A Working Bibliography - The University of Sydney

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210 Hall, Doug The Courier-Mail, 23 April 1999. Hall, Doug, ‘Foreword’, in Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane, 1999. Hall, Doug, The Age, 10 September 1999. Holder, Jo & Moore, Catriona ‘Going Glocal – APT3: Beyond the Future’, Realtime, 34, p.24. Low, Morris, ‘Hybrid transplants at the Queensland Art Gallery’, Artlink, Vol. 20, No. 2, July 2000; McNamara, Andrew, ‘The Third Asia-Pacific Triennial of Contemporary Art: To the point of distraction! Entertaining Diversity’, Eyeline, no. 42, Autumn/Winter, 1999/2000, 31-33. Miki, Akiko, “Evaluating the Asia-Pacific Triennial’, Artlink, Vol. 20, No. 2, July 2000; Taylor, Roger, ‘A dynamic of cultures’, Asian Art News, vol.9, no.6, 1999; Turner C., Low, M. eds, Beyond the Future: papers from the conference of the Third Asia-Pacific Triennale of Contemporary Art, Brisbane, Queensland Art Gallery & Griffith University, 1999; ; Turner, Caroline, ‘Introduction’ in C. Turner and M. Low eds. Beyond the Future, Conference Proceedings, The Third Asia-Pacific Triennial of Contemporary Art, Brisbane, Queensland, 2000. Turner, Caroline, ‘Journey Without Maps: The Asia Pacific Triennial’ in Beyond the Future: The Third Asia-Pacific Triennial of Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane, 1999. Turner, Caroline; Hoffie, Pat; Carroll, Alison; and Raffel, Suhanya, ‘on understanding the Asia-Pacific Triennial’, Artlink, Vol. 20, No. 2, July 2000; Ushiroshoji, Masahiro, ‘The APT and Fukuoka: a comparison’, Artlink, Vol. 20, No. 2, July 2000 APT IV 2002 Eastburn, Melanie, ‘A Decade Of Challenges’, APT4 Review, Asian Art News, vol. 12, no. 6, November/December, 2002 Gibson, Jeff, ‚Asia-Pacific Triennial of Contemporary Art’, Artforum International, Vol.41, Issue 1, September 2002 Grace, Helen, ‘Asia-Pacific Triennial of Contemporary Art 2002: islands of promise in the dark waters of a new world order’, Eyeline, no. 50, 2002/2003, 24-27. Ng., Elaine W. ‘Queensland Looks East’, ArtAsiaPacific, no. 45, 2005 (APT 4 and new Qld art gallery) Sambrani, Chaitanya, ‘Austerity – Excesss – Invention: the Asia-Pacific Triennial 2002’, Art Monthly Australia November 2002, no.155; Seear, Lynne, Ed., Asia-Pacific Triennale of Contemporary Art, Brisbane, Queensland Art Gallery, 2002. Thomas, Morgan, ‘Asia-Pacific Triennial 2002: we are not the world’, Eyeline, no. 50, 2002-03, 32-33. Wu Hung, ‘Mapping Contemporaneity’ in APT 2002: Asia Pacific Triennial of Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane, 2002 APT V 2006 Fairlie, Gina, ‘Connections and the Future’, Asian Art News, vol. 17, no. 1, Jan-Feb 2007 (review of Fifth Asia Pacific Triennal, Brisbane) Seear, Lynne; Raffel, Suhanya, The 5 th Asia Pacific Triennial of Contemproary Art, Brisbane, Queensland Art Gallery Publishing, 2006. Fukuoka: Overall [Fukuoka Ia] Asian Artists Exhibition Part I: Contemporary Asian Art Show, Fukuoka, Fukuoka Fine Arts Museum, 1980. [Fukuoka Ib] Asian Artists Exhibition Part I: India, China & Japan, Fukuoka, Fukuoka Fine Arts Museum, 1979. [Fukuoka II] 2nd Asian Art Show, Fukuoka; Special Section: Art of Bali, Fukuoka, Fukuoka Fine Arts Museum, 1985 [Fukuoka III] 3rd Asian Art