A Working Bibliography - The University of Sydney

More documents

Recommendations

Info

212 1996 Kim Hwan et al. ’95 Kwang-ju International Contemporary Art Festival Catalogue. Kwang-ju, Kwnag-ju City Gallery 1995. Jin Young-sun & Chung Joon-mo (Editors), The First Kwangju International Biennale. Volume 1. International Exhibition of Contemporary Art: Beyond the Borders. Seoul, Life & Dream Publishing Co. 1995. (Director General of Visual Arts: Lee Yongwoo). Lee, James B., ‘Pursuing global stature’, (Asia: Korea) ARTnews Nov 1995 v94 n9 p224(2) Lee, James B, The call to globalization: a booming economy has meant a proliferation of artists, galleries, and museums. But when will the West catch on? (Korea '95) (includes related articles on artists Lee Bul and Lee Sang-Hyun) ARTnews April 1995 v94 n4 p126(4) Heartney, Eleanor: Into the international arena. (contemporary art, Kwangju Biennale, South Korea) Art in America April 1996 v84 n4 p50(5) 1997 Kim, Su-ki (Editor), 97 Kwangju Biennale: Unmapping the Earth, Kwangju, Kwangju Biennale Press. (Artistic Director: Lee Young-chul) 1998 Jay, Martin: ‘Kwangju: From Massacre to Biennale. Salmagundi Fall 1998 I Issue 20 p15-26) Vine, Richard: Asian futures: status of South Korea in art world. Art in America July 1998 v86 n7 p34-43)) 2000 Cho, Sung-kwan (Editor), Kwangju Biennale 2000 Man + Space, Kwangju, Kwangju Biennale Press 2000. (Artistic Director: Oh Kwang-su) Cho, Sung-kwan (Editor), Kwangju Biennale 2000 Man + Space: The Special Exhibition, Kwangju, Kwangju Biennale Press 2000. (Artistic Director: Oh Kwang-su) KwangjuBiennale 2000 Man + Space. Exhibition Guide 2002 Chung, Guyon (Editor), Gwangju Biennale 2002 Project4 Connection, Gwangju, Gwangju Biennale Press 2002. (Curator: Chung Guyon). Gwangju Biennale 2002 Project 1 PAUSE, Project2:THERE , Project3 Stay of Execution. Exhibition Guide. Gwangju, Gwangju Biennale Press 2002 Hou Hanru, ‘Event city and pandora’s box: curatorial notes on the 2002 Gwangju Biennale’, Yishu, vol.1, no.2, 2002; Kee, Joan, ‘2002 Gwangju Biennale’, ART AsiaPacific, Issue 36 (2002);; Kim, Youngna, ‘Let’s Pause & Talk, Let’s Pause & Drink’, IIAS Newsletter, No. 28, July 2002 Lee Weng Choy, ‘Biennale time and the specters of exhibition’, FOCAS, vol. 4, 2002 Min, Yong Soon (Editor), Gwangju Biennale 2002 Project2:THERE: Sites of Korean Diaspora, Gwangju, Gwangju Biennale Foundation 2002. (Artistic Director: Sung Wan-kyun). Napack, Jonathan, 'Alternative Visions', Gwangju Biennial Review, Art in America, Vol. 90, Issue 11, November 2002 Park, Manu (Editor), Gwangju Biennale 2002 Project 1 PAUSE: Conception, Gwangju, Gwangju Biennale Press 2002. (Curators : Sung Wan-kyung, Charles Esche, Hou Hanru). Park, Manu (Editor), Gwangju Biennale 2002 Project 1 PAUSE: Realization, Gwangju, Gwangju Biennale Press 2002. (Curators : Sung Wan-kyung, Charles Esche, Hou Hanru). Sung, Wan-kyung (Editor), Gwangju Biennale 2002 Project3 Stay of Execution, Gwangju, Gwangju Biennale Press 2002. (Curator: Sung Wan-kyun). Sung Wan-kyung; Esche, Charles; Hou Hanru [idea and conception] Project 1 Pause: Conception & Project 1 Pause: Realization, Gwangju, Gwangju Biennale Press, 2002 2004 Gwangju Biennale 2004 Viewer-Participants Discission Papers: The Audience, Who Are They?, Gwangju Biennale Foundation, 2004 Gwangju Biennale 2004. Press Open, (Press briefing for Biennale Opening, In Korean), Gwangju Biennale Foundation, 2004 Gwangju, A Grain of Dust, A Drop of Water Gwangju, Biennale Ecometro, Busan Contemporary Art Exhibition, Busan Sea Art Festival Busan Sculpture Project São Paolo 26 th Biennial Breuvart, Valerie, ‘Gwangju Biennale 2004’ review, Artforum, vol 46, iss. 5, Jan 2005.
