A Working Bibliography - The University of Sydney

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26 Andrews, Julia & Gao Minglu, ‘The avant-garde's challenge to official art’, in Davis, Deborah S., ed., Urban spaces in contemporary China : the potential for autonomy and community in post-Mao China, Washington, Woodrwo Wilson Center Press, and Cambridge, Cambridge University Press, 2001. Ann Farrer, Chinese Printmaking Today: Woodblock Printing in China, 1980-2000, London, British Library, 2004 Barmé, Geremie, ‘Exploit, export, expropriate: artful meaning in China, 1989-93, Third Text, Winter 1993-1994. Barmé, Geremie, Jaivin, L., eds, New Ghosts, Old Dreams, Chinese Rebel Voices, New York, Random House, 1992. Barmé, Geremie, Minford, J.eds, Seeds of Fire, Chinese Voices of Conscience,New York, Hill & Wang, 1988. Blaine, J., et al, ‘Poèmes & Art en Chine, Les “Non-Officiels”‘, Paris, DOC(K)S, Hiver, 81/82, Blaine, J., Gipouloux, A., ‘The Stars: A New Art Movement in China’, in Benton, G., Wild Lillies: Poisonous Weeds, Sydney, Pluto Press, 1982 Chan, Lauk’ung, ‘Ten Years of the Chinese Avantgarde: Waiting for the curtain to fall’, Flash Art, Jan/Feb 1992. Chang, Tsong-zung, et al., The Stars: Ten Years, Hong Kong, Hanart 2 Gallery, 1989 Clark, John, ‘A Tale of Two Cities’[Beijing and Taibei], Art Monthly [Australia], no.29, April 1990 Clark, John, ‘Academicism in Chinese Oil Painting and a nascent avant-garde in the 1980s’, in Duro, P., ed. Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia, 1991. Clark, John, ‘The Chinese Artists’ Association’, Art Monthly [UK], May, 1986 Clark, John, tr.’Chinese Impressions of English Art Education’, Art Monthly [UK], March 1982 Cohen, J.L., ‘Art in China Today: a new freedom- within limits’, Artnews, Summer 1980 Cohen, J.L., ‘Braving the Currents of “Bourgeois Internationalism”‘ Artnews, January 1984 Croizier, Ralph, ‘ “Going to the World”: Art and Culture on the Cosmpolitan Tide’, China Briefing, 1989, New York, China Council of the Asia Society, 1989. Croizier, Ralph, ‘ “Opening the Mind”: Nudity and Eroticism in Chinese Art of the 1980s’, College Art Association of America paper 1989. Croizier, Ralph, ‘The avant-garde and the Democracy Movement; reflections on late communism in the USSR and China’, Europe-Asia Studies vol. 51, no.3, 1999 Deng Xiaoping, Selected Works of Deng Xiaoping (1975-1982), Beijing, Foreign Languages Press, 1984. Feaver, W., ‘A Visit to China’, Art Monthly [UK], no.44, March 1981 Friend, R., ‘“Rebel artists” in Beijing’, Eastern Horizon, November 1980 Gao Minglu, ‘Chronology of Chinese Contemporary Art (1978-1989)’, Artspiral, New York, Asian American Arts Centre, Winter 1991. Gao Minglu, ‘Conceptual art with anti-conceptual attitude: Mainland China, Taiwan and Hong Kong’, in Global Conceptualism: Points of origin, 1950s–1980s, New York, Queens Museum of Art, 1999 Goldblatt, H. ed., Chinese Literature for the 1980s, Armonk, M.E.Sharpe Inc., 1982 Hou Hanru, ‘New self-awareness and international dialogue’, Art Monthly Australia, 40, May 1991. Jose, N., ‘Notes from the underground, Bejing Art 1985-89’, Orientations, 23, no.7, July, 1992. Köppel-Yang, Martina, ‘Zaofan Youli; Revolt is reasonable: remanifestations of the cultural revolution in Chinese contemporary art of the 1980s and 1990s’, Yishu, vol.1, no.2, 2002 Laing, E. J., ‘The Persistence of Propriety in the 1980s’, in Link, Madsen, Pickowicz eds., Unofficial China: popular culture and thought in the People’s Republic, Boulder, Westview Press, 1989 Li, Xianting, ‘Notes and Illustrations to Major trends in the development of Modern Chinese Art’, in Doran, V.C., ed. China’s New Art, Post-1981, Hong Kong, Hanart T Z Gallery, 1993. Lim, Lucy, ed., Contemporary Chinese Painting: An Exhibition from the Peoples Republic of China, San Francisco, Chinese Culture Foundation of San Francisco, 1984 Moss, H., ed., The Experience of Art, Hong