A Working Bibliography - The University of Sydney

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224 1998 Cream: Contemporary Art and Culture, London and New York, Phaidon, 1998 Die Hälfte des Himmels curated by Werner, Chris; Qiu Ping; Pitzen, Marianne, organized by Frauenmuseum Bonn Gro schwanzelefant / Big Tail Elephant,curated by Fibicher, Bernard, Bern, Kunsthalle 1998. Chinese Contemporary, 96-98 curated by Colman, Julia; Bois, Ludovic, organized by Chinese Contemporary Limited. Modern Boy, Modern Girl: Modernity in Japanese Art, 1910-1935, Menzies, Jackie, ed., (co-curated by Ajioka, Clark, Menzies, Mizusawa); Sydney, Art Gallery of New South Wales, 1998. Per Video, Keusen, Elle; Schmidt, Inge; Weihs, Helge; Köln, Museum Ludwig, 1998 Inside Out, New Chinese Art, curated and written by Gao Minglu, New York, Asia Society & Berkeley, University of California Press, 1998 1999 Art at the Turn of the Millennium, Burkhard Riemschneider and Uta Grosenick, ed., Köln, Taschen, 1999 ARX 5, Lee Weng Choy, ‘Misunderstanding art’, Art AsiaPacific, 23, 1999; ARX 5, Lenzi, Iola, ‘Process and Politics’, Art AsiaPacific, 23, 1999 China 1999 organized by Limn Gallery, San Francisco Cologne-Beijing, Beijing-Cologne Exchange Exhibitioncurated by Tang Xin & Urle U., organized by Gothaer Kunstforum, Köln] Logan Collection, organized by Limn Gallery, San Francisco Melbourne Biennale [China curated by Huang Du] Modern Chinese Art curated by Hans van Dijk, essay by John Clark, organized by Modern Chinese Art Foundation Representing the People Curated by Smith, Karen & Pi Li, organized by The Courtyard Gallery &Newcastle, Tyne and Weir Museums Transience: Chinese Art at the End of the 20th Century [curated by Wu Hung, Smart Museum University of Chicago Truths from the Open Door: Chinese Conceptual Photography, curated by Wu Meichun, Zheng Shengtian, Art Gallery of Chulalongkorn University Toi Toi Toi, Kassel 1999, Garrett, Louise ‘Toi Toi Toi’, Art AsiaPacific, 23, 1999 Transience: Chinese Art at the End of the 20th Century, Wu Hung curated, Chicago, Smart Museum University of Chicago, 1999. Vielfaches echo (manifold echoes),Stuttgart, 1998, Hynes, Victoria, ‘Manifold Echoes’, Art AsiaPacific, 22, 1999 2000 Fresh Cream: Contemporary Art and Culture, London and New York, Phaidon, 2000Paris pour escale, curated by Hou Hanru & Evelyne Jouanno, organized by Musée d’Art Moderne de la Ville de Paris] Exhibiting Experimental Art in China, curated by Wu Hung, organized by Smart Museum, University of Chicago Fresh Cream Williams, Gilda, ed., London, Phaidon, 2000 Shanghe Meishuguan / Upriver Gallery, Tianjin, Tianjin Shehui Kexueyuan Chubanshe, 2000 Papunya Tula: Genesis and Genius¸ Perkins, Hetti; Fink, Hannah, Sydney, Art Gallery of New South Wales in association with Papunya Tula Artists, 2000. 2001 Living in Time 29 zeitgenössische Künstler aus China curated by Hou Hanru, Fan Di’an, Gabriele Knapstein, organized by Nationalgalerie im Hamburger Bahnhof Museum für Gegenwart, in cooperation with the Ministry of Culture of PRC and China International Exhibition Agency Makabe Kaori, Mikami Yutaka, Yokohama Triennale Office, eds, Yokohama Triennale 2001, Yokohama, 2001 Huang Zhuan, Pi Li, Tuxiang jiushi liliang / Image is Power, [at He Xiangning Art Museum] Changsha, Hunan Meishu Chuban she, 2001 Jay, Sian E., ‘Emerging visions’, Asian Art News, vol.11, no2, 2001 (Nokia Art Awards) 2002 Chen Tong, Look, Exhibition Catalogue, Guangzhou, The gallery of Guangzhou Fine Art Academe, 2002 Hu Fang (Curator), Landscape of Sur-consuming, Exhibition Catalogue, Guangzhou, Vitamin Creative Space, 2002 Jewyo Rhii, Warming and Humidifying,Korea 2002 Paris-Pékin Curated by Chang Tsong-zung, organized by Gallery Enrico Navarra, published by Chinese Century Report of the International Symposium 2002, ‘Asia in Transition: Representation and Identity’, Japan, The Japan Foundation Asia Center, 2002; Stay in Shanghai 2002, Exhibition Catalogue, Shanghai, EastLink Gallery, 2002 The Shine of the City Contemporary Art Exhibition 2002, Exhibition Catalogue Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002 2003
