A Working Bibliography - The University of Sydney

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Henrikkson, Minna, ‘Email interview with Vasif Kortun and Charles Esche’, Framework , Issue 3, June 2005 [Finnish art review] [four items above are from: http://www.iksv.org/bienal/bienal9/english/?Page=Curators&Sub=Interview] 214 Kassel: Documenta General Texts: Blok, René; Glaser, Martin, et al, Das Lied von der Erde / The Song of the Earth, Kassel, Museum Fridericianum, 2000 Glasmeier, Michael; Stengel, Karin, eds., 50Jahre/Years documenta, Archive in Motion, [bilingual retrospective catalogue & texts], Göttingen, Steidi Verlag, 2005 1992 Documenta IX Galloway, David: ‘Documenta 9 The Bottom Line’ Art in America Sept 1993 v81 n9 p55 1997 Documenta X artistic director Catharine David 2002 Documenta XI artistic director artistic director Okwui Enwezor] Downey, Anthony: (2003) . ‘The Spectacular Difference of Documenta XI’ Third Text, Volume 17, Number 1 (March 2003), pp. 85-92 Enwezor, Okwui, et al, Documenta IX: Platform Five, Exhibition catalogue, Hatje Cantz Verlag, 2002 Enwezor, Okwui et al, Créolité and creolization: Documenta 11_Platform 3, Kassel, documenta und Museum Fridericianum-Veranstaltungs Gmbh, 2003 Lopez, Sebastian, 'Starting Points: 'Documenta'', IIAS Newsletter, No.25, July 2001 Nochlin, L, Holert T., Higgs, M. Meyer, J., ‘Platform Muse: Documenta 11’ Artforum International Sept 2002 v41, 1, p160 (10). Heartney, Eleanor: ‘A 600-hour Documenta’ Art in America Sept 2002 v90 i9 p86(10) Lee Weng Choy, ‘Biennale time and the specters of exhibition’, FOCAS, vol. 4, 2002 Johannesburg 1995 Johannesburg 1 st Biennale 1997 Johannesburg, 2 nd Biennale Hong Kong, etc., (curated by Hou Hanru, organized by Johannesburg Biennale) Becker, Carol ‘Interview with Okwui Enwezor’. (artistic director of the Second Johannesburg Biennale art exhibition) Art Journal, Summer 1998 1998 Vol 57 No 2 p101-8 Becker, Carol, ‘The second Johannesburg Biennale’, Art Journal, Summer 1998 v57 n2 p86(15) Diawara, Manthia, ‘Moving company, the Second Johannesburg Biennale’ Artforum International, March 1998 Vol 36 No 7 p86 Heartney, Eleanor, ‘Mapping the postcolonial’ Art in America, June 1998 v86 n6 p51(4) Kitakyushu Biennale 2003 Inaga, Shigemi et al. 7 th Kitakyushu Biennale : Art for Sale: Intimacy between Aesthetics and Economy.. Kitakyushu, Kitakyushu Municipal Museum of Art 2003. (Curator: Makiko Matake). Liverpool BIennial: 2000 Bond, Antony, curator, Trace: The International Exhibition, Liverpool, Liverpool Biennial of Contemporary Art, 2000. 2002 Biggs, Lewis, ed., International 2002, Liverpool, Liverpool Biennial of Contemporary Art, 2002. 2004 Domela, Paul, ed., international 04, Liverpool, Liverpool Biennial of Contemporary Art, 2004. 2006 Domela, Paul, ed., international 06, Liverpool, Liverpool Biennial of Contemporary Art, 2006
Lyon Biennial 2001 Budge, Andrew, ‘Partage d’exotismes’; do ‘magicians’ grow wise or just old’, Third Text 58, vol.16, 1, 2002 Prat, Thierry & Raspail, Thierry (Artistic Directors), Partage D’Exotismes, Volume , 5 th Biennale d’Art Contemporrin de Lyon, 2000 215 Manifesta: [site varies] Domela, Paul, ed., Manifesta: Coffee Break, Liverpool, Liverpool Biennial, 2005 Moscow: New Delhi: India Triennale 1991 Hideki Nakamura, JAPAN, Triennale India 1991- Yoshio Kitayama, Mio Shirai, Miran Fukuda, The Japan Foundation, 1991 Osaka Triennale 1995 Osaka Prefectural Government (Editor & Publisher). Osaka Triennale 1995. Sculpture. 