Show, Fukuoka, Fukuoka, Fukuoka Fine Arts Museum, 1989. Fouser, Robert, ‘Asia as a state of mind’, Art AsiaPacific, 24, 1999; Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 00-01, Fukuoka: Fukuoka Asian Art Museum, 2001; Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 01-02, Fukuoka: Fukuoka Asian Art Museum, 2002 Fukuoka Asian Art Museum Art Exchange Programs, Annual Report 99-00, Fukuoka Asian Art Museum, 2000; Fukuoka Asian Art Museum, Asian Collection 50: Fukuoka: Fukuoka Asian Art Museum, 2000; Matsuura, Jin, ‘Notes on Artist in Residence Program’, Winds of Artists in Residence 2001-, Fukuoka: Fukuoka Asian Art Museum, 2001; Murata, Makoto, ‘Asia as an Art Museum’, Art AsiaPacific, 24, 1999; 1994 4 th Asian Art Show
211 4 th Asian Art Show Fukoka, ed and pub Fukuoka Art Museum 4th Asian Art Show Fukuoka: Realism as an Attitude, Fukuoka, Fukuoka Art Museum, 1994. 1999 1 st Fukuoka Asian Art Triennale 1 st Fukuoka Asian Art Triennale 1999 [5 th Asian Art Show] Jin, Matsuura and Masae, Kamachi, The First Fukuoka Asian Art Trienale [The 5 th Asian Art Show], Seminar: “Asian Art – Towards the 21 st Century”, Fukuoka: Fukuoka Asian Art Museum, 1999; Jin, Matsuura and Masae, Kamachi, The 1 st Fukuoka Asian Art Triennale 1999 [The 5 th Asian Art Show]: Document of Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Kuroda, Raiji, The First Fukuoka Asian Art Triennale, Fukuoka: Fukuoka Asian Art Museum, 1999; Ushiroshoji, Masahiro, ‘The APT and Fukuoka: a comparison’, Artlink, Vol. 20, No. 2, July 2000 2002 2 nd Fukuoka Asian Art Triennale Kuroda Raiji ‘Ajibi no 5-nen – kôryûjigyô wo chûshin ni’, in Fukuoka Asian Art Museum Collection Now: Soul of Asia, Sapporo, Hokkaidôritsu Kindaibijutsukan, 2004 Matsuura Jin, ‘Notes on the artist-in-residence programme’, in Artisto in rejidensu seikaten, Fukuoka, Asian Art Museum, 2002. Ushiroshôji Masahiro, ‘ “Ajia Bijutsukan” to iu arikata – sono imi, hôhô, shisutemu’, Ritsumeikan Gengo Bunka Kenkyû, vol.13, no.4, 28 February 2002 Fouser, Robert J., ‘2 nd Fukuoka Asian Art Triennale’, ART AsiaPacific, Issue 36 (2002) Kazuyo, Kondo; Tomomichi, Nakao; and Yuko, Yamaki, ed., Imagined Workshop: The 2 nd Fukuoka Asian Art Triennale 2002, Fukuoka: Fukuoka Asian Art Museum, 2002; Turner, Caroline, 'Imagined Workshop', 2 nd Fukuoka Asian Ar Triennial Review, IIAS Newsletter, No. 29, November 2002; Nakao Tomomichi hoka hen, Dai 2 kai Fukuoka ajia bijutsu toriennare 2002 : the 2nd Fukuoka Asian art triennale 2002, Fukuoka-shi : Fukuoka Ajia Bijutsukan, 2002. 2005 3rd Fukuoka Asian Art Triennale The 3rd Fukuoka Asian Art Triennale 2005, Igarashi, Rina, ed., Fukuoka, Fukuoka Asian Art Museum, 2005 Nagoya, Satoru, ‘Yokohama and Fukuoka Triennials Report’, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006 Rawanchaikul, Toshiko, ‘How were the artists selected?’, in The 3rd Fukuoka Asian Art Triennale 2005, Igarashi, Rina, ed., Fukuoka, Fukuoka Asian Art Museum, 2005. Guangzhou: Guangzhou Triennale 2002 Wu Hung with Wang Huangshang & FengBoyi, 1 st Guangzhou Triennial: Re-interpretation: a decade of Experimental Chinese Art (1990-2000), Guangzhou, Guangdong Museum of Art, 2002 2005 Clark, John, ‘A Spectacle of Questions’, Asian Art News, vol. 16, no. 1, 2006. Koegel, Eduard, ‘How to Urbanise a Special