213 Clark, John, ‘Three Recent Biennales in Asia: Gwangju, Busan and Shanghai’, Art and Australia, vol. 42, no. 3, 2005 Heartney, Eleanor, ‘Report from Korea I: Biennial Anxiety’, Art in America, vol. 93, iss. 5, May 2005 (Gwangju, Busan biennials) Jheon Soocheon, Social landscape, 2004 Gwangju Biennale, Seoul, Jheon Soocheon, 2004 Judd, Craig, ‘Gwangju Biennale 2004: A Viewer-Participant Memoir’, Eyeline, no. 56, Summer 2004-5 Kim, Hyun-do (Editor), Gwangju Biennale 2004 A Grain of Dust. A Drop of Water. Gwangju, Gwangju Biennale Foundation 2004. (Artistic Director: Lee Wong-yu). Kim, Hyun-do (Editor), Gwangju Biennale 2004 A Grain of Dust. A Drop of Water .:Korea Express Site 2 Gwangju, Gwangju Biennale Foundation 2004. (Curators: Shim Jae-wook & Jung Gun-ho). 2006 Gwangju Biennale 2006, ‘Fever variations: Press Release’, Gwangju Biennale Foundation, 2006 Gwangju Biennale 2006, Open Forum: World Contemporary Art and International Biennales, Gwangju Biennale Foundation, 2006 Clark, John, ‘A Narrowing of Horizons: The Shanghai and Gwangju Biennales 2006’, Art Monthly Australia, no. 196, December 2006-February 2007. Fenner, Felicity, ‘Gwangju Biennale’, Art and Australia, vol. 44, no. 3, 2006. Han Kyung ah (Editor), Gwangju Biennale 2006: Fever Variations, Seoul, Designhouse Co. Ltd, 2006. (Artistic Director: Kim Hong-hee. Curators: Wu Hung, Binghui Huangfu, Shaheen Merali, Jacquelynn Baas, Cristina Ricupero, Beck Jee-sook, Chris Gilbert, Cira Pascual Marquina). Lee, Pamela M., ‘2006 Singapore Biennale/6th Gwangju Biennale’ Artforum, vol. 45, Iss. 3, 2006 Lee, Weng-Choy, ‘Eastern Front’ (Singapore, Shanghai and Gwangju Biennales), Artforum, vol. 45, Iss. 1, 2006 Istanbul: International stanbul Biennial 1987 1 st Biennial 1989 2 nd Biennial 1992 3 rd Biennial 1995 4 th Biennial Block, René, ‘What is a Biennale, and what will it mean for the art scene in Istanbul’, [speech of 13 th September 1995] from http://www.iksv.org/bienal/english/arsiv.asp?ms=3 1997 5 th Biennial Martinez, Rosa, ‘On life beauty, translations and other difficulties’, from http://www.iksv.org/bienal/english/arsiv.asp?ms=3 1999 6 th Biennial Colombo, Paolo, ‘Concept’ from http://www.iksv.org/bienal/english/arsiv.asp?Page=Ifca&Sub=Archive&biennial=6&content=kavcer 2001 7 th Biennial Atagök, Tomar; Plate, Susan, ‘The Istanbul Biennial: the digestible other’, Third Text, 55, 2001, 103; Schwabsky, Barry, ‘Istanbul Biennial’, Artforum International, Vol.40, Issue 1, September 2001; Hori, Motoaki, ‘Between East and West: The 7 th International Istanbul Biennial’, ART AsiaPacific, Issue 35 (2002); Shawa, Wendy, ‘Art among the myths of globalism: the Istanbul Biennial’, Third text, 58, vol.16 1, 2002; [Istanbul Biennale] review, Art in America, March 2002; Hori, Motoaki, ‘Between East and West: The 7 th International Istanbul Biennial’, Art AsiaPacific, no.35, 2002. 