6th International Contemporary Art Competition. Osaka 1995. ( Curator: Hiroyuki Nakatsuka, Planning Office, Contemporary Art & Culture Centre, Osaka Prefectural Government.) São Paulo: São Paulo Bienal 1991 1994 Leffingwell, Edward: ‘The Extraterritorial Zone: the 26th Sao Paulo Bienal (Art in America, Feb 2005) 1996 1998 Leffingwell, Edward, ‘Cannibals All - 24th Sao Paulo Bienal’, Art in America, May 1999. 2002 2004 2006 Singapore: 2006 Artstrings: National Arts Council Annual Report 2005/06. Singapore, National Arts Council, 2006. Cruikshank, Alan, ‘Interview: Fumio Nanjo Artistic Director Singapore Biennale 2006’, Broadsheet, vol. 35, no. 3, 2006. Gill, Simryn, Guide to the Murals at Tanjong Pagar Railway Station, Singapore, Singapore, Simryn Gill & Singapore Biennale 2006 Kirker, Anne, ‘Decentralisation Works: Singapore Biennale 2006’, Eyeline, no. 62, Summer 2006-7. Lee, Pamela M., ‘2006 Singapore Biennale/6th Gwangju Biennale’ Artforum, vol. 45, Iss. 3, 2006 Lee Weng Choy, ‘Calibrated Expectations: A Roundtable on the Inaugural Singapore Biennale 2006’, Broadsheet, vol. 35, no. 3, 2006. Lee, Weng-Choy, ‘Eastern Front’ (Singapore, Shanghai and Gwangju Biennales), Artforum, vol. 45, Iss. 1, 2006 Lee Weng Choy, ‘The public remainder: Singapore goes to Venice, the Biennale comes to Singapore’, Broadsheet, 32/2, June –August 2005 Thompson, Jonathan, ‘A Willingness to Engage’, Asian Art News, vol. 16, no. 6, Nov-Dec 2006, (review of First Singapore Biennale) Kendzulak, Susan, ‘Interview with Fumio Nanjo, Artistic Director of the Singapore Biennale’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006. Hill, Jo Martin, ‘A Tale of Two Biennales: Singapore and Shanghai’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 4, Dec 2006 Slater, Ben, editor, belief: Exhibition Short Guide, Singapore, National Arts Council, 2006 Yap, June, ‘Hope: [Regarding Belief]’, Eyeline, no. 62, Summer 2006-7 (Singapore Biennale).
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
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159 Kapur, Geeta “Representationa
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161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164: 163 [Tagore] Parimoo, R., The Paint
Page 165 and 166: 165 exhibition catalogue exhibition
Page 167 and 168: 167 Kapur, Geeta, ‘When was moder
Page 169 and 170: 169 Deshpande, Satish, “Imagined
Page 171 and 172: 171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174: Martin, Courtney J. ‘South Asian
Page 175 and 176: 175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
Page 183 and 184: 183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186: 185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188: 187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190: 189 Theories, Logics & Ideologies B
Page 191 and 192: 191 Hopkins, A.G., ed., Globalizati
Page 193 and 194: Zito, Angela and Barlow, Tani E., B
Page 195 and 196: 195 Smith, T., ‘Second person/fir
Page 197 and 198: 197 Crary, Jonathan, ‘Critical Co
Page 199 and 200: 199 Preziosi, Donald & Farago, Clai
Page 201 and 202: 201 Walker, David, Anxious Nation:
Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
Page 209 and 210: 209 Turner, Caroline, ‘Cross-Cult
Page 211 and 212: 211 4 th Asian Art Show Fukoka, ed
Page 213: 213 Clark, John, ‘Three Recent Bi
Page 217 and 218: 217 Sydney: Biennale of Sydney: 200
Page 219 and 220: 219 The Exoperience of Art: La Bien
Page 221 and 222: 221 Tadayasu Sakai, Japan at the 10
Page 223 and 224: 223 A Primal Spirit, Hara Toshio; F
Page 225: 225 Art/34/Basel/18-23/6/03, Media
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