225 Art/34/Basel/18-23/6/03, Media Documents, Basel, 2003 Basel 2003, Clark, John., ‘Art 34 Basel’, in Art AsiaPacific, Issue 38, Fall 2003, p.48-49.Cream 3: Contemporary Art and Culture, London and New York, Phaidon, 2003 How latitudes become forms curated by Philippe Vergne, Chinese Advisor, Hou Hanru, organized by Walker Art Center Alors, la Chine? curated by Chantal Béret, Alain Sayag, Pi Li et al, organized by Centre Pompidou Paris. A Strange Heaven: Contemporary Chinese Photography curated by Petr Nedoma & Chang Tsong-zung, organized by Hong Kong, Asian Art Archive & Paris, Galerie Enrico Navarra Chinese Maximalism/ Zongguo jiduo zhuyi, Gao Minglu, Beijing, Millenium Art Museum & Buffalo, State University of New York at Buffalo Art Gallery; catalogue Chongqing, Chongqing Chubanshe, 2003 Shanghart 2003, Catalogue of artists represented by ShangART, Shanghai, 2003 Zhang Baoquan & Gu Zhenqing (Editors), Second hand Reality: Pre-Reality – an exhibition of contemporary art at the Today Art Gallery, Hong Kong, China Today Gallery Publishing House Ltd, 1993 (Curator: Gu Zhenqing) Zhang Baoquan & Gu Zhenqing (Editors), Second hand Reality: Post-Reality – an exhibition of contemporary art at the Today Art Gallery, Hong Kong, China Today Gallery Publishing House Ltd, 1993 (Curator: Gu Zhenqing) 2004 Contemporary Taiwanese Art in the Era of Contention ,curated by Pan An-yi, [with catalogue essays by Yan Chuan-ying, Hsiao Chong-ray], Taipei, Tapiei Fine Arts Museum & Ithaca, Herbert F. Johnson Museum of Art, 2004 Between Past and Future: new photography and video from China, Wu Hung & Phillips, Christopher, Göttingen, Steidl Publishers, 2004. The Monk and the Demon: Contemporary Chinese Art, Fei Dawei et al, [Exhibition in Lyon & Guangdong] Milan, 5 Continents Editions, 2004 China Dream: Another Flow in Chinese Modern Art, Rawanchaikul Toshiko & Horikawa Lisa, eds. , Fukuoka, Fukuoka Asian Art Museum, 2004 Ham Jin, Catalogue in conjunction with the exhibition Aewan, Seoul, pkm Gallery, 2004 (Essay by Iris Moon). 2005 Cubism in Asia, unbounded dialogues, Tatehata Akira et al, Tokyo, The Japan Foundation, 2005 Jung Yeondoo, Dreams come true, almost, Seoul, Kukje Gallery, 2005. Little boy : the arts of Japan's exploding subculture, Murakami Takashi, ed., New York: Japan Society & New Haven : Yale University Press, 2005 Mahjong: Contemporary Chinese Art from the Sigg Collection, Fibicher, Bernard; Frehner, Matthias, ed., Ostfildern-Ruit, Hatje Cantz, 2005 2006 Gong Mingguang, ed., Entry Gate: Chinese Aesthetics of heterogeneity, 2006 MoCA Envisage, [Bilingual Catalogue] Shanghai, Shanghai Shuhua Chubanshe, 2006, Second Shanghai Duolun Exhibition of Yong Artists, [Bilingual catalogue], Shanghai, Duolun Museum, 2006, [curators: Biljiana Ciric, Huang Yuelin, Tang Dixin].
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
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171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174: Martin, Courtney J. ‘South Asian
Page 175 and 176: 175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
Page 183 and 184: 183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186: 185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188: 187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190: 189 Theories, Logics & Ideologies B
Page 191 and 192: 191 Hopkins, A.G., ed., Globalizati
Page 193 and 194: Zito, Angela and Barlow, Tani E., B
Page 195 and 196: 195 Smith, T., ‘Second person/fir
Page 197 and 198: 197 Crary, Jonathan, ‘Critical Co
Page 199 and 200: 199 Preziosi, Donald & Farago, Clai
Page 201 and 202: 201 Walker, David, Anxious Nation:
Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
Page 209 and 210: 209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212: 211 4 th Asian Art Show Fukoka, ed
Page 213 and 214: 213 Clark, John, ‘Three Recent Bi
Page 215 and 216: Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218: 217 Sydney: Biennale of Sydney: 200
Page 219 and 220: 219 The Exoperience of Art: La Bien
Page 221 and 222: 221 Tadayasu Sakai, Japan at the 10
Page 223: 223 A Primal Spirit, Hara Toshio; F
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