208 Other <strong>The</strong>ories and Histories [duplicates some sections above] Augé, Marc, Non-places: introduction to an anthropology <strong>of</strong> supermodernity [1992, translated by John Howe] (London: Verso, 1994) Bal, Mieke, Double Exposures: <strong>The</strong> Subject <strong>of</strong> Cultural Analysis, Routledge, New York, 1996. Bateson, Gregory, Steps to an Ecology <strong>of</strong> Mind, New York, Ballantine Books, 1972 Baudrillard, Jean 1983 ‘<strong>The</strong> Precession <strong>of</strong> Simulacra’, Simulations, Semiotexte, Columbia <strong>University</strong> Press, New York. Baudrillard, Jean, <strong>The</strong> Conspiracy <strong>of</strong> Art (tr, Hodges, Anne), New York, Semiotext(e), 2005. Belting Hans, <strong>The</strong> End <strong>of</strong> the History <strong>of</strong> Art, (tr. Wood, Christopher S.), Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 1987 Bourdieu Pierre, La distinction:critique sociale du jugement, Paris. Les Éditions de Minuit, 1979. Bourdieu, Pierre, Outline <strong>of</strong> a <strong>The</strong>ory <strong>of</strong> Practice, [tr.Richard Nice], Cambridge, Cambridge <strong>University</strong> Press, 1977 Bourdieu, Pierre, <strong>The</strong> Field <strong>of</strong> Cultural Production, [ed.and tr. Johnson, Randal], Cambridge, Polity Press, 1993, 2000 Bourriaud, Nicolas, Postproduction, New York, Lukas & Sternberg, 2002, 2 nd edition 2005 Bourriaud, Nicolas, Relational Aesthetics, (1998) [tr. Pleasance Simon; Woods, Fronza; with Copeland, Mathieu], Dijon, les presses du réel, 2002 Burkhardt, Jacob, <strong>The</strong> Civilization <strong>of</strong> the Renaissance in Italy,(1860) [tr. Middlemore, S.G.C.] London, Phaidon, 1951 Castells, Manuel, ‘Informationalism, networks, and the network society: a theoretical blueprint’, in Castell,s M., ed., <strong>The</strong> Network Society: a cross-cultural perspective¸ Cheltenham, Edward Elgar, 2004. Eagleton, Terry, <strong>The</strong> Ideology <strong>of</strong> the Aesthetic, Oxford, Blackwell, 1990, 2000 Foster, Hal ; Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, Art since 1900: modernism, antimodernism, postmodernism, London, Thames & Hudson, 2004 [See reviews by Clark in Yishu: Journal <strong>of</strong> Contemporary Chinese Art , no.15, December 2005, and McNeil David, ] Guillory, John, ‘Canon’ in Lentricchia, Frank; McLaughlin, Thomas, Critical Terms for Literary Study, Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 1990. Habermas, Jürgen <strong>The</strong> <strong>The</strong>ory <strong>of</strong> Communicative Action, 2 vols, [tr. Thomas McCarthy], London, Heinemann, 1984 Heidegger, Martin , ‘<strong>The</strong> Age <strong>of</strong> the World Picture’, <strong>The</strong> Question Concerning Technology and Other Essays, trans. W. Lovitt, Harper, New York, 1977. Heinich, Nathalie, Le triple jeu de l’art contemporain, Paris, Les Éditions de Minuit, 1998; [summary in Schaeffer, Jean-Marie: Think Art, Rotterdam, Witte de With, 1998] Holmes, Brian, ‘Maps, Global Solidarities’, Paris, Piet Zwart Institute, 2003 [from pzwart.wdka.hro.nl] Homes, Brian, ‘Flowmaps, the imaginaries <strong>of</strong> global integration’, Paris, Piet Zwart Institute, 2003 Sakai, Naoki ‘‘You Asians’: On the Historical Role <strong>of</strong> the West and Asia Binary’, <strong>The</strong> South Atlantic Quarterly, vol. 99, no.4, 2001, 