2003 8 th Biennial Cameron, Dan, ‘Concept’, from http://www.iksv.org/bienal/english/arsiv.asp?ms=3 Nahas, Dominique, ‘Preview: The 8 th International Istanbul Biennial’ in Art Asia Pacific, No. 38 (Fall 2003), pp.25-26; Heartney, Eleanor, ‘Mending the Breach’ in Art in America (January 2003), pp. 74-79; Kent, Rachel, ‘2003 Istanbul Biennial: Poetic Justice’ in Art & Australia, Vol. 41, No. 3 (Autumn 2004), pp. 278-279 2005 9 th Biennial Esche, Charles & Kortun, Vasif, ‘Concept’ from http://www.iksv.org/bienal/bienal9/english/?Page=Concept Esche, Charles & Kortun, Vasif, ‘Interview’ in MetropolisM, Amsterdam, September 2005, from Esche, Charles, Interview with Jelena Vesic, Prelom Magazine, Beograd, from Gregos, Katarina, ‘Email interview with Vasif Kortun and Charles Esche’, Flash Art, May 2005,
Page 1 and 2:
MODERN AND CONTEMPORARY ASIAN ART:
Page 3 and 4:
CONTENTS Please note that paginatio
Page 5 and 6:
Kuki and his times 95 Nishida Kitar
Page 7 and 8:
Prints 155 ------------------------
Page 9 and 10:
GENERAL WORKS ON ASIAPACIFIC AS A R
Page 11 and 12:
11 [Global Conceptualism] Global Co
Page 13 and 14:
13 Hearn, Maxwell K.; Smith Judith
Page 15 and 16:
15 Tam, L.C.S.,et al, Hong Kong: Th
Page 17 and 18:
17 Cai Guoqiang, painter and instal
Page 19 and 20:
19 Li Wei: Jordan, Francesca and Ma
Page 21 and 22:
21 Wen Lipeng, deceased, oil painte
Page 23 and 24:
23 during the 1990s and the role of
Page 25 and 26:
25 Andrews, Julia, Painters and Pol
Page 27 and 28:
27 Wang Yuejin, ‘Anxiety of Portr
Page 29 and 30:
29 Clark, John, ‘Official reactio
Page 31 and 32:
31 Tsao Tsing-yuan, ‘The Birth of
Page 33 and 34:
33 [Hong Lei] Goodman, Jonathan,
Page 35 and 36:
35 [Song Dong] Thomas, Taliesin,
Page 37 and 38:
37 [Zhang Huan] Dziewior, Yilmaz, a
Page 39 and 40:
39 Jia Fangzhou, ‘The Eternal Que
Page 41 and 42:
41 Yuan Feng. and Yang Xiaoyan, ‘
Page 43 and 44:
43 2003; Li, Zhe, ‘Stepping Out I
Page 45 and 46:
45 Storer, Russell, ‘Shanghai Sta
Page 47 and 48:
47 Sun, S., Modern Chinese Woodcuts
Page 49 and 50:
49 Goldman, M., ‘The Party and th
Page 51 and 52:
Red Gate Gallery, Beijing. http://w
Page 53 and 54:
[Lau Tin-yum] Lau tin-yum, Hong Kon
Page 55 and 56:
55 [Pan Xing Lei] Chen, Shieh-Wen,
Page 57 and 58:
57 Clark, John, ‘La peinture mode
Page 59 and 60:
59 [Feng Zhongrui], Li Chu-tsing; L
Page 61 and 62:
61 [Taipei Biennale 2002], Wang, Ja
Page 63 and 64:
63 Agahari, Rae, Beyond representat
Page 65 and 66:
65 General Works Clark, J., ‘Mode
Page 67 and 68:
67 Watson, Oliver ; Kimura Rieko ed
Page 69 and 70:
69 Clark, John, ‘Artist and the S
Page 71 and 72:
Smith, L.H.R., Contemporary Japanes
Page 73 and 74:
73 Abstract painting in Japan, Hokk
Page 75 and 76:
75 [Araki, Nobuyoshi] Sawaragi Noi,
Page 77 and 78:
77 Annear, J., ‘A forest of art i
Page 79 and 80:
79 [Murakami, Takashi] Kondo, Kenic
Page 81 and 82:
81 Itoi, Kay, ‘The Elegance of Si
Page 83 and 84:
83 National Museum of Modern Art, [
Page 85 and 86:
85 Clark, John, ‘Japanese houses
Page 87 and 88:
87 Society of Architects & Building
Page 89 and 90:
89 Brisard, B., ‘Tange Kenzo: A h
Page 91 and 92:
91 Medical facilities : new concept
Page 93 and 94:
93 Wilson, Peter L. Western objects
Page 95 and 96:
95 Gluck, C., Japan’s Modern Myth
