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A Working Bibliography - The University of Sydney

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21<br />

Wen Lipeng, deceased, oil painter: Wen Lipeng, ‘Wogu Zhixin: Xinzhongguo Youhua Sanshiwunian duan xiang’,<br />

Meishu, April, 1984.<br />

Wu Guanzhong: Lim Lucy, ed., Wu Guanzhong, a contemporary Chinese artist., San Francisco: Chinese Culture<br />

Foundation <strong>of</strong> San Francisco, 1989; Farrer, Anne, Wu Guanzhong, A twentieth century Chinese painter, London:<br />

British Museum, 1992; Wu Guanzhong, Ballingal, Sonja., ‘A Master <strong>of</strong> Emotions’, in Asian Art News, Vol. 13,<br />

No. 6, November/December 2003, p.56-63.<br />

Wu Shanzhuan, Hamburg, installation artist: Zhongguo meishubao no.115, <strong>of</strong> 5.10.1987, Meishu 8.1986.<br />

Wu Weihe, Weihe, Wu., ‘Casting the Mold <strong>of</strong> Female Body and Identity: Reinterpreting Guang Lienü Zhuan<br />

(Biographies <strong>of</strong> Exemplary Women)…’, Sasha S. Welland (tran.), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art,<br />

Vol. 2 No. 3, September 2003, p.15-19.<br />

Wu Zuoren, deceased,oil painter and neo-tradtionalist painter: Gigliesi, P., ‘Wu Zuoren’, Orientations, vol.12, no.4,<br />

April 1981; Wu Zuoren, Wu Zuoren huaji, Renmin meishu chubanshe, Peking, 1962.<br />

Xu Beihong, deceased oil painter: Ai Zhongxin, Xu Beihong yangjiu, Shanghai Renmin Meishu Chubanshe, 1981;<br />

Jiang Bihui, Huiyilu, Taibei, Huangkuan zazhishe, 1966, 1980; Liao Jingwen, Xu Beihong, Foreign Languages<br />

Press, Beijing, 1987 [and earlier Chinese editions]; Ma Fasi, ‘Wode laoshi Xu Beihong’, Meishu Yanjiu, 1980,<br />

no.4; Xie Lifa, Xu Beihong, Taibei, Xiongshi Meishu, 1977; Wang, Eugene Yuejing, ‘Xu Beihong and Chang<br />

Yu: sketch conceptualism as modernist contigency’, in Hearn, Maxwell; Smith, Judith G., eds, Chinese Art,<br />

Modern expressions, New York, metropolitan Museum <strong>of</strong> Art, 2001; Yang, Shu-hwang, Xu Bei-hong, Liu<br />

Hai-su, Lin Feng-mian, Thése de Doctorat, Université de Paris IV, 1986<br />

Xu Bing, New York, installations, prints, peformances: Feng Boyi, ‘Dangdai xitong chule shenme wenti, xishujia<br />

Xu Bing fangtanlu’, Dongfang, no.5, 1996; Feng Boyi, Xu Bing, ‘Dangdai Yishu xitong de kunjing’, Meishu<br />

Yanjiu, 1, 1997; Lee, Benjamin, ‘Going public’, Public Culture, no.5, 1993; Smith, Karen, ‘Xu Bing de xinzuo,<br />

“Wenhua Dongwu” ‘, Xiongshi Meishu no.285, 1994 [and interview]; Stone, Charles, ‘Xu Bing and the<br />

printed Word’, Public Culture, vol.13, no.6, 1994; Yao Soucho, ‘Books from Heaven: Literaryu Pleasure,<br />

Chinese Cultural text and the “Struggle Against Forgetting” ‘, Australian Journal <strong>of</strong> Anthropology, vol.8, no.2,<br />

1997; Zhang Zhaohui, Cultural Metamorphosis: <strong>The</strong> Art <strong>of</strong> Xu Bing and Cai Guoqiang, unpublished MA in<br />

Curatorial Studies <strong>The</strong>sis, Bard College, 1998; Zhang Zhaohui, ‘Tiandi zhi ji: Cai Guoqiang yu Xu Bing<br />

Suoshi biye zhanlan jihua shuomingshu’, Jiangsu Huakan, 2, 1999; Davidson, Christina., ‘Words from<br />

