A Working Bibliography - The University of Sydney

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during the 1990s and the role of the mediated subject of the acting body in art’, Peter Lewis and Hoor
Al-Qasimi, ed., Sharjah International Biennial 6 (Catalogue), United Arab Emirates: Sharjah International
Biennial, 2003, pp. 034-038; [Zhu Ming] Cover Art Monthly Australia, Number 158, March 2003
Zhu Yu, Beijing, installation artist: Fei Dawei, ‘Transgresser le principe céleste: Dialogue avec le group
cadavre’[Zhu Yu, Sun Yuan, Peng Yu], ‘Représenter l’Horreur’, Hors Serie Artpress, Mai 2001; Berghuis,
Thomas J., ‘Flesh Art: Body and Performance Art in Post-Mao China’, Chinese Type Contemporary Art
Magazine, Vol. 4, Issue 5, November, 2001, published Online at: http://www.chinese-art.com.
Neo-traditional Painting [guohua]
Andrews, Julia, F., ‘Traditional Painting in New China: Guohua and the Anti-Rightist Campaign’, Journal of Asian
Studies, Autumn 1990.
Chang, Arnold, Painting in the People’s Republic of China: the politics of style, Boulder, Westview Press, 1980
Croizier, Ralph, ‘Qu Yuan and the Artists: Ancient Symbols and Modern Politics of the Post-Mao Era’, in Unger,
Jonathan, Using the Past to Serve the Present, Armonk, M.E. Sharpe, 1993.
Croizier, Ralph, Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951, Berkeley,
University of California Press, 1988;
Laing, E.J., ‘Chinese Peasant Painting, 1958-1976’, Art International, XXVII/1, January-March 1984.
Li Chu-tsing Trends in Modern Chinese Painting [The C.A.Drenowatz Collection]: Ascona, Artibus Asiae, 1979
Moss, H., Some Recent Developments in Twentieth Century Chinese Painting: A Personal View, Hong Kong, Umbrella,
1982
Pi Daojian ‘The history of Black and White: 50 years of Evolution in Ink and Wash’, Contemporary Chinese Art
Bulletin, vol.2, no.5, 1999.
Shen Kuiyi, Wu Changshi and the Shanghai art world in the late 19 th and early 20 th centuries, PhD Thesis, Ohio State
University, 2000
Tam, L.S.,ed., Twentieth Century Chinese Painting, Hong Kong, Hong Kong Museum of Art, 1984
Whitfield, R., Chinese Traditional Painting, 1886-1966, London, Royal Academy of Arts, 1982
Wang, Eugene Y, ‘Sketch Conceptualism and Modernist Contingency’, in Hearn, Maxwell K. & Smith, Judith G.,
ed., Chinese art : modern expressions, New York : Dept. of Asian Art, the Metropolitan Museum of Art, 2001.
Wue, Roberta, Picturing the artist: Ren Bonian (1840-1896) and portraits of the Chinese art world, PhD, New York
University, 2001
Late Qing to Republican China before 1949
Andrews, J.F., ‘Traditional Chinese painting in an age of revolution, 1911-1937’ in Cao Yiqiang, Fan Jingzhong,
eds, Chinese Painting in the Twentieth Century: Creativity in the Aftermath of Tradition, Zhejiang Renmin Meishu
Chubanshe, 1997.
Andrews Julia F., ‘ “The traitor of art” and Chinese modernity: Liu Haisu and the nude model controversy’, in
Vinograd, Richard, ed., Images in Exchange, Berkeley, University of California Press, 2003
Boorman, H., Biographical Dictionary of Republican China, New York, 1967-1971 (for entries on Chang Ta-ch’ien
[Zhang Daqian], Ch’i Pai-shih [Qi Baishi], Hsu Pei-hong [Xu Beihong], P’u-ju [Pu Ru, Pu Xinyu])
Bowen-Struyk, Heather, ‘Guest Editor's Introduction: Proletarian Arts in East Asia’ Positions, vol. 14, no. 2, 2006.
Chou Ju-hsi, Painting at the close of China’s empire: Phoebus, Occasional Papers in Art History, 8, 1998.
Croizier, R., ‘Reverse Current Early 20th century influence on Chinese Painting’, in Tam Yue-him ed.,
Sino-Japanese Cultural Interchange: Aspects of Archaeology and Art History, Hong Kong, Chinese University, 1989?
Croizier, R., Art and Revolution in Modern China: The Lingnan (Cantonese) School of Painting, 1906-1951, Berkeley,
University of California Press, 1988
Duara, Prasenjit, ‘Local Worlds: The Poetics and Politics of the Native Place in Modern China’, The South Atlantic
Quarterly, 99.1, Winter 2000
Hezlar, J., Chinese Watercolours, [Prague,Artia], London, Cathay Books, 1978
Ho, Virgil Kit-yiu, ‘The Limits of Hatred: Popular attitudes towards the West in Republican Canton”, East Asian
History, no.2, December 1991.
Janicot, Eric, 50 ans d'esthétique moderne chinoise. Tradition et occidentalisme 1911-1949, (De la chute des Qing à la
République populaire). Paris, Publications de la Sorbonne, 1997
Kao, Mayching, ‘The Spread of Western Art in China: 1919-1929’, in Lee, N. and Leung,C-K. eds, China:
Development and Challenge, Hong Kong, University of Hong Kong, 1981
Kao, Mayching, China’s Response to the West In Art:1898-1937, Ph.D diss.Stanford University, 1972