Economic Zone? The 2005 Biennale of Urbanism and Architecture in Shenzhen’, Yishu: Journal of Contemporary Chinese Art, vol. 5, no. 2, Jun 2006. Goodbody, Bridget, ‘Beyond the Delta’, ArtAsiaPacific, no. 46, 2005. (Guangzhou triennial) Pi Li, ‘The Second Guangzhou Triennial’, Flash Art, vol. XXXIX, no. 246, Jan-Feb, 2006 Spalding, David, ‘Second Guangzhou Triennale’, Artforum, vol. 44, Iss. 8, 2006 Vine, Richard, ‘Cities on the make: reflecting China's runaway building boom, the second Guangzhou Triennial examined the forces driving today's urban development and globalized art’, Art in America, 94.8 (Sept 2006) Vine, Richard, ‘Through a Chinese Lens’, review, Art in America, vol. 93, iss. 6, Jun-Jul, 2005 (Guangzhou photo biennial) 2006 D-Lab/The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization, Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru; Curators: Hou Hanru, Hans Ulrich, Guo Xiaoyan). The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization (Exhibition Catalogue), Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru; Curators: Hou Hanru, Hans Ulrich, Guo Xiaoyan). The Second Guangzhou Triennial BEYOND: an extraordinary space of experimentation for modernization (Exhibition Guide), Guangzhou, Lingnan Chubanshe, 2006. (Artistic Curator: Hou Hanru; Curators: Hou Hanru, Hans Ulrich, Guo Xiaoyan). Gwangju/Kwangju:
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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157 [Kuage, Mathias] review, Art As
Page 159 and 160: 159 Kapur, Geeta “Representationa
Page 161 and 162: 161 Jain, Kajri, Gods in the Bazaar
Page 163 and 164: 163 [Tagore] Parimoo, R., The Paint
Page 165 and 166: 165 exhibition catalogue exhibition
Page 167 and 168: 167 Kapur, Geeta, ‘When was moder
Page 169 and 170: 169 Deshpande, Satish, “Imagined
Page 171 and 172: 171 [Natesan, Shibu] Bordewekar, Sa
Page 173 and 174: Martin, Courtney J. ‘South Asian
Page 175 and 176: 175 [Peries, Ivan] Bandaranayake, S
Page 177 and 178: 177 [Asia Pacific Artists Initiativ
Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
Page 181 and 182: 181 Commemorative Anthology on the
Page 183 and 184: 183 [Gang Zhao] review, Art AsiaPac
Page 185 and 186: 185 [Wang Du] Kent, Rachel, ‚New
Page 187 and 188: 187 [Lubaina Himid; Boyce, Sonia; H
Page 189 and 190: 189 Theories, Logics & Ideologies B
Page 191 and 192: 191 Hopkins, A.G., ed., Globalizati
Page 193 and 194: Zito, Angela and Barlow, Tani E., B
Page 195 and 196: 195 Smith, T., ‘Second person/fir
Page 197 and 198: 197 Crary, Jonathan, ‘Critical Co
Page 199 and 200: 199 Preziosi, Donald & Farago, Clai
Page 201 and 202: 201 Walker, David, Anxious Nation:
Page 203 and 204: 203 Kember, Pamela., ‘A Report on
Page 205 and 206: 205 Rugoff, Ralph, ‘Rules of the
Page 207 and 208: 207 Appadurai, Arjun, Modernity at
Page 209: 209 Turner, Caroline, ‘Cross-Cult
Page 213 and 214: 213 Clark, John, ‘Three Recent Bi
Page 215 and 216: Lyon Biennial 2001 Budge, Andrew,
Page 217 and 218: 217 Sydney: Biennale of Sydney: 200
Page 219 and 220: 219 The Exoperience of Art: La Bien
Page 221 and 222: 221 Tadayasu Sakai, Japan at the 10
Page 223 and 224: 223 A Primal Spirit, Hara Toshio; F
Page 225: 225 Art/34/Basel/18-23/6/03, Media
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