A Working Bibliography - The University of Sydney

25
Andrews, Julia, Painters and Politics in the People’s Republic of China, 1949-1979, Berkeley, University of California
Press, 1994.
Chuang Shen, ‘The Central College of Fine Arts in Peking: Its History and Function’, in Lee, N. and Leung, C-K.
eds, China: Development and Challenge, Hong Kong, University of Hong Kong, 1981.
Clark, J., ‘Realism in Revolutionary Chinese Painting’, Journal of the Oriental Society of Australia, July 1991
Clark, John, ‘The Chinese Artists’ Association’, Art Monthly [UK], May 1986.
Cohen, J.L., The New Chinese Painting, 1949-1986, New York, Abrams, 1987 [bibliography includes a number of
1980s US’ exhibition catalogues]
Fineberg, Jonathan, Art Since 1940: Strategies of Being, New York, Prentice Hall Press, 2000
Fokkema, D.W., Literary Doctrine in China and Soviet Influence, 1956-1960, The Hague, Mouton, 1965.
Galikowski, Maria, Art and Politics in China, 1949-1984, Hong Kong, The Chinese University Press, 1998.
Laing, E.J., The Winking Owl, Art in The People’s Republic of China, Berkeley, University of California Press, 1988.
Selected Comparative Texts on Socialist Realism
Croizier, Ralph, ‘ The avant-garde and the Democracy Movement; reflections on late communism in the USSR
and China’, Europe-Asia Studies vol. 51, no.3, 1999
Cullerne Bown, M., Art Under Stalin, Oxford, Phaidon, 1991.
Cullerne Bown, M., Elliott, D., Sidorovo, A., Soviet Socialist Realist Painting, Oxford, Museum of Modern Art, 1992.
Cullerne Bown, M., Taylor, Brandon, eds., Art of The Soviets, Manchester, Manchester University Press, 1993.
Golomstock, I., Totalitarian Art, London, Collins Harvill, 1990 [review: Clark, Newsletter, Art Association of
Australia, no.33, August 1991].
Jiang, Joshua JH, ‘The Extermination or Prosperity of Chinese Artists – Mass Art in Mid-Twentieth Century
China” in Third Text, Vol. 18, Issue 2 (March 2004), pp. 169-182
Schapiro, D., Critical Studies in American Art Social Realism: Art as a Weapon, New York, Frederick Ungar, 1973.
SOTS Art, New York, The New Museum of Contemporary Art, 1986.
1966-1976
Asia Research Centre eds., The Great Cultural Revolution in China, Melbourne & Sydney, Paul Flesch and Company,
1968.
Baum, R., Teiwes, F.C., Ssu-Ching: The Socialist Education Movement, 1962-1966, Berkeley, Center for Chinese
Studies, Univeristy of California, 1968.
Chen, Elsa Hsiang-chun, ‘Rethinking Revolution’ in N Paradoxa, Vol. 10 (July 2002) London & Web Publication
Croizier, Ralph, ‘Chinese Art in the Chiang Ch’ing Era’, Journal of Asian Studies, vol.XXXVIII, no.2, February 1979
Croizier, Ralph, ‘The Crimes of the Gang of Four: A Chinese Artist’s Version’, Pacific Affairs, vol.54, no.2.,
Summer 1981.
Dal Largo, Francesca, ‘Personal Mao: Reshaping an Icon in Contemporary Chinese Art’, Art Journal, vol.58, no.2,
Summer 1999.
Daubier, J., A History of the Chinese Cultural Revolution, [1971], New York, Vintage Books, 1974.
Fine Arts Collection Section, Peasant paintings from Huhsien County, Beijing, People’s Fine Art Publishing House,
1974
Goldman, M., ‘The Fall of Zhou Yang’, China Quarterly, July -September, 1966
Kong Shuyu, ‘For reference only: restricted publication and distribution of foreign literature during the Cultural
Revolution’, Yishu, vol.1, no.2, 2002
Krauss, Richard, ‘Arts Policies of the Cultural Revolution: The Rise and Fall of Culture Minister Yu Huiyong’, in
Joseph, William, A.; Wong, Christopher P.; Zweig, David; eds. New Perspectives on the Cultural Revolution,
Cambridge, Council on East Asian Studies/Harvard University, 1991.
Laing, E. J., ‘Chinese Peasant Painting, 1958-1976, Amateur and Professional’, Art International, vol.27, no.1, 1984
Scheck, F.R., Chinesische Malerei seit der Kulturrevolution, München, Verlag M.Du Mont Schamberg, 1975
Wang Mingxian, ‘From street art to exhibition art: the art of the Red Guard during the Cultural Revolution’,
Yishu, vol.1, no.2, 2002
Yan Shanchen, ‘Political inspiration in art production: three oil paintings depicting Mao Zedong during the
Cultural Revolution’, Yishu, vol.1, no.2, 2002
Zheng Shengtian, ‘Brushes are weapons: art schools and artists during the Cultural revolution’, Yishu, vol.1, no.2,
2002
1976-1989