A Working Bibliography - The University of Sydney

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218 Blackall, Judith, ‘The Transit of Venice’, Art & Text 46, September 1993; Verzotti, Giorgio, ‘”Aperto 93”: The better biennale’, Artforum International, Vol.32, Issue 2, October 1993; McEvilley, Thomas, ‘1993 Venice Biennale: Venice the Menace’, Artforum International, Vol.32, Issue 2, October 1993 1995 46 th Biennale Lasschuyt, Helga, ‘The Venice Biennale Game’, Asian Art News, vol.5, no.5, Sep/Oct 1995. Nanjô Fumio, Dana Frijs-Hansen et al (Editors), La Biennale di Venezia 1995:TransCulture, [Bilingual], The Japan Foundation & Fukutake Science and Culture Foundation, Tokyo, 1995. (Curators: Nanjô Fumio, Dana Frijs-Hansen) 1997 47 th Biennale Bryson, Norman and Gilbert Rolfe, ‘XLVII Venice Biennale’, Art & Text 59, Nov. 1997-Jan. 1998; Kent, Rachel, ‘The Venice Biennale: Japan, Korea and Taiwan’, Art AsiaPacific,no.18, 1998 Cai Guoqiang [overall curator Germano Celant]; As People’s Republic of China: Chao Ge, Chen Yifei, Hong Ling, Hu Jiancheng, Liu Gang, Liu Xiaodong, Shen Ling, Sun Weimin, Wan Jiyuan, Weng Yuping, Yu Hong, Yuan Yunsheng, Xie Dongmin [commissioners Sun Weimin & Giovanni Iovane, organiser unclear from Biennale catalogue] 1999 48 th Biennale Huang Yong Ping & Jean-Pierre Bertrand, French Pavilion Catalogue,48 th Biennale di Venezia, Association Francaise d’Action Artistique, 1999. (Commissioners: Hou Hanru & Denys Zacharopoulos Schwabsky, Barry, ‘48 th Venice Biennale’, Art & Text 67, Nov. 1999-Jan. 2000 Szeeman, Harald, d’APERtutto / APERTO over ALL, 1999 Stringa, N., Terrecotte Cinesi dalla 48 th Biennale di Venezia ( Cai Guoqiang), Cornuda, Garfiche Edizioni 2003. Withers, Rachel, ‘Allied Forces’, Venice Biennial Review (CHECK), Artforum International, Vol.37, Issue 9, May 1999. 2001 49 th Biennale Szeeman, Harald, Plateau of Humanity, 49 th Biennale di Venezia, 2001. Clark, John, ‘Review of Asian Art at the Venice Biennale’, IIAS Newsletter International Institute for Asian Studies, Holland, November 2001. Clark, John, ‘Asian Artists at the 2001 Venice Biennale’, IIAS Newsletter November, no.26, 2001 Siegel, Katy, ‘Human, all too human, Venice Biennial Review, Artforum International, Vol.40, Issue 1, September 2001 Birnbaum, Daniel, ‘More is less’, Venice Biennial Review, Artforum International, Vol.40, Issue 1, September 2001; Pijnappel, Johan, ‘Asia at Venice’, Asian Art News, vol.12, no.1, 2002; Chua, Kevin, ‘ In Venetian Waters: Singapore at the 49 th Venice Bienale’, Focas (Forum on Contemporary Art & Society), no.3, January 2002; Choy, Lee Weng, ‘Biennale Time and the Specters of Exhibition’, Focas (Forum on Contemporary Art & Society), no.3, January 2002 2003 50 th Biennale Clandestine: Liu Zheng, Curator: Francesco Bonami Clark, John., ‘Venice in Full Flow’, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.46-50.; Dreams and Conflicts: the Dictatorship of the Viewer: La Biennale di Venezia: 50 th International Art Exhibition, La Biennale di Venezia 50 th:2003, Venezia, Marsilio, 2003. (Director: Francesco Bonami). Genocchio, Benjamin, ‘The Big One Venice – Conflicting Agendas: No Buzz at Venice 2004’ in Art Asia Pacific, No. 38 (Fall 2003), pp.42-47; Lenzi, Iola., ‘The Pioneering Sprit’, in Asian Art News, Vol.13, No.5, Sep/Oct, 2003, p.51-53; Utopia Station Obrist Hans-Ulrich & Nesbit Molly & Rirkrit Tiravanija, at 50th Biennale di Venezia, 2003. Vetrocq, Marcia E., ‘Venice Biennale’: “Every Idea But One” in Art in America (September 2003), pp. 76-87 Vetrocq, Marica E., ‘New curator for the Venice Biennale’, Art in America, Vol. 90, Issue 5, May 2002; Vetrocq, Marica E., 'Venice Biennale takes shape', Art in America, Vol. 91, Issue 2, February 2003; Zones of Urgency: curated by Hou Hanru, see also Li Luming, ed., Guangdong Kuaiche / Canton Express, Changsha, Hunan Meishu Chubanshe, 2003. 2005 51 st Biennale Always a Little Further: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia 50 th:2003, Venezia, Marsilio, 2003. (Director: Rosa Martinez). Participating Countries/Collateral Events: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia 50 th:2003, Venezia, Marsilio, 2003.
