A Working Bibliography - The University of Sydney

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The Exoperience of Art: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia 50 th:2003,
Venezia, Marsilio, 2003. (Director: Maria de Corral).
Raza, Sara, ‘West and Center: An Asian presence at 51 st Venice Biennale’, ArtAsiaPacific, no. 45, 2005
Nagy, Peter, ‘The Home and the World’ Art India, volume X, issue iii, quarter iii, 2005. (unofficial Indian pavilion
– Venice)
Yokohama: Yokohama Triennale:
2001
Makabe Kaori, Mikami Yutaka, Yokohama Triennale office, eds., [curators: Nakamura Nobuo, Nanjô Fumio,
Tatehata Akira, Kohmoto Shinji], Yokohama 2001, Yokohama, The Organizing Committee of the
Yokohama Triennale, 2001.
Yokohama, 2001, statements from the Triennale’s curators are at http://www.jpf.go.jp/yt2001/2/info.html
aica Japan Newsletter no.2, in November 2001 ‘Yokohama Toriennaare 2001 kôki – sono tenmatsu no kojinteki
memorandamu’.
2005
Cash, Stephanie, ‘Yokohama Triennale Trouble’, Art in America, vol. 93, iss. 2, Feb 2005.
Isozaki Arata, statement on the Yokohama Triennale, www.jpf.go.jop/yt2005/e/inquiry.htm accessed on 13 th October
2004
Kondo, Ken’ichi , ‘Yokohama 2005: International Triennale of Contemporary Art’ (review), ArtAsiaPacific, no. 48,
2006
Koplos, Janet, ‘On the Waterfront: the second Yokohama Triennale, set in warehouses in an active port zone, had
a subtext of international movement’, Art in America, 94.4 (April 2006)
Nagoya, Satoru, ‘Yokohama and Fukuoka Triennials Report’, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006
Shinoda Takatoshi, Koyama Naomi, Tabata Mikiko, Yokohama Triennale, The Second Yokohama Triennale,
Yokohama, Yokohama, The Organizing Committee for Yokohama Triennale, 2005.
Tama Bijutsudaigaku Geijutsugakuka Tatehatazemi Shimpojiumu kikaku, Isozaki Akira, Okabe Aomi, Kitagawa
Furamu, Nanjô Fumio, Hasegawa Yûko, Yokohama Kaigi 2004: Naze Kokusaiten ka?, Yokohama,
BankART1929, 2005
National Exhibitions at Biennales
China:
São Paolo:
Chang Tzong-zung, Chinese Contemporary Art at São Paulo: 1 – The remaking of Mass Culture; 11 – Wakefulness and the
Weightless Present, at 22 nd Biennial of São Paolo, Hong Kong, Hanart TZ Gallery, 1994
Chang Tzong-zung, Catalogue of Five Chinese artists in 22 nd Biennial of São Paolo, 1994
Chang Tzong-zung, Ho Siu-kee, Hong Kong Arts Development Council, at 23 rd São Paolo Biennial, 1996
Chang Tsong-zung, Special Exhibition: Qiu Shi-hua, Fundação de São Paolo, at 23 rd São Paolo Biennial, Hong
Kong, Hanart TZ Gallery, 1996. (Curator: Chang Tsong-zung)
Fan Di’an & Pi Li (Editors), The 25th São Paulo Biennial: Here and now: Chinese art in the process of urbanization,
[curated by Fan Di’an, assistant Pi Li], Beijing, China International Exhibition Agency, 2002
Huang Du, The 26 th São Paolo Biennial: Chinese Pavilion: Landscape of Deterritoralization [artist: Qu Yan]¸ Beijing, China
International Exhibition Agency, 2004
Pong, Melanie , Josette Balsa, Stephen T.N Cheung, Una Shannon & Louisa Teo (Editors), The Other Face: Three
Chinese Artists ar the Centenary Exhibition. Milan, Zanzibar 1995. (Curator : Chang Tsong-zung).
Venice:
Dal Largo, Francesca, ‘New Chinese Painting’ in Catalogue 45 th Biennale di Venezia, 1993
Dal Largo, Francesca, ‘Chinese art at the Venice Biennale’ in Clark, John ed., Chinese art at the end of the millennium,
Hong Kong, New Art Media, 2000, 158-166.
Chang Tsong-zung, The other face, in Catalogue 46 th Biennale di Venezia, 1995
Goodbody, Bridget, ‘No Introductions Necessary’, ArtAsiaPacific, no. 45, 2005 (China pavilion at Venice Biennale
05)
Huang Du (Editor), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Exhibition Guide, Beijing, China
International Exhibition Agency, 2003. (Curators : Fan Di’an & Wang Yong).
Huang Du & Van Dong (Editors), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Beijing, China
International Exhibition Agency, 2003.