A Working Bibliography - The University of Sydney

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Shanghai: 1996 216 1998 ’98 Shanghai Art Biennale Exhibition Catalogue (in Chinese), Shanghai Art Museum, 1998 2000 Shanghai Biennale 2000 Exhibition Guide, Shanghai Art Museum, 2000 Chen Long (Editor), Shanghai Biennale 2000: Shanghai Spirit., Shanghai, Shanghai Shuhua Chubanshe, 2000. Curator’s Group: Fang Zengxian, Hou Hanru, Shimizu Toshio, Zhang Qing, Li Xu Hou Hanru, ‘A naked city, Art AsiaPacific, 31, 2001; Hou Hanru, Shimizu Toshio, Zhang Qing, Li Xu, 2000 Shanghai Biennale, Shanghai, Shanghai Shuhua Chubanshe, 2000. Wu Hung, ‘The 2000 Shanghai Biennale’, Art AsiaPacific, 31, 2001 2002 4 th Biennial Withers, Rachel, ‘Shanghai Biennale’, Artforum International, Vol.41, Issue 1, September 2002; Genocchio, Benjamin, ‘Letter from Shanghai’, Art Monthly Australia, Number 157, March 2003 Xu Jiang & Li Xiangyang (Chief Editors), 2002 Shanghai Biennale: Urban Creation.. Shanghai, Shanghai Art Museum 2002. Curator’s Group: Fan Di-an, Alanna Heiss, Wu Jiang, Li Xu, Klaus Biesenbach, Yuko Hasegawa. Wu changfu & Lu Yongyi (Editors), Urban Creation: Selected Works of International Students’ Exhibition, Shanghai Biennale 2002, 2003 5 th Biennial Urban Creation curated by Alanna Heiss, Fan Di’an, Xu Jiang, Li Xu, Klaus Biesebach, Hasegawa Yûko, organized by Shanghai Art Museum and Shanghai Gt Courtyard Cultural Investments Ltd. Vine, Richard: ‘Shanghai Accelerates’: Art in America Feb 2005 Vol 93 Issue 2 p104-113) Clark, John, ‘Three Recent Biennales in Asia: Gwangju, Busan and Shanghai’, Art and Australia, vol. 42, no. 3, 2005 Lu, Carol, ‘A Flawed Biennale’ (Shanghai Biennale 2004), Flash Art, vol. XXXVIII, no. 240, Jan-Feb, 2005 2004 Fang Zengxian & Xu Jiang (Chief Editors), 2004 Shanghai Biennale. Techniques of the Visible. Shanghai, Shanghai Fine Art Publishers, 2004. (Chief Curator: Xu Jiang. Curators: Sebastian Lopez, Zheng Shengtian, Zhang Qing. 2006 Clark, John, ‘A Narrowing of Horizons: The Shanghai and Gwangju Biennales 2006’, Art Monthly Australia, no. 196, December 2006-February 2007. Fang Zengxian & Xu Jiang (Chief Editors), 2006 6 th Shanghai Biennale: HyperDesign.. Shanghai, Shanghai Fine Art Publishers, 2006. (Artistic Director: Zhang Qing. Curators: Zhang Qing, Huang Du, Lin Shumin, Wonil Rhee, Jonathan Watkins, Gianfranco Maraniello). Hill, Jo Martin, ‘A Tale of Two Biennales: Singapore and Shanghai’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006 Koop, Stuart, ‘A Busy Week in a Frantic Century: Shanghai Biennale’, Eyeline, no. 62, Summer 2006-7. Lee, Weng-Choy, ‘Eastern Front’ (Singapore, Shanghai and Gwangju Biennales), Artforum, vol. 45, Iss. 1, 2006 Slater, Ben (Editor), Belief: Exhibition Short Guide, Singapore Biennale 2006. Singapore, National Arts council Singapore, 2006. (Artistic Director: Fumio Hanjo) Tinari, Philip, ‘6th Shanghai Biennale’, Artforum, vol. 45, Iss. 3, 2006 Zhang Qing, ‘The Undesignable’ (Shanghai biennale 06), Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006. Sharjah: 2003 Peter Lewis (Editor), Sharjah International Biennial 6 Guide. United Arab Emirates, Sharjah International Biennial, 2003. (Director: Hoor Al-Qasimi). Turner, Grady, ‘Fast Forward in the Persian Gulf (Report From the U.A.E.’ in Art in America (November 2003), pp. 86-91.
