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A Working Bibliography - The University of Sydney

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22<br />

Yin Xin: Cheng, S., ‘A life <strong>of</strong> his own’, Asian Art News, vol.4, no.5, September/October 1994.<br />

Young, John: Melbourne, oil painter: Chiu, Melissa, ‘Meetings along the edge’ in John Young: <strong>The</strong> Double Ground<br />

Paintings, <strong>Sydney</strong>, Australian Art Promotions, 1995, p.8.<br />

Yu Hong, Przerwa, Xenia Tetmajer Von., ‘Yu Hong’s Witness to Growth: Historic Determination and Individual<br />

Contingency’ in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 3, September 2003, p.34-42.<br />

Yu Zhengyao: Majestic Mountains, Yu Chengyao at Ninety, Taibei, Hanart Gallery 1988; Yu Chengyao, <strong>The</strong> Art <strong>of</strong> Yu<br />

Chengyao, Hong Kong, Hanart Gallery, 1987,<br />

Yuan Yunsheng, Beijing, oil painter: Sun Jingbo, ed., Yuan Yunsheng sumiaoji, Nanning, Guangxi Meishu<br />

Chunbanshe, 1998.<br />

[Yuefenpai posters] Dal Largo, Francesca, ‘Crossed legs in 1930s Shanghai: How ‘Modern’ the Modern Woman?’,<br />

East Asian History, no.19, June 2000<br />

Zeng Fangzhi: Chang Tzong-zung, ‘<strong>The</strong> naked eye’, Asian Art News, vol.5, no.2, March-April 1995.<br />

Zeng Hao, Guangzhou, oil painter: Huang Zhan, ‘Xia<strong>of</strong>ei shidai de jingshen xiaoxiang’, Meishujie, 9/10-1998.<br />

Zhang Dali: Wu Hong, ‘Zhang Dali’s dialogue: conversation with a city’, Public Culture, Borysevicz, Mathieu, Zhang<br />

Dali: Demolition and Dialogue, Beijing: <strong>The</strong> Courtyard Gallery, 1999<br />

Zhang Daqian, deceased, neotraditionalist painter: Shen Fu, Chang Da-chien’s ‘<strong>The</strong> Three Worthies <strong>of</strong> Wu and his<br />

practice <strong>of</strong> forging ancient art’, Orientations, vol.20, no.9., September 1989. Fu, S., Challenging the Past: the<br />

paintings <strong>of</strong> Chang Dai-chien Washington, <strong>The</strong> Smithsonian Insitution, Sackler Gallery, 1991; Liu Yang. ‘A<br />

Long Journey to Nirvana: Chang Dai-Chien’s Life and Painting,’ TAASA Review, 7:3 1998<br />

Zhang Hongbo: Jordan, Francesca and Marella, Primo, China Art Now: Out <strong>of</strong> the Red, Milano: Marella Arte<br />

Contemporanea, 2003<br />

Zhang Hongtu / Hongtu Zhang: An Interview’ with Jonathan Hay, in Hay, John, ed., Boundaries in China, London,<br />

Reaktion Books, 1994, p.298.<br />

Zhang Hongtu, New York, assemblages, mixed media: Yung, Danny; Lee Hui-shu, Works by Zhang Hongtu, Hong<br />

Kong, Hong Kong <strong>University</strong> <strong>of</strong> Science and Technology Center for the Arts, 1998; Hay, Jonathan, ‘Zhang<br />

Hongtu / Hongtu Zhang; an interview’, in Hay, John, ed., Boundaries in China, London: Reaktion Books,<br />

1994.<br />

Zhang Huan, Yao, Souchou, ‘Two Faces <strong>of</strong> Contemporary Art in China’, in Artlink: <strong>The</strong> China Phenomenon, Vol. 23,<br />

No. 4, 2003, p.16-19.; Ritson, Alicia., ‘Zhang Huan- Performance’, in <strong>The</strong> Journal <strong>of</strong> the Asian Arts Society <strong>of</strong><br />

Australia, Vol. 13, No. 1, March 2004, p.12-13.<br />

Zhang Peili, Hou Hanru, ‘Zhang Peili’ in Art Asia Pacific, Issue 37 (2003), p. 57<br />

Zhang Xiaogang, Thomson, Jonathan, History’s Public Face’ in Asian Art News, Vol. 14, Number 3 (May/June,<br />

2004), pp.44-49<br />

Zhang Xiaogang, Chengdu, oil painter: Zhang Xiaogang, Huang Zhan, ‘Jingyan, shenfen yi wenhua panduan’,<br />

Hualang, nos 5&6, 1996;[Zhang Xiaogang] in ‘Prague 2000, Parkett, no.56, 1999;<br />

Zhang Yanyuan: Wu Hong, ‘Variations <strong>of</strong> Ink: a dialogue with Zhang Yanyuan’, Yishu, vol.1, no.2, 2002; Goodman,<br />

Jonathan, '"Variations <strong>of</strong> Ink: A Dialogue with Zhang Yanyuan" at Chambers Fine Art', Art in America,<br />

Vol. 91, Issue 2, February 2003<br />

Zhang Yu, Tianjin, neo-traditionalist painter: Huang Du et al, Zhang Yu 1984-1994 Zuopinji, Changsha, Hunan<br />

Meishu Chubanshe, 1994; Pi Daojian, Zhang Yu de suimo lichang yu wenhua wenti, Beijing, Chunxia Hanmo<br />

Hualang, 1999.<br />

Zhao Baokang, Shanghai, painting & mixed media: Zhu Qi, ‘Zhao Baokang: ‘Huihua he ziwo bianshengzhong de<br />

lishi shiyi’, Yishujie, 11/12-1998<br />

Zhao Wuji, Paris, oil painter: Zao Wou-ki, Marquet, Françoise, Autoportrait, Paris, Fayard, 1988; Zhao Wuji, Zhao<br />

Wuji zichuan, Shanghai, Wenhui Chubanshe, 2000; Leymarie, J. Zao Wou-Ki, Galeries Nationales du Grand<br />

Palais, Paris, 1981.<br />

Zheng Zaidong: Zheng Zaidong, Hong Kong & Taipei, Hanart TZ, 1995.<br />

Zhou Tiehai: Jordan, Francesca and Marella, Primo, China Art Now: Out <strong>of</strong> the Red, Milano: Marella Arte<br />

Contemporanea, 2003<br />

Zhu Qingsheng, Beijing Universuty, conceptual art, new ink painting: Shao Dazhen, ‘Hunxing, wuxin he renxing, du<br />

Zhu Qingsheng de suimohua’, Yishujie, 11/12-1998.<br />

Zhu Wei: Smith, Karen, ‘World Within, World Without’, Asian Art News, vol.6, no.5, September-October, 1996.<br />

Zhu Ming: Wang, Val, ‘Zhu Ming’, Chinese Type Contemporary Art Magazine, Vol. 2, Issue 6, December 1999,<br />

published Online at: http://www.chinese-art.com; Berghuis, Thomas J., ‘’Bubble’: Birth, Death and<br />

Transference in the Work <strong>of</strong> Zhu Ming’, Rachel Kent, ed., Liquid Sea (Catlogue), <strong>Sydney</strong>, Museum <strong>of</strong><br />

Contemporary Art, 2003; Berghuis, Thomas, ‘Close Encounters – Performance art practices in China

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