789-817. Sakai, Naoki ‘Modernity and Its Critique: <strong>The</strong> Problem <strong>of</strong> Universalism and Particularism’ in M. Miyoshi and H.D. Harootunian eds. Postmodernism and Japan, Duke <strong>University</strong> Press, Durham and London, 1989. Biennales and Triennales by Site [only lists material available to John Clark] Beijing: 2003 <strong>The</strong> First Beijing International Art Biennale, China 2003, Promotional Brochure, Beijing International Art Biennale Office <strong>The</strong> Conference <strong>of</strong> the First Beijing International Art Biennale, China 2003 – Originality: Contemporaneity and Locality, Handbook, Beijing International Art Biennale Office, 2003 2005 <strong>The</strong> Second Beijing International Art Biennale, China 2005, Promotional Booklet, Beijing International Art Biennale Office, 2005 Brisbane: Asia-Pacific Triennial <strong>of</strong> Contemporary Art [APT] Overall Marravillas, Francis, ‘Cartographies <strong>of</strong> the Future: <strong>The</strong> Asia-Pacific Triennials and the Curatorial Imaginary’, Cartographies <strong>of</strong> the Future: <strong>The</strong> Asia-Pacific Triennials and the Curatorial Imaginary’ paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia Research Institute, National <strong>University</strong> <strong>of</strong> Singapore, Singapore, 19-22 February 2004, revised version in John Clark, Maurizio Peleggi and T.K. Sabapathy, eds., Eye <strong>of</strong> the beholder, <strong>Sydney</strong>, Wild Peony, 2006
209 Turner, Caroline, ‘Cross-Cultural Engagements in Asian Art: <strong>The</strong> Fukuoka Triennale and the Asia-Pacific Triennial’ paper presented at the Our Modernities: Positioning Asian Art Now Conference, Asia Research Institute, National <strong>University</strong> <strong>of</strong> Singapore, Singapore, 19-22 February 2004, revised version in John Clark, Maurizio Peleggi and T.K. Sabapathy, eds., Eye <strong>of</strong> the beholder, <strong>Sydney</strong>, Wild Peony, 2006 APT I 1993 [reviews and articles] Artlink, 13, 3 & 4, November-March 1993/95; Art Monthly Australia 65, November 1993; Asian Art News, vol.3, no.6, November-December 1993; Britton, Stephanie, ‘Review <strong>of</strong> the Conference Identity Tradition and Change: Contemporary Art <strong>of</strong> the Asia Pacific Region’, Artlink, Vol. 13, No.3&4, November-March 1993/94, correspondence: Art Monthly Australia, no.67, March 1994; no.68, April 1994, Ewington, J., ‘Identity, Tradition & Change: Photography at the Asia-Pacific Triennale, Phot<strong>of</strong>ile, 40, 1994; Ewington, J., Nguyen Quan, Torres, E. in Art & Asia Pacific, vol.1, no.2, 1994; Gallagher, Jane, , An analysis <strong>of</strong> critical categories operant in the Asia-Pacific Triennale, B.A. Unpublished Honours <strong>The</strong>sis, Power Department <strong>of</strong> Fine Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong>1994; Hall, Doug, Queensland Asia Pacific Triennial Bulletin, vol. 1 no.2, 1992 . H<strong>of</strong>fie, P., ‘1993 Asia Pacific Triennial’, Art & Asia Pacific, supplement to Art & Australia, September 1993; Hogan, J., ed., <strong>The</strong> First Asia-Pacific Triennal <strong>of</strong> Contemporary Art, Brisbane, Queensland Art Gallery, 1993. Mendelssohn, Joanna, ‘Review: First Asia-Pacific Triennial <strong>of</strong> Contemporary Art, Queeensland Art Gallery’, Artlink, Vol. 