ‘Ambivalent Icons’, Orientations 23 July 1992: 38
Hou Hanru, ‘De “décrire la réalitié” au “ théâtre du monde”. L’art Chinois depuis 1979’. [traduit par Lacoste, J.)
in Harry Belleter, ed., Face à l’Histoire , Paris, Centre Georges Pompidou,1996
Hou Hanru, ‘Towards an “Un-Unofficial Art”: de-ideologicalisation of China’s Contemporary Art in the 1990s’,
Third Text, no.34, Spring 1996.
Hou Hanru, ‘Beyond the cynical: China avant-garde in the 1990s’, Art & Asia-Pacific, vol.3, no.1, 1996.
Hou Hanru, ‘Departure Lounge Art’, Art & Asia Pacific, vol.1, no.2, 1994.
Hou Hanru, ‘Entropy; Chinese Artists, Western Art Institutions: A new internationalism’, in Fisher, J., ed., Global
Visions: Towards a new internationalism in the Visual Arts, London, Kala Press, 1994.
Hou Hanru, On the Mid-Ground (selected texts edited by Yu Hsiao-Hwei), Hong Kong, Timezone 8, 2002.
Huang Junqing, ed., Dream of China – 97’ Chinese Contemporary Art, Beijing, China Today Press, 1997
Huangfu Binghui, ‘Foreign compound, global market’, Asian Art News, vol.9, no.5, 1999