217 Sydney: Biennale of Sydney: 2002 Chen Hsiang-chun, Elsa, ‘ Identity Politics? Allegorical Existence? On the way to the fantastic’, Yishu, vol.1, no.2, 2002; Duncan, Michael, 'Self-created worlds', Sydney Biennale Review, Art in America, Vol. 90, Issue 10, October 2002 2006 Macdonald, Ewan & Parker, Luke editors, 2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of Sydney, 2006 Merewether, Charles, ‘Zones of Contact’, Art & Australia, vol.43, no.4, Winter 2006. Merewether, Charles, ‘Interview’, Broadsheet, Contemporary Visual Arts + Culture, June-August, 2006 Merewether Charles, ‘Taking Place: acts of survival for a time to come’, Macdonald, Ewan & Parker, Luke editors, 2006 Biennale of Sydney: Zones of Contact, Sydney, Biennale of Sydney, 2006 Mordue, Mark, ‘Cultural Chamelon’ [interview with Charles Merewether], The Weekend Australian, May 20-21, 2006, R6. Taipei: Taipei Biennial 1996 Lee Yulin (Chief Editor), 1996 Taipei Biennial: The Quest for Identity (Essays), Taipei, Taipei Fine Arts Museum, 1996. (Executive Curator: Alice B.H. Lin). Lin, Alice B.H., 1996 Taipei Biennial: The Quest for Identity 11 Exhibition Catalogue, Taipei, Taipei Fine Arts Museum, 1996. (Curator in Chief: Yulin Lee). 1998 Chang, Fangwei & Miki, Akikio (Editors), Site of Desire 1998 Taipei Biennial Exhibition Catalogue, Taipei, Taipei fine arts museum, 1998. (Associate Curators:Chang Fangwei & Miki Akikio). 2000 The Sky is the Limit 2000 Taipei Biennial exhibition Catalogue, Taipei, Taipei Fine Art Museum, 2000. (Curators: Jérôme Sans & Manray Hsu). 2002 Taipei Biennial Great Theatre of the World Exhibition Guide, Taipei, Taipei Fine Art Museum 2002. (Curators: Bartomeu Mari & Chia Chi Jason Wang). Yu, Sharleen (Editor), 2002 Taipei Biennial Great Theatre of the World Exhibition Catalogue, Taipei, Taipei Fine Art Museum 2002. (Curators: Bartomeu Mari & Chia Chi Jason Wang). 2004 Huang, Andrew, ‘Art into Life’ (Taipei Biennale 2004), Asian Art News, vol. 15, no. 1, 2005. Vanderlinden, B. (Editor), Do You Believe in Reality Taipei 2004 Exhibition Catalogue, Taipei, Taipei Fine Art Museum, 2004. (Curators: Barbara Vanderlinden & Amy Huei-hua Cheng). 2006 Clark, John, ‘Global Intentions’, Asian Art News, vol. 17, no. 1, Jan-Feb 2007 (Taipei biennial) Kendzulak, Susan, ‘Do You Believe in Reality’ (Taipei Biennial 2004), Flash Art, vol. XXXVIII, no. 240, Jan-Feb, 2005. Yu, Sharleen & Chou, Freya (Editors), Dirty Yoga 2006 Taipei Biennial Exhibition Catalogue, , Taipei, Taipei Fine Art Museum, 2006. (Curators: Dan Cameron & Jun-jeh Wang). Venice: La Biennale di Venezia Overall: Alloway, Lawrence, Venice Biennale, 1895-1968: from Salon to Goldfish Bowl, London, Faber & Faber, 1969. Di Martino , Enzo: (2005) The History of the Venice Biennale 1895- 2005 (Venezia, Italy Papiro Arte). Moravia, Alberto in dialogue, Capellini, Lorenzo, photographs, 1974-78 Cronache della nuova Biennale, Milano, Electa, 1978. Rizzi, Paolo & Di Martino, Enzo Storia della Biennale 1895-1982. Electa, Milano, 1982. Main Catalogues and general texts by year: 1990 44 th Biennale 1993 45 th Biennale New Chinese Painting, advised by Francesca dal Largo for overall curator Achille Bonita Oliva, also with catalogue text on Chinese avant-garde by Li Xianting in Aperto, Difference/Indifference: curated by Kong Chang’an / Lau-k’ung Chan
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
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163 [Tagore] Parimoo, R., The Paint
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Page 167 and 168: 167 Kapur, Geeta, ‘When was moder
Page 169 and 170: 169 Deshpande, Satish, “Imagined
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Page 173 and 174: Martin, Courtney J. ‘South Asian
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Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
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Page 195 and 196: 195 Smith, T., ‘Second person/fir
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Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
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Page 211 and 212: 211 4 th Asian Art Show Fukoka, ed
Page 213 and 214: 213 Clark, John, ‘Three Recent Bi
Page 215: Lyon Biennial 2001 Budge, Andrew,
Page 219 and 220: 219 The Exoperience of Art: La Bien
Page 221 and 222: 221 Tadayasu Sakai, Japan at the 10
Page 223 and 224: 223 A Primal Spirit, Hara Toshio; F
Page 225: 225 Art/34/Basel/18-23/6/03, Media
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