A Working Bibliography - The University of Sydney

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222 Kao Chien-hui, Taiwan pavilion at 49 th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 2001 Lei Yi-ting (Editor), Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 2003. (Guest Curator: Lin Shu-min). Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Exhibition Guide, Taipei, Taipei Fine Arts Museum, 2003. (Guest Curator: Lin Shu-min). Thailand: Poshyananda, Apinan (Commissioner), Dreams and Conflicts: The Dictatorship of the Viewer,, Thai Pavilion, 5oth Biennale di Venezia,, Office of Contemporary Art & Culture, Ministry of Culture, Thailand, 2003. (Co-ordinators: Somsak Chowtadapong & Samart Chansoon). Poshyananda, Apinan (Commissioner), Those Dying Wishing to Stay, Those Living Preparing to Leave, Montien Boonma & Araya Rasdjarmrearnsook, Thai Pavilion, 51 st Biennale di Venezia, Office of Contemporary Art & Culture, Ministry of Culture, Thailand, 2005. (Curators: Panya Vijinthanasarn, Luckana & Sutee Kunavichayanont). United Kingdom: Bowness, Sophie; Phillpot, Clive, eds., Britain at the Venice Biennale, London, The British Council, 1995 Britain and the São Paulo Bienal 1951-1991 / A Grã-Bretanha e a Bienal de São Paulo 1951-1991, with essays by Margaret Garlake and Guy Brett, The British Council Brazil, 1991. Furlong, William et al, Venice Biennale 1999, Wimbledon, Wimbledon School of Art Research Centre in association with Audio Arts Magazine, 1999 Furlong, William et al, Venice Biennale 2001: Research Symposium March 2000, Wimbledon, Wimbledon School of Art Research Centre in association with Audio Arts Magazine, 2000 Furlong William, et al, International; Venice Agendas 2003, a series of three breakfast meetings, Wimbledon, Wimbledon School of Art Research Centre in association with Audio Arts Magazine, 1999 Biennales from an Asian perspective Burke, Gregory, ‘Distance Up Close: The Asian Biennials’, ArtAsiaPacific, no. 50, 2006. Maerkle, Andrew, ‘Curating by Committee: Behind Asia’s Biennials’, ArtAsiaPacific, no. 50, 2006. Sinha, Gayatri, ‘Locating Biennales, Revising Frameworks’, Art India, volume X, issue ii, quarter ii, 2005. Other Catalogues consulted by Year of Publication [duplicates some sections above] 1968 When attitudes became form Bern, Szeeman, Harald, curator, Bern, Kunsthalle, 1968. 1985 Art in the 20 th Century, Painting and Sculpture 1905-1985, Joachimides, Christos M.; Rosenthal Norman; Schmied, Wieland, German , London, Royal Academy of Arts & Munich, Prestel Verlag, 1985. Reconstructions: Avant-Garde Art in Japan 1945-1965, Kaido, K., and Elliott, D., Oxford, Museum of Modern Art, 1985 1987 Beyond the open door, contemporary paintings from the People’s Republic of China, mostly chosen Nielsen, Waldemar A., essay by Strassberg, Richard L., organized by Pacific Asia Museum, Pasadena, 1987. Peintres et Sculpteurs Chinois à Paris, Pierquin-Tian, Odile, typescript catalogue of exhibition, Paris, Centre de Recherches et de Documentation sur la Chine contemporaine, EHSS, 18 May to 3rd June 1987 1989 Magiciens de la terre, Martin, Jean-Hubert, overall curator, Paris, Centre Georges Pompidou, 1989 Europalia 89: Japan in Belgium, Nakahara Yûsuke et al, Gent, Museum van Hedenndaagse Kunst, 1989. [Belgium, 28.10.1989- 7.1.1990] Against Nature: Japanese Art in the 1980s, Halbreich, Kathy; Kômoto Shinji, Nanjô Fumio; Sokolowski, Thomas; New York, New York University Grey Art Gallery, 1989. [Toured USA, 15.6.1989-12..2.1991] 1990 Art Chinois 1990 Demain pour Hier curated by Fei Dawei, organized by Association Française d’Action Artistique & Les Domaines de l’Art, Pourrières & Editions Carte Segrete Tezuka Osamu ten = Osamu Tezuka , Osamu Tezuka, et al, Tokyo, Tokyo Kokuritsu Kindai Bijutsukan, 1990 Japan Art Today, Namba Hideo, Okada Takahiko, Tokyo, Sezon Museum of Art, 1990. [sent to Scandinavia, 24.1.1990-25.8.1991] Japansicher Kunst der Achtziger Jahre, Kondô Yukio; Nanjô Fumio; Weiermaier, Peter; Frankfurt, for the Frankfurter Kunstverein, Edition Stemmle, 1990. , [Frankfurter Kunstverein then 15.2.1991-7.4.1991, Museum der moderner Kunst, Wien]