Heaven’, Art & Asia Pacific, vol.1, no.2, 1994; Xu Bing, ‘“Yangzhu” wenda’, Hongqi. no.1, 1994, p.87, text<br />

dated 1994.5; Chen Yide, ‘My opinion to the “Book from Heaven” ‘, Meishu 12-1990; Zhongguo meishubao,<br />

no.173, 14.11.1986; Xu Bing, Zhongguo Meishubao, no.201, <strong>of</strong> 29.5.1989; Xu Bing, ‘Gu Yuan de yiyi’, Tianya,<br />

1, 1997; Erickson, Britta, <strong>The</strong> art <strong>of</strong> Xu Bing : words without meaning, meaning without words Washington, D.C. :<br />

Arthur M. Sackler Gallery, Smithsonian Institution ; Seattle: <strong>University</strong> <strong>of</strong> Washington Press, 2001; Babel :<br />

contemporary art and the journeys <strong>of</strong> communication, Birmingham: Ikon Gallery, 1999; Wu Hong, Transience :<br />

Chinese experimental art at the end <strong>of</strong> the twentieth century, Chicago : <strong>The</strong> David and Alfred Smart Museum <strong>of</strong><br />

Art <strong>The</strong> <strong>University</strong> <strong>of</strong> Chicago, 1999; Yang, Alice, (edited by Jonathan Hay and Mimi Young ) Why Asia? :<br />

contemporary Asian and Asian American art, New York <strong>University</strong> Press, 1998; review, Art AsiaPacific, 22,<br />

1999; Jin, Matsuura and Masae, Kamachi, <strong>The</strong> 1 st Fukuoka Asian Art Triennale 1999 [<strong>The</strong> 5 th Asian Art Show]:<br />

Document <strong>of</strong> Art Exchange Programme, Fukuoka: Fukuoka Asian Art Museum, 1999; Goodman, Jonathon, ‘Xu<br />

Bing: Cultural Translator’, Art AsiaPacific, no.35, 2002; ‘Views on Contemporary Chinese Art’, Yishu, vol.1,<br />

no.1, 2002; Borysevicz, Mathieu, ‘Xu Bing at the Sackler’, Art in America, Vol. 90, Issue 9, September 2002<br />

Xu Jiang: ‘Views on Contemporary Chinese Art’, Yishu, vol.1, no.1, 2002<br />

Xu Shaoyan, Hebei, oil painter; Ma Qinzhong, ‘Zhongmozhe tudide jinmai’, Yishujie, 11/12-1998<br />

Xue Song, Shanghai, painter & mixed media artist: Zhu Qi, ‘Xue Song: yichie zhi shi yingxiang he inshuapin’,<br />

Yishujie, 9/10-1998.<br />

Yan Peiming, Dijon, oil painter and sculptor: Besson, Christian, Yan Peiming, Paris, Éditions Hazan, 1999.<br />

Yan Wenliao, deceased, oil painter: Fei Yifu, ‘Yan Wenliang de youhua jifa’, Xinmeishu, no.2, 1981: Jin Ye, ‘Yanlao<br />

Fuzi’, Xinmeishu, no.2, 1981<br />

Yang Chunlin, Beijing, sculptor: Yin Ying, ‘98 Yang Chunlin:Shengcun yu Liebian, Beijing, Zhongyang meishu<br />

Xuanyuan Hualang, 1998.<br />

Yang Feiyun, Beijing, academic oil painter: Deng Pingxiang et al, Yang Feiyun, Macao, Century Publishing, 1996<br />

Yang Jiechang, Paris, painter, installation artist: Yang Jiechang, Another turn <strong>of</strong> the screw, Beijing, Zhongyang Meishu<br />

Xueyuan Hualang, 1999; Yang Jiechang, Dong Cunrui, Taibei, Chengpin Gallery, 1999; Yang Jiechang: double<br />

vue, Paris, Galerie Jeanne-Bucher, 2001<br />

Yang Yong, Heartney, Eleanor, ‘Yang Yong at Goedhuis Contemporaray at the Annex’ (Review) in Art in America<br />

(June/July 2004), pp. 172

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