219 The Exoperience of Art: La Biennale di Venezia, 51st International Art Exhibition: La Biennale di Venezia 50 th:2003, Venezia, Marsilio, 2003. (Director: Maria de Corral). Raza, Sara, ‘West and Center: An Asian presence at 51 st Venice Biennale’, ArtAsiaPacific, no. 45, 2005 Nagy, Peter, ‘The Home and the World’ Art India, volume X, issue iii, quarter iii, 2005. (unofficial Indian pavilion – Venice) Yokohama: Yokohama Triennale: 2001 Makabe Kaori, Mikami Yutaka, Yokohama Triennale office, eds., [curators: Nakamura Nobuo, Nanjô Fumio, Tatehata Akira, Kohmoto Shinji], Yokohama 2001, Yokohama, The Organizing Committee of the Yokohama Triennale, 2001. Yokohama, 2001, statements from the Triennale’s curators are at http://www.jpf.go.jp/yt2001/2/info.html aica Japan Newsletter no.2, in November 2001 ‘Yokohama Toriennaare 2001 kôki – sono tenmatsu no kojinteki memorandamu’. 2005 Cash, Stephanie, ‘Yokohama Triennale Trouble’, Art in America, vol. 93, iss. 2, Feb 2005. Isozaki Arata, statement on the Yokohama Triennale, www.jpf.go.jop/yt2005/e/inquiry.htm accessed on 13 th October 2004 Kondo, Ken’ichi , ‘Yokohama 2005: International Triennale of Contemporary Art’ (review), ArtAsiaPacific, no. 48, 2006 Koplos, Janet, ‘On the Waterfront: the second Yokohama Triennale, set in warehouses in an active port zone, had a subtext of international movement’, Art in America, 94.4 (April 2006) Nagoya, Satoru, ‘Yokohama and Fukuoka Triennials Report’, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006 Shinoda Takatoshi, Koyama Naomi, Tabata Mikiko, Yokohama Triennale, The Second Yokohama Triennale, Yokohama, Yokohama, The Organizing Committee for Yokohama Triennale, 2005. Tama Bijutsudaigaku Geijutsugakuka Tatehatazemi Shimpojiumu kikaku, Isozaki Akira, Okabe Aomi, Kitagawa Furamu, Nanjô Fumio, Hasegawa Yûko, Yokohama Kaigi 2004: Naze Kokusaiten ka?, Yokohama, BankART1929, 2005 National Exhibitions at Biennales China: São Paolo: Chang Tzong-zung, Chinese Contemporary Art at São Paulo: 1 – The remaking of Mass Culture; 11 – Wakefulness and the Weightless Present, at 22 nd Biennial of São Paolo, Hong Kong, Hanart TZ Gallery, 1994 Chang Tzong-zung, Catalogue of Five Chinese artists in 22 nd Biennial of São Paolo, 1994 Chang Tzong-zung, Ho Siu-kee, Hong Kong Arts Development Council, at 23 rd São Paolo Biennial, 1996 Chang Tsong-zung, Special Exhibition: Qiu Shi-hua, Fundação de São Paolo, at 23 rd São Paolo Biennial, Hong Kong, Hanart TZ Gallery, 1996. (Curator: Chang Tsong-zung) Fan Di’an & Pi Li (Editors), The 25th São Paulo Biennial: Here and now: Chinese art in the process of urbanization, [curated by Fan Di’an, assistant Pi Li], Beijing, China International Exhibition Agency, 2002 Huang Du, The 26 th São Paolo Biennial: Chinese Pavilion: Landscape of Deterritoralization [artist: Qu Yan]¸ Beijing, China International Exhibition Agency, 2004 Pong, Melanie , Josette Balsa, Stephen T.N Cheung, Una Shannon & Louisa Teo (Editors), The Other Face: Three Chinese Artists ar the Centenary Exhibition. Milan, Zanzibar 1995. (Curator : Chang Tsong-zung). Venice: Dal Largo, Francesca, ‘New Chinese Painting’ in Catalogue 45 th Biennale di Venezia, 1993 Dal Largo, Francesca, ‘Chinese art at the Venice Biennale’ in Clark, John ed., Chinese art at the end of the millennium, Hong Kong, New Art Media, 2000, 158-166. Chang Tsong-zung, The other face, in Catalogue 46 th Biennale di Venezia, 1995 Goodbody, Bridget, ‘No Introductions Necessary’, ArtAsiaPacific, no. 45, 2005 (China pavilion at Venice Biennale 05) Huang Du (Editor), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Exhibition Guide, Beijing, China International Exhibition Agency, 2003. (Curators : Fan Di’an & Wang Yong). Huang Du & Van Dong (Editors), Synthi-Scapes, 50 th Venice Biennale 2003, Chinese Pavilion, Beijing, China International Exhibition Agency, 2003.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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165 exhibition catalogue exhibition
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Page 169 and 170: 169 Deshpande, Satish, “Imagined
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Page 173 and 174: Martin, Courtney J. ‘South Asian
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Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
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Page 187 and 188: 187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190: 189 Theories, Logics & Ideologies B
Page 191 and 192: 191 Hopkins, A.G., ed., Globalizati
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Page 195 and 196: 195 Smith, T., ‘Second person/fir
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Page 201 and 202: 201 Walker, David, Anxious Nation:
Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
Page 209 and 210: 209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212: 211 4 th Asian Art Show Fukoka, ed
Page 213 and 214: 213 Clark, John, ‘Three Recent Bi
Page 215 and 216: Lyon Biennial 2001 Budge, Andrew,
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Page 221 and 222: 221 Tadayasu Sakai, Japan at the 10
Page 223 and 224: 223 A Primal Spirit, Hara Toshio; F
Page 225: 225 Art/34/Basel/18-23/6/03, Media
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