A Working Bibliography - The University of Sydney

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Andrews, Julia & Gao Minglu, ‘The avant-garde's challenge to official art’, in Davis, Deborah S., ed., Urban spaces
in contemporary China : the potential for autonomy and community in post-Mao China, Washington, Woodrwo
Wilson Center Press, and Cambridge, Cambridge University Press, 2001.
Ann Farrer, Chinese Printmaking Today: Woodblock Printing in China, 1980-2000, London, British Library, 2004
Barmé, Geremie, ‘Exploit, export, expropriate: artful meaning in China, 1989-93, Third Text, Winter 1993-1994.
Barmé, Geremie, Jaivin, L., eds, New Ghosts, Old Dreams, Chinese Rebel Voices, New York, Random House, 1992.
Barmé, Geremie, Minford, J.eds, Seeds of Fire, Chinese Voices of Conscience,New York, Hill & Wang, 1988.
Blaine, J., et al, ‘Poèmes & Art en Chine, Les “Non-Officiels”‘, Paris, DOC(K)S, Hiver, 81/82,
Blaine, J., Gipouloux, A., ‘The Stars: A New Art Movement in China’, in Benton, G., Wild Lillies: Poisonous Weeds,
Sydney, Pluto Press, 1982
Chan, Lauk’ung, ‘Ten Years of the Chinese Avantgarde: Waiting for the curtain to fall’, Flash Art, Jan/Feb 1992.
Chang, Tsong-zung, et al., The Stars: Ten Years, Hong Kong, Hanart 2 Gallery, 1989
Clark, John, ‘A Tale of Two Cities’[Beijing and Taibei], Art Monthly [Australia], no.29, April 1990
Clark, John, ‘Academicism in Chinese Oil Painting and a nascent avant-garde in the 1980s’, in Duro, P., ed.
Perspectives on Academic Art, Occasional Papers III, The Art Association of Australia, 1991.
Clark, John, ‘The Chinese Artists’ Association’, Art Monthly [UK], May, 1986
Clark, John, tr.’Chinese Impressions of English Art Education’, Art Monthly [UK], March 1982
Cohen, J.L., ‘Art in China Today: a new freedom- within limits’, Artnews, Summer 1980
Cohen, J.L., ‘Braving the Currents of “Bourgeois Internationalism”‘ Artnews, January 1984
Croizier, Ralph, ‘ “Going to the World”: Art and Culture on the Cosmpolitan Tide’, China Briefing, 1989, New
York, China Council of the Asia Society, 1989.
Croizier, Ralph, ‘ “Opening the Mind”: Nudity and Eroticism in Chinese Art of the 1980s’, College Art Association
of America paper 1989.
Croizier, Ralph, ‘The avant-garde and the Democracy Movement; reflections on late communism in the USSR
and China’, Europe-Asia Studies vol. 51, no.3, 1999
Deng Xiaoping, Selected Works of Deng Xiaoping (1975-1982), Beijing, Foreign Languages Press, 1984.
Feaver, W., ‘A Visit to China’, Art Monthly [UK], no.44, March 1981
Friend, R., ‘“Rebel artists” in Beijing’, Eastern Horizon, November 1980
Gao Minglu, ‘Chronology of Chinese Contemporary Art (1978-1989)’, Artspiral, New York, Asian American Arts
Centre, Winter 1991.
Gao Minglu, ‘Conceptual art with anti-conceptual attitude: Mainland China, Taiwan and Hong Kong’, in Global
Conceptualism: Points of origin, 1950s–1980s, New York, Queens Museum of Art, 1999
Goldblatt, H. ed., Chinese Literature for the 1980s, Armonk, M.E.Sharpe Inc., 1982
Hou Hanru, ‘New self-awareness and international dialogue’, Art Monthly Australia, 40, May 1991.
Jose, N., ‘Notes from the underground, Bejing Art 1985-89’, Orientations, 23, no.7, July, 1992.
Köppel-Yang, Martina, ‘Zaofan Youli; Revolt is reasonable: remanifestations of the cultural revolution in Chinese
contemporary art of the 1980s and 1990s’, Yishu, vol.1, no.2, 2002
Laing, E. J., ‘The Persistence of Propriety in the 1980s’, in Link, Madsen, Pickowicz eds., Unofficial China: popular
culture and thought in the People’s Republic, Boulder, Westview Press, 1989
Li, Xianting, ‘Notes and Illustrations to Major trends in the development of Modern Chinese Art’, in Doran, V.C., ed.
China’s New Art, Post-1981, Hong Kong, Hanart T Z Gallery, 1993.
Lim, Lucy, ed., Contemporary Chinese Painting: An Exhibition from the Peoples Republic of China, San Francisco, Chinese
Culture Foundation of San Francisco, 1984
Moss, H., ed., The Experience of Art, Hong Kong, Umbrella, 1983
Moss, H., Some Reecnt Developments in Twentieth Century Chinese Painting: A Personal View, Hong Kong, Umbrella,
1982
Munro, R., ‘Unofficial Art in China’, Index on Censorship, August 1982
Murray, M.,intro. Avant-Garde in Chinese Art, New York, Vassar College Art Gallery, 1986
Roberts, Claire, New Art From China: Post-Mao Product, Sydney, Art Gallery of New South Wales, 1992;
Strassberg, R.L., ed., “I don’t want to play cards with Cézanne” and other works, Pasadena, Pacific Asia Museum, 1991.
Sullivan, Michael, ‘Art and the Social Framework’, Times Literary Supplement, 24-6-1983
Sullivan, Michael, ‘Contemporary Chinese Painting from the People’s Republic of China’, Orientations, October
1983
Sullivan, Michael, ‘New Directions in Chinese Art’, Art International, vol.XXV, no.1-2, 1982.
Tsao Tsing-yuan, ‘The Birth of the Goddess of Democracy’ in Wasserstrom, Jeffrey N., Perry, Elizabeth J., eds.,
Popular Protest and Political Culture in China, Boulder, Westview Press, 1994.