A Working Bibliography - The University of Sydney

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Knight, Michael, ‘Imperial Art from the Reign of the Qianlong Emperor’, Orientations, Volume 34, Number 1,
January 2003
Kuo, Jason, ‘Art in Shanghai, 1850-1930’, China Exchange News, vol.23 no3, Fall 1995.
Li, Chu-Tsing, Trends in Modern Chinese Painting, Ascona, Artibus Asiae, 1979.
Park, Hyun Ok, ‘Korean Manchuria: The Racial Politics of Territorial Osmosis’, The South Atlantic Quarterly, 99.1,
Winter 2000
Schmid, Andre, ‘Looking North toward Manchuria’, The South Atlantic Quarterly, 99.1, Winter 2000
Shen Kuiyi, ‘On the reform of Chinese Painting in Early Republican China’, in Cao Yiqiang, Fan Jingzhong, eds,
Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition, Zhejiang Renmin Meishu
Chubanshe, 1997.
Sullivan, M., ‘Recollections of Art and Artists in Wartime Chengdu’, The Register of the Spencer Museum of Art,
University of Kansas, Vol.VI, no.3, 1986
Thiriez, Régine, ‘Ligeland: A French Photographer in 1858 Shanghai’, Orientations, Volume 32, Number 9,
November 2001
Tsuruta Takeyoshi, ‘Kinhyakunenrai Chûgoku Gajin Shiryô’, Bijutsu Kenkyû}, nos 293-294, 303, 307.
Tsuruta Takeyoshi, Kindai Chûgoku no Gaka, Osaka, Osaka Shiritsu Bijutsukan, 1972
Tsuruta Takeyoshi, Kindai Chûgoku Kaiga, Tokyo, Kadokawa Shoten, 1974
Culture Contact in Northeast China and Manchuria
Bakich, Olga Mikhailovna, ‘Emigré Identity: The Case of Harbin’, The South Atlantic Quarterly, 99.1, Winter 2000
Carter, James, ‘A Tale of Two Temples: Nation, Region, and Religious Architecture in Harbin, 1928-1998’, The
South Atlantic Quarterly, 99.1, Winter 2000
Chernolutskaia, E. N., Trubikhina, Julia, tr., ‘Religious Communities in Harbin and Ethnic Identity of Russian
Emigrés’, The South Atlantic Quarterly, 99.1, Winter 2000
Lahusen, Thomas, ‘The Russian Far East After Landscape: A Photoessay’ [Northeast China and Russia], The South
Atlantic Quarterly, 98.4, Fall 1999
Lahusen, Thomas, ‘Dr. Fu Manchu in Harbin: Cinema and Moviegoers of the 1930s’, The South Atlantic Quarterly,
99.1, Winter 2000
Lahusen, Thomas, ‘Remembering China, Imagining Israel: The Memory of Difference’, The South Atlantic
Quarterly, 99.1, Winter 2000
Rimer, J. Thomas, ‘Paris in Nanjing: Kishida Kunio Follows the Troops’, in Mayo, Marlene J., Rimer J. Thomas,
Kerkham, H. Eleanor (eds), War, Occupation and Creativity: Japan and East Asia, 1920-1960, Honolulu,
University of Hawai’i Press, 2001, p.176-187.
Tamanoi, Mariko, ‘A Road to "A Redeemed Mankind": The Politics of Memory among the Former Japanese
Peasant Settlers in Manchuria’, The South Atlantic Quarterly, 99.1, Winter 2000
Wartime Period and Yan’an Base Areas
Barmé, G., ‘Using the past to serve the present: Dai Qing’s Historiographical Dissent’, East Asian History, Vol.1,
June 1991.
Benton, G., ‘The Yenan Literary Opposition’, New Left Review, no.92, July-August, 1975
Benton, G., Wild Lillies: Poisonous Weeds, Sydney, Pluto Press, 1982
Dai Qing, Wang Shiwei and “Wild Lillies”: Rectification and Purges in the CCP, 1942-1944, Armonk, M.E.Sharpe Inc.,
1994.
Holm, David, Art and Ideology in Communist China, Oxford, Clarendon Press, 1992 [see also unpublished chapters
from his Ph.D. thesis on Graphic Arts and Yan’an].
Mao Zedong, Mao Tse-tung on Art and Literature, Beijing, Foreign Languages Press, 1967
Mcdougall, B., ed., Popular Chinese Literature and the Performing Arts, Berkeley, University of California Press, 1984
Mcdougall, B., Mao Zedong’s “Talks at the Yanan Conference on literature and art” a translation of the 1943 text with
commentary, Ann Arbor, Centre of Chinese Studies, University of Michigan, 1980
Sullivan, Michael, ‘Recollections of Art and Artists in Wartime Chengdu’, The Register of the Spencer Museum of Art,
University of Kansas, vol.VI, no.3, 1986.
1949-1966
Andrews, Julia, ‘Traditional Painting in New China: Guohua and the Anti-Rightist Movement’,The Journal of Asian
Studies, vol.49, no.3, 1990.