A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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224<br />
1998<br />
Cream: Contemporary Art and Culture, London and New York, Phaidon, 1998<br />
Die Hälfte des Himmels curated by Werner, Chris; Qiu Ping; Pitzen, Marianne, organized by Frauenmuseum Bonn<br />
Gro schwanzelefant / Big Tail Elephant,curated by Fibicher, Bernard, Bern, Kunsthalle 1998.<br />
Chinese Contemporary, 96-98 curated by Colman, Julia; Bois, Ludovic, organized by Chinese Contemporary Limited.<br />
Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Menzies, Jackie, ed., (co-curated by Ajioka, Clark,<br />
Menzies, Mizusawa); <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales, 1998.<br />
Per Video, Keusen, Elle; Schmidt, Inge; Weihs, Helge; Köln, Museum Ludwig, 1998<br />
Inside Out, New Chinese Art, curated and written by Gao Minglu, New York, Asia Society & Berkeley, <strong>University</strong> <strong>of</strong><br />
California Press, 1998<br />
1999<br />
Art at the Turn <strong>of</strong> the Millennium, Burkhard Riemschneider and Uta Grosenick, ed., Köln, Taschen, 1999<br />
ARX 5, Lee Weng Choy, ‘Misunderstanding art’, Art AsiaPacific, 23, 1999;<br />
ARX 5, Lenzi, Iola, ‘Process and Politics’, Art AsiaPacific, 23, 1999<br />
China 1999 organized by Limn Gallery, San Francisco<br />
Cologne-Beijing, Beijing-Cologne Exchange Exhibitioncurated by Tang Xin & Urle U., organized by Gothaer<br />
Kunstforum, Köln]<br />
Logan Collection, organized by Limn Gallery, San Francisco<br />
Melbourne Biennale [China curated by Huang Du]<br />
Modern Chinese Art curated by Hans van Dijk, essay by John Clark, organized by Modern Chinese Art Foundation<br />
Representing the People Curated by Smith, Karen & Pi Li, organized by <strong>The</strong> Courtyard Gallery &Newcastle, Tyne<br />
and Weir Museums<br />
Transience: Chinese Art at the End <strong>of</strong> the 20th Century [curated by Wu Hung, Smart Museum <strong>University</strong> <strong>of</strong> Chicago<br />
Truths from the Open Door: Chinese Conceptual Photography, curated by Wu Meichun, Zheng Shengtian, Art Gallery <strong>of</strong><br />
Chulalongkorn <strong>University</strong><br />
Toi Toi Toi, Kassel 1999, Garrett, Louise ‘Toi Toi Toi’, Art AsiaPacific, 23, 1999<br />
Transience: Chinese Art at the End <strong>of</strong> the 20th Century, Wu Hung curated, Chicago, Smart Museum <strong>University</strong> <strong>of</strong><br />
Chicago, 1999.<br />
Vielfaches echo (manifold echoes),Stuttgart, 1998, Hynes, Victoria, ‘Manifold Echoes’, Art AsiaPacific, 22, 1999<br />
2000<br />
Fresh Cream: Contemporary Art and Culture, London and New York, Phaidon, 2000Paris pour escale, curated by Hou<br />
Hanru & Evelyne Jouanno, organized by Musée d’Art Moderne de la Ville de Paris]<br />
Exhibiting Experimental Art in China, curated by Wu Hung, organized by Smart Museum, <strong>University</strong> <strong>of</strong> Chicago<br />
Fresh Cream Williams, Gilda, ed., London, Phaidon, 2000<br />
Shanghe Meishuguan / Upriver Gallery, Tianjin, Tianjin Shehui Kexueyuan Chubanshe, 2000<br />
Papunya Tula: Genesis and Genius¸ Perkins, Hetti; Fink, Hannah, <strong>Sydney</strong>, Art Gallery <strong>of</strong> New South Wales in<br />
association with Papunya Tula Artists, 2000.<br />
2001<br />
Living in Time 29 zeitgenössische Künstler aus China curated by Hou Hanru, Fan Di’an, Gabriele Knapstein, organized<br />
by Nationalgalerie im Hamburger Bahnh<strong>of</strong> Museum für Gegenwart, in cooperation with the Ministry <strong>of</strong><br />
Culture <strong>of</strong> PRC and China International Exhibition Agency<br />
Makabe Kaori, Mikami Yutaka, Yokohama Triennale Office, eds, Yokohama Triennale 2001, Yokohama, 2001<br />
Huang Zhuan, Pi Li, Tuxiang jiushi liliang / Image is Power, [at He Xiangning Art Museum] Changsha, Hunan<br />
Meishu Chuban she, 2001<br />
Jay, Sian E., ‘Emerging visions’, Asian Art News, vol.11, no2, 2001 (Nokia Art Awards)<br />
2002<br />
Chen Tong, Look, Exhibition Catalogue, Guangzhou, <strong>The</strong> gallery <strong>of</strong> Guangzhou Fine Art Academe, 2002<br />
Hu Fang (Curator), Landscape <strong>of</strong> Sur-consuming, Exhibition Catalogue, Guangzhou, Vitamin Creative Space, 2002<br />
Jewyo Rhii, Warming and Humidifying,Korea 2002<br />
Paris-Pékin Curated by Chang Tsong-zung, organized by Gallery Enrico Navarra, published by Chinese Century<br />
Report <strong>of</strong> the International Symposium 2002, ‘Asia in Transition: Representation and Identity’, Japan, <strong>The</strong> Japan<br />
Foundation Asia Center, 2002;<br />
Stay in Shanghai 2002, Exhibition Catalogue, Shanghai, EastLink Gallery, 2002<br />
<strong>The</strong> Shine <strong>of</strong> the City Contemporary Art Exhibition 2002, Exhibition Catalogue<br />
Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002<br />
2003