A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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222<br />
Kao Chien-hui, Taiwan pavilion at 49 th Biennale di Venezia, Taipei, Taipei Fine Arts Museum, 2001<br />
Lei Yi-ting (Editor), Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Taipei, Taipei Fine<br />
Arts Museum, 2003. (Guest Curator: Lin Shu-min).<br />
Limbo Zone: organized by Taipei Fine Arts Museum, 50 th Biennale di Venezia, Exhibition Guide, Taipei, Taipei Fine Arts<br />
Museum, 2003. (Guest Curator: Lin Shu-min).<br />
Thailand:<br />
Poshyananda, Apinan (Commissioner), Dreams and Conflicts: <strong>The</strong> Dictatorship <strong>of</strong> the Viewer,, Thai Pavilion, 5oth<br />
Biennale di Venezia,, Office <strong>of</strong> Contemporary Art & Culture, Ministry <strong>of</strong> Culture, Thailand, 2003.<br />
(Co-ordinators: Somsak Chowtadapong & Samart Chansoon).<br />
Poshyananda, Apinan (Commissioner), Those Dying Wishing to Stay, Those Living Preparing to Leave, Montien Boonma<br />
& Araya Rasdjarmrearnsook, Thai Pavilion, 51 st Biennale di Venezia, Office <strong>of</strong> Contemporary Art & Culture,<br />
Ministry <strong>of</strong> Culture, Thailand, 2005. (Curators: Panya Vijinthanasarn, Luckana & Sutee Kunavichayanont).<br />
United Kingdom:<br />
Bowness, Sophie; Phillpot, Clive, eds., Britain at the Venice Biennale, London, <strong>The</strong> British Council, 1995<br />
Britain and the São Paulo Bienal 1951-1991 / A Grã-Bretanha e a Bienal de São Paulo 1951-1991, with essays by<br />
Margaret Garlake and Guy Brett, <strong>The</strong> British Council Brazil, 1991.<br />
Furlong, William et al, Venice Biennale 1999, Wimbledon, Wimbledon School <strong>of</strong> Art Research Centre in association<br />
with Audio Arts Magazine, 1999<br />
Furlong, William et al, Venice Biennale 2001: Research Symposium March 2000, Wimbledon, Wimbledon School <strong>of</strong> Art<br />
Research Centre in association with Audio Arts Magazine, 2000<br />
Furlong William, et al, International; Venice Agendas 2003, a series <strong>of</strong> three breakfast meetings, Wimbledon, Wimbledon<br />
School <strong>of</strong> Art Research Centre in association with Audio Arts Magazine, 1999<br />
Biennales from an Asian perspective<br />
Burke, Gregory, ‘Distance Up Close: <strong>The</strong> Asian Biennials’, ArtAsiaPacific, no. 50, 2006.<br />
Maerkle, Andrew, ‘Curating by Committee: Behind Asia’s Biennials’, ArtAsiaPacific, no. 50, 2006.<br />
Sinha, Gayatri, ‘Locating Biennales, Revising Frameworks’, Art India, volume X, issue ii, quarter ii, 2005.<br />
Other Catalogues consulted by Year <strong>of</strong> Publication [duplicates some sections above]<br />
1968<br />
When attitudes became form Bern, Szeeman, Harald, curator, Bern, Kunsthalle, 1968.<br />
1985<br />
Art in the 20 th Century, Painting and Sculpture 1905-1985, Joachimides, Christos M.; Rosenthal Norman; Schmied,<br />
Wieland, German , London, Royal Academy <strong>of</strong> Arts & Munich, Prestel Verlag, 1985.<br />
Reconstructions: Avant-Garde Art in Japan 1945-1965, Kaido, K., and Elliott, D., Oxford, Museum <strong>of</strong> Modern Art,<br />
1985<br />
1987<br />
Beyond the open door, contemporary paintings from the People’s Republic <strong>of</strong> China, mostly chosen Nielsen, Waldemar A.,<br />
essay by Strassberg, Richard L., organized by Pacific Asia Museum, Pasadena, 1987.<br />
Peintres et Sculpteurs Chinois à Paris, Pierquin-Tian, Odile, typescript catalogue <strong>of</strong> exhibition, Paris, Centre de<br />
Recherches et de Documentation sur la Chine contemporaine, EHSS, 18 May to 3rd June 1987<br />
1989<br />
Magiciens de la terre, Martin, Jean-Hubert, overall curator, Paris, Centre Georges Pompidou, 1989<br />
Europalia 89: Japan in Belgium, Nakahara Yûsuke et al, Gent, Museum van Hedenndaagse Kunst, 1989. [Belgium,<br />
28.10.1989- 7.1.1990]<br />
Against Nature: Japanese Art in the 1980s, Halbreich, Kathy; Kômoto Shinji, Nanjô Fumio; Sokolowski, Thomas;<br />
New York, New York <strong>University</strong> Grey Art Gallery, 1989. [Toured USA, 15.6.1989-12..2.1991]<br />
1990<br />
Art Chinois 1990 Demain pour Hier curated by Fei Dawei, organized by Association Française d’Action Artistique &<br />
Les Domaines de l’Art, Pourrières & Editions Carte Segrete<br />
Tezuka Osamu ten = Osamu Tezuka , Osamu Tezuka, et al, Tokyo, Tokyo Kokuritsu Kindai Bijutsukan, 1990<br />
Japan Art Today, Namba Hideo, Okada Takahiko, Tokyo, Sezon Museum <strong>of</strong> Art, 1990. [sent to Scandinavia,<br />
24.1.1990-25.8.1991]<br />
Japansicher Kunst der Achtziger Jahre, Kondô Yukio; Nanjô Fumio; Weiermaier, Peter; Frankfurt, for the Frankfurter<br />
Kunstverein, Edition Stemmle, 1990. , [Frankfurter Kunstverein then 15.2.1991-7.4.1991, Museum der<br />
moderner Kunst, Wien]