Page 97 and 98:
97 La Fleur, William A., ‘A turni
Page 99 and 100:
http://www.musabi.co.jp/list.html M
Page 101 and 102:
101 thesis, Australian National Uni
Page 103 and 104:
103 Roe Jae-ryung, Contemporary Kor
Page 105 and 106:
105 [Lee, Yong-Baek] review, Flash
Page 107 and 108:
107 Sabapathy, T.K., ed., Past, Pre
Page 109 and 110:
109 Chaiyan Rajchagool, The Rise an
Page 111 and 112:
111 No Na Pak Nam, Phra Acharn Nak,
Page 113 and 114:
113 Michaelsen, H., Die Entwicklung
Page 115 and 116:
115 8 Actual Visions in Thai Contem
Page 117 and 118:
117 Individual Artists Anurak Chata
Page 119 and 120:
119 to shock’ The Nation, January
Page 121 and 122:
121 Viboon Leesuwan: Viboon Leesuwa
Page 123 and 124:
123 2000+ [Boonyavanishkul, Rearngs
Page 125 and 126:
125 Kriengkraipetch, Suvann, Smith,
Page 127 and 128:
127 Suehiro Akira, Capital Accumula
Page 129 and 130:
129 Koch, Maurice, “Jos-Henri Pon
Page 131 and 132:
Nguyen Thi Dinh, No other road to t
Page 133 and 134:
133 [Nguyen Manh Hung], Edwards, Br
Page 135 and 136:
135 Holt, Claire, Art in Indonesia:
Page 137 and 138:
137 Supangkat, J., Sanento Yuliman
Page 139 and 140:
139 [Hendra Gunawan], Hendra Gunawa
Page 141 and 142:
Wardani, Farah, ed., Karbon: Ruang
Page 143 and 144:
BRUNEI 143 [bin Omar, Zakaria], Zak
Page 145 and 146:
145 Whitley, Keri, ‘Castle’s Jo
Page 147:
147 [ASEAN Art Awards 2002], Teo, J
Page 151 and 152:
151 Nyen, Ho Tzu, ‘Lee Wen: “St
Page 153 and 154:
153 [Feleo, Roberto] Guillermo, Ali
Page 155 and 156:
155 Foundation Asia Center, 2002; F
Page 157 and 158:
157 [Kuage, Mathias] review, Art As
Page 159 and 160:
159 Kapur, Geeta “Representationa
Page 161 and 162: 161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164: 163 [Tagore] Parimoo, R., The Paint
Page 165 and 166: 165 exhibition catalogue exhibition
Page 167 and 168: 167 Kapur, Geeta, ‘When was moder
Page 169 and 170: 169 Deshpande, Satish, “Imagined
Page 171 and 172: 171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174: Martin, Courtney J. ‘South Asian
Page 175 and 176: 175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
Page 183 and 184: 183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186: 185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188: 187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190: 189 Theories, Logics & Ideologies B
Page 191 and 192: 191 Hopkins, A.G., ed., Globalizati
Page 193 and 194: Zito, Angela and Barlow, Tani E., B
Page 195 and 196: 195 Smith, T., ‘Second person/fir
Page 197 and 198: 197 Crary, Jonathan, ‘Critical Co
Page 199 and 200: 199 Preziosi, Donald & Farago, Clai
Page 201 and 202: 201 Walker, David, Anxious Nation:
Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
Page 209 and 210: 209 Turner, Caroline, ‘Cross-Cult
Page 211: 211 4 th Asian Art Show Fukoka, ed
Page 215 and 216: Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218: 217 Sydney: Biennale of Sydney: 200
Page 219 and 220: 219 The Exoperience of Art: La Bien
Page 221 and 222: 221 Tadayasu Sakai, Japan at the 10
Page 223 and 224: 223 A Primal Spirit, Hara Toshio; F
Page 225: 225 Art/34/Basel/18-23/6/03, Media
show all

A Working Bibliography - The University of Sydney

Create successful ePaper yourself

Delete template?

Save as template?