Kong, Umbrella, 1983 Moss, H., Some Reecnt Developments in Twentieth Century Chinese Painting: A Personal View, Hong Kong, Umbrella, 1982 Munro, R., ‘Unofficial Art in China’, Index on Censorship, August 1982 Murray, M.,intro. Avant-Garde in Chinese Art, New York, Vassar College Art Gallery, 1986 Roberts, Claire, New Art From China: Post-Mao Product, Sydney, Art Gallery of New South Wales, 1992; Strassberg, R.L., ed., “I don’t want to play cards with Cézanne” and other works, Pasadena, Pacific Asia Museum, 1991. Sullivan, Michael, ‘Art and the Social Framework’, Times Literary Supplement, 24-6-1983 Sullivan, Michael, ‘Contemporary Chinese Painting from the People’s Republic of China’, Orientations, October 1983 Sullivan, Michael, ‘New Directions in Chinese Art’, Art International, vol.XXV, no.1-2, 1982. Tsao Tsing-yuan, ‘The Birth of the Goddess of Democracy’ in Wasserstrom, Jeffrey N., Perry, Elizabeth J., eds., Popular Protest and Political Culture in China, Boulder, Westview Press, 1994.
27 Wang Yuejin, ‘Anxiety of Portraiture: Questioning ancestral icons in post-Mao China’ , in Liu Kang; Tang Xiaobing, eds., Politics, Ideology and Literary Discourse in Modern China, Durham, Duke University Press, 1993. Watson, R.C., ‘A Revolutionary Spirit comes of Age [The Stars]’, Asian Art News, 2, no.1, Jan/Feb 1992. Wu Hong, ‘Tian’anmen Square: A Political History of Monuments’, Representations, no.35, Summer 1991. Wu Yongliu, ed., Works of the Chinese Nude Oils Exhibition, Nanning, Guangxi People’s Publishing House, 1988. 1989-2000 Big Tail Elephant] Chiu, Melissa, ‘Static Interference: The Big Tail Elephant Group of Guangzhou.’ Art Asia Pacific 24:1999; Lin, Yilin., Chen Shaoxiong, Xu Tan and Liang Juhui, ‘Big Tail Elephants in the 1990s’, in Yishu: Journal of Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.22-32. [Cai Guoqiang] Huang Du. ‘Cai Guoqiang: From mystery and philosophy to reality.’ Art AsiaPacific issue 20 1998; Naylor, Stephen, ‘A Gondola In Suburbia’, Art Monthly Australia August 1999: 122 [Cai Heng] review Asian Art News, vol.12, no.3, 2002 [Cang Xin], Huang Du, et.al., ed., Existence in Translation – Cang Xin, Hong Kong : Timezone 8 Ltd, 2002 [Chao Chung Hsiang/ Zhao Chunxiang] Findlay, Ian, ‘A master at work’, Asian Art News, vol.10, no.2, 2000 [Chen Yifei], Pai, Maggie, ‘The romantic Realist’Asian Art News, vol. 7, no. 3, May/June 1997. [Fang Lijun] Furuichi, Y., Nakamoto, K. eds. Fang Lijun: Human images in an uncertain age, Tôkyô: Japan Foundation Asia Center, 1996 [see Jose, N. in ART AsiaPacific, no.15, 1997]; Hovdenakk, Per, 'Fang Lijun and His Art (1997), Huang Zhuan and Pi Li ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002; Li Xianting, 'Fang Lijun and Cynical Realism (2000)' Huang Zhuan and Pi Li ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002; Pi Li, 'A Dialogue with Fang Lijun', Huang Zhuan and Pi Li ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002. [Feng Mengbo], Kent, Rachel, ‘Open Market – the art of Feng Mengbo’, Artlink, Vol. 16, No.2&3, Winter 1996; Barmé, Geremie, ‘A Beijing screensaver’ ART AsiaPacific, no.15, 1997; Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999. [Gu Wenda] Jaivin, L., ‘Gu Wenda’, Art & Asia Pacific, vol.1, no.2, 1994 [Gu Zhengguo], Taylor, Roger; Lasschuyt, Helga, ‘Fire Works’ World Art, no.2 1995. [Hu Yongkai] Binks, Hilary, ‘Refining nostalgia’, Asian Art News, vol.9, no.1, 1999 [Huang Yongyu] Maggio, Meg, ‘The House that Huang Yongyu Built, Orientations, Volume 33, Number 1, January 2002 [Hung Liu] Hung Liu: Lament (Catalogue), Shanghai: Artscene China, 2004 [Inside Out] Goodman, Jonathan, ‘From the outside in’, Art AsiaPacific, 24, 1999; Yee, Lydia, ‘A third space’, Art AsiaPacific, 24, 1999; Schwabsky, Barry, ‘”Inside Out: New Chinese Art”, Artforum International, Vol.37, Issue 4, December 1998 [Ji Yun-Fei] Lew, Christopher Y., ‘Yun-Fei Ji: Dead and