223 A Primal Spirit, Hara Toshio; Fox, Howard T., Tokyo, Hara Museum of Contemporary Art & Los Angeles, Los Angeles County Museum of Art, 1990. [USA, toured 10.3.1990-22.9.1991] 1991 Exceptional Passage curated by Fei Dawei, Fukuoka Art Museum “I don’t want to play cards with Cézanne” and other works¸ selections from the Chinese “New Wave” and “Avant-Garde” art of the eighties, curated by Strassberg, Richard L., essays by Zheng Shengtian,Tang Qingnian, Lee Ou-fan, organized by Pacific Asia Museum. Gebrochene Bilder, Junge Kunst aus China: Selbstdarstellungen, Köppel-Yang, Martina; Schneckman Peter; Schneider, Ernst R.; Heidelberg, Gesellschaft für Kulturaustausch mit Asien, 1991 Annear, Judy, Tatehata Akira; Zones of Love, Sydney, Museum of Contemporary Art, 1991. [Australia, 5.1991-9.1992 1992 New Art From China curated by Claire Roberts, Art Gallery of New South Wales, 1992. Artists Regional Exchange, Perth, April 1992: Four Views’: Binns, Vivienne, ‘Culture as Transformation’ ; Howard, Ian, ‘Towards a Legitimate Interest’; Kirker, Anne, ‘A Dialogue with Thailand’; and Jones, Adrian, ‘Managing ARX’, Artlink, Vol. 12, No.3, Spring 1992 1993 China Avant-Garde, Pöhlmann, Wolfger et al, Berlin, Haus der Kulturen der Welt& Editions Braus [Berlkin 20 January -16 May, Oxford 4 September-24 October], 1993 Fragmented Memory: The Chinese Avant Garde in Exile curated by Andrews, Julia, F.; Gao Minglu, organized by Wexner Center for the Arts Silent Energy: curated by David Elliott and Lydie Mepham, organized by Museum of Modern Art, Oxford. China’s New Art, Post 1989, with a retrospective from 1979-1989curated by Chang Tsong-zung & Li Xianting, organized by Hanart TZ Gallery, Hong Kong. 1994 Out of the Centre: Chinese Contemporary Art curated by Ho Hanru, Pori Art Museum, Pori [Finland] Scream against the sky: Japanese Art after 1945, Munro, A., et al., New York, Harry N. Abrams, 1994 1995 Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Programme Book, 1995 Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Catalogue, 1995 Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Contemporary Balinese Art: Continuity in Change, 1995 Contemporary Art of the Non-Aligned Countries 1995, Jakarta, Indonesia: Inity in Diversity in International Art, Seminar Proceedings, 1995 Quotation Marks”: Chinese Contemporary Paintings, Ronte, Dieter; Smerling, Walter et al, , Singapore, Singapore Art Museum, 1995; also published as Dieter Ronte, Walter Smerling, Evelyn Weiss ; mit Beiträgen von Chang Tsong-zung, et al. China : zeitgenössische Malerei, Köln : DuMont, 1996. New Asian Art Show, Huang Zhuan, et al Tokyo, Japan Foundation Forum & Osaka, Kirin Plaza, 1995. Art Taiwan, Yang Wen-i, Jose Nicholas eds., Taipei, Taipei Fine Arts Museum & Sydney, Museum of Contemporary Art, Sydney, 1995. Sengo bunka no kiseki / Japanese culture of the Postwar Years, 1945-1995, Meguro-ku Bijutsukan henshû, Tokyo Asahi Shinbum, 1995 1996 Reckoning with the past, curated by Chang Tsong-zung, essays by John Clark, Yan Shanchun, organized by The Fruitmarket Gallery, Edinburgh Inklusion/Exklusion: Kunst im Zeitalter von Postkolonialismus und Globaler Migration, Weibel, Peter, curated , Graz, Neue Galerie 1996 1997 Parisien(ne)s, included Chen Zhen, Huang Yongping, Shen Yuan (curated by Hou Hanru, organized by Camden Arts Centre) Another Long March: Chinese Conceptual and Installation Art in the Nineties, curated by Marianne Brouwer & Chris Driessen, texts by Fei Dawei, Hou Hanru, Tang Di, organized by Fundament Foundation Breda]. Secession: Cities on the Move curated by Hou Hanru and Hans-Ulrich Obrist, organized by Wiener Secession & capc Musée d’art contemporain de Bordeaux The Birth of Modern Art in Southeast Asia: Artists and Movements, Ushiroshôji Masahiro, supervising curator: Fukuoka Art Museum, 1997
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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167 Kapur, Geeta, ‘When was moder
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169 Deshpande, Satish, “Imagined
Page 171 and 172: 171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174: Martin, Courtney J. ‘South Asian
Page 175 and 176: 175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
Page 183 and 184: 183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186: 185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188: 187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190: 189 Theories, Logics & Ideologies B
Page 191 and 192: 191 Hopkins, A.G., ed., Globalizati
Page 193 and 194: Zito, Angela and Barlow, Tani E., B
Page 195 and 196: 195 Smith, T., ‘Second person/fir
Page 197 and 198: 197 Crary, Jonathan, ‘Critical Co
Page 199 and 200: 199 Preziosi, Donald & Farago, Clai
Page 201 and 202: 201 Walker, David, Anxious Nation:
Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
Page 209 and 210: 209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212: 211 4 th Asian Art Show Fukoka, ed
Page 213 and 214: 213 Clark, John, ‘Three Recent Bi
Page 215 and 216: Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218: 217 Sydney: Biennale of Sydney: 200
Page 219 and 220: 219 The Exoperience of Art: La Bien
Page 221: 221 Tadayasu Sakai, Japan at the 10
Page 225: 225 Art/34/Basel/18-23/6/03, Media
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