13, No.3&4, November-March 1993/94; Roces, Marion Pastor, ‘A certain critical mass’, Art Monthly Australia, , no. 63, Nov 1993; Turner, C., ed., Tradition and Change, Contemporary Art <strong>of</strong> Asia and the Pacific, Brisbane, <strong>University</strong> <strong>of</strong> Queensland Press, 1993. Turner, Caroline, ‘Introduction – From Extraregionalism to Intraregionalism’, in <strong>The</strong> First Asia Pacific Triennial <strong>of</strong> Contemporary Art, exhibition catalogue, Queensland Art Gallery, Brisbane, 1993. Wallace, Linda, ‘<strong>The</strong> Asia-Pacific Triennial <strong>of</strong> Contemporary Art’, Review, Art & Text 47, January 1994; Williamson, Claire, ‘Remapping the Asia-Pacific’, Art Monthly Australia, no.65, Nov 1993; APT II 1996 Clark, J. & Gutman, P., ‘<strong>The</strong> Second Asia-Pacific Triennial <strong>of</strong> Cotemporary Art: A Conversation’, Eyeline, no.32, 21-23 Ewington, Lee, Ushiroshoji, Losche in ART AsiaPacific, no.15, 1997 Flores, Mehta, Kent, in Eyeline: contemporary visual arts, no.32, summer 1996; Gibson in Flash Art, Jan- Feb 1997; McDonald, J. <strong>Sydney</strong> Morning Herald, 5th October 1996; Mendelsohn, Hall & McCulloch, Thomas, Turner, Howard, McCulloch, in Asian Art News, vol.7, no.1, Jan/Feb 1997; Stein in Art in America, June 1997; Turner, C. & Devenport, Rhana, [catalog] <strong>The</strong> Second Asia-Pacific Triennale <strong>of</strong> Contemporary Art, Brisbane, Queensland Art Gallery, 1996 Turner, C. & Devenport, Rhana, [Explanatory pull-out] in ART AsiaPacific, no.13, 1997; Clark, John 1996 ‘<strong>The</strong> Second Asia-Pacific Triennial <strong>of</strong> Cotemporary Art: A Conversation’, Eyeline, no.32, 21-23.Turner, C., Devenport, R. eds., Present Encounters: papers from the conference <strong>of</strong> the Second Asia-Pacific Triennale <strong>of</strong> Contemporary Art, Brisbane, Queensland Art Gallery & Griffith <strong>University</strong>, 1996; APT III 1999 Artlink, Vol. 20, No. 2, July 2000, Special Issue, ‘the long stare: seeing contemporary asian art now’; Carroli, Linda, ‘A virtual region’, Art AsiaPacific, 27, 2000; Chiu, Melissa, ‘Duplicitous Dialogue’, Art AsiaPacific, 27, 2000; Clark, John ‘Panel Report on Commodification/Patronage/Censorship’ in C. Turner and M. Low eds. Beyond the Future, Conference Proceedings, <strong>The</strong> Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art, Brisbane, Queensland, 2000. Dale, Robert 1999/2000 ‘Reviews: <strong>The</strong> Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art’, Eyeline, no.41. Fink, Hannah, ‘Fizzle’, Art AsiaPacific, 27, 2000; Jackson, Beth, ‘Improbable Architectures’, Art AsiaPacific, 27, 2000; Foley, Matt 1999 Ministerial Statement, Queensland Parliamentary Hansard, 26 August 1999. Gibson, Jeff, ‘Third Asia-Pacific Triennial <strong>of</strong> Contemporary Art’, Artforum International, Vol.38, Issue 5, January 2000; Green, Charles, ‘Beyond the Future: <strong>The</strong> Third Asia-Pacific Triennial’, Art Journal, vol. 58, no. 4, 1999, 81-87.
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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151 Nyen, Ho Tzu, ‘Lee Wen: “St
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153 [Feleo, Roberto] Guillermo, Ali
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155 Foundation Asia Center, 2002; F
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