Alive’, ArtAsiaPacific, no.51, 2007. [Li Jin], Maggio, Meg, ‘A world of food and family’, Asian Art News, vol.12, no.3, 2002 [Liu Hongwei], Binks, Hilary, ‘A solitary world of dreams’, Asian Art News, vol.10, no.3, 2000 [Liu Qinghe] Combs, Nicky, ‘Blending Tradition and Contemporary’, Asian Art News 8:4 1998 [Liu Wei] Healy, Anthony, ‘Looking for trouble: Liu Wei’, World Art, no.4, 1995. [Luo Fanhui] Li, Xu, ‘At The Heart Of The Rose’, On Luo Fahui, Asian Art News, vol. 12, no. 6, November/December, 2002 [Mao Xuhui] Findlay, Ian, ‘The power of commonplace’, Asian Art News, vol.9, no.4, 1999; Findlay, Ian, ‘The Power of the Commonplace’, Asian Art News, 9:4 1999 [Post-Sense sensibility] review, Smith, Karen, Asian Art News, vol.9, no.1, 1999 [Qiu Deshu]] Maggio, Meg, ‘A fissured world’, Asian Art News, vol.11, no.6, 2001 [Qiu Shihua], Millichap, John, ‘Seeing through the landscape’ Asian Art News, vol.6, no.1, Jan/Feb 1996. [Shi Hu] Findlay, Ian, ‘From the heart of the tiger’, Asian Art News, vol.10, no.5, 2000 [Su Xinping], Scarff, Julian, ‘Down to the sea’, Asian Art News, vol.9, no.1, 1999; Scarff, Julian, ‘Down to the Sea’, Asian Art News, 9:1 1999; Shao Yiyang, ‘Out of the Grasslands’ Art & Asia Pacific, vol.3, no.2, 1996. [Sui Jianguo] Dewar, Susan, ‘Sui Jianguo and the sculptural dilemma’, Asia-Pacific Sculpture News, vol.1, no.1, Winter, 1995. [Tan Bo], Brown, Glen R., ‘Modern Vanitas’ Asian Art News, vol.7, no.4, July/August 1997. [Tseng Yuho / Ceng Yuhe] review, Asian Art News, vol.10, no.4, 2000 [Wang Guangyi], Smith, Karen, 'From Mao to Now', Huang Zhuan and Pi Li ed., Image is Power, Hunan: Hunan Fine Arts Publishing House, 2002; [Wang Jin, Feng Jiali], Dewar, Susan, ‘In the eye of the beholder’ ART AsiaPacific, no.15, 1997
Page 1 and 2: MODERN AND CONTEMPORARY ASIAN ART:
Page 3 and 4: CONTENTS Please note that paginatio
Page 5 and 6: Kuki and his times 95 Nishida Kitar
Page 7 and 8: Prints 155 ------------------------
Page 9 and 10: GENERAL WORKS ON ASIAPACIFIC AS A R
Page 11 and 12: 11 [Global Conceptualism] Global Co
Page 13 and 14: 13 Hearn, Maxwell K.; Smith Judith
Page 15 and 16: 15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18: 17 Cai Guoqiang, painter and instal
Page 19 and 20: 19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22: 21 Wen Lipeng, deceased, oil painte
Page 23 and 24: 23 during the 1990s and the role of
Page 25: 25 Andrews, Julia, Painters and Pol
Page 29 and 30: 29 Clark, John, ‘Official reactio
Page 31 and 32: 31 Tsao Tsing-yuan, ‘The Birth of
Page 33 and 34: 33 [Hong Lei] Goodman, Jonathan,
Page 35 and 36: 35 [Song Dong] Thomas, Taliesin,
Page 37 and 38: 37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40: 39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42: 41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44: 43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46: 45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48: 47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50: 49 Goldman, M., ‘The Party and th
Page 51 and 52: Red Gate Gallery, Beijing. http://w
Page 53 and 54: [Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56: 55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58: 57 Clark, John, ‘La peinture mode
Page 59 and 60: 59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62: 61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64: 63 Agahari, Rae, Beyond representat
Page 65 and 66: 65 General Works Clark, J., ‘Mode
Page 67 and 68: 67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70: 69 Clark, John, ‘Artist and the S
Page 71 and 72: Smith, L.H.R., Contemporary Japanes
Page 73 and 74: 73 Abstract painting in Japan, Hokk
Page 75 and 76: 75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78:
77 Annear, J., ‘A forest of art i
Page 79 and 80:
79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82:
81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84:
83 National Museum of Modern Art, [
Page 85 and 86:
85 Clark, John, ‘Japanese houses
Page 87 and 88:
87 Society of Architects & Building
Page 89 and 90:
89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92:
91 Medical facilities : new concept
Page 93 and 94:
93 Wilson, Peter L. Western objects
Page 95 and 96:
95 Gluck, C., Japan’s Modern Myth
Page 97 and 98:
97 La Fleur, William A., ‘A turni
Page 99 and 100:
http://www.musabi.co.jp/list.html M
Page 101 and 102:
101 thesis, Australian National Uni
Page 103 and 104:
103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106:
105 [Lee, Yong-Baek] review, Flash
Page 107 and 108:
107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110:
109 Chaiyan Rajchagool, The Rise an
Page 111 and 112:
111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114:
113 Michaelsen, H., Die Entwicklung
Page 115 and 116:
115 8 Actual Visions in Thai Contem
Page 117 and 118:
117 Individual Artists Anurak Chata
Page 119 and 120:
119 to shock’ The Nation, January
Page 121 and 122:
121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124:
123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126:
125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128:
127 Suehiro Akira, Capital Accumula
Page 129 and 130:
129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132:
Nguyen Thi Dinh, No other road to t
Page 133 and 134:
133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136:
135 Holt, Claire, Art in Indonesia:
Page 137 and 138:
137 Supangkat, J., Sanento Yuliman
Page 139 and 140:
139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142:
Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144:
BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146:
145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152:
151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154:
153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156:
155 Foundation Asia Center, 2002; F
Page 157 and 158:
157 [Kuage, Mathias] review, Art As
Page 159 and 160:
159 Kapur, Geeta “Representationa
Page 161 and 162:
161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164:
163 [Tagore] Parimoo, R., The Paint
Page 165 and 166:
165 exhibition catalogue exhibition
Page 167 and 168:
167 Kapur, Geeta, ‘When was moder
Page 169 and 170:
169 Deshpande, Satish, “Imagined
Page 171 and 172:
171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174:
Martin, Courtney J. ‘South Asian
Page 175 and 176:
175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178:
177 [Asia Pacific Artists Initiativ
Page 179 and 180:
179 Gallbally, A., ‘Aestheticism
Page 181 and 182:
181 Commemorative Anthology on the
Page 183 and 184:
183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186:
185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188:
187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190:
189 Theories, Logics & Ideologies B
Page 191 and 192:
191 Hopkins, A.G., ed., Globalizati
Page 193 and 194:
Zito, Angela and Barlow, Tani E., B
Page 195 and 196:
195 Smith, T., ‘Second person/fir
Page 197 and 198:
197 Crary, Jonathan, ‘Critical Co
Page 199 and 200:
199 Preziosi, Donald & Farago, Clai
Page 201 and 202:
201 Walker, David, Anxious Nation:
Page 203 and 204:
203 Kember, Pamela., ‘A Report on
Page 205 and 206:
205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208:
207 Appadurai, Arjun, Modernity at
Page 209 and 210:
209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212:
211 4 th Asian Art Show Fukoka, ed
Page 213 and 214:
213 Clark, John, ‘Three Recent Bi
Page 215 and 216:
Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218:
217 Sydney: Biennale of Sydney: 200
Page 219 and 220:
219 The Exoperience of Art: La Bien
Page 221 and 222:
221 Tadayasu Sakai, Japan at the 10
Page 223 and 224:
223 A Primal Spirit, Hara Toshio; F
Page 225:
225 Art/34/Basel/18-23/6/03, Media
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