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A Working Bibliography - The University of Sydney

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208<br />

Other <strong>The</strong>ories and Histories [duplicates some sections above]<br />

Augé, Marc, Non-places: introduction to an anthropology <strong>of</strong> supermodernity [1992, translated by John Howe] (London:<br />

Verso, 1994)<br />

Bal, Mieke, Double Exposures: <strong>The</strong> Subject <strong>of</strong> Cultural Analysis, Routledge, New York, 1996.<br />

Bateson, Gregory, Steps to an Ecology <strong>of</strong> Mind, New York, Ballantine Books, 1972<br />

Baudrillard, Jean 1983 ‘<strong>The</strong> Precession <strong>of</strong> Simulacra’, Simulations, Semiotexte, Columbia <strong>University</strong> Press, New<br />

York.<br />

Baudrillard, Jean, <strong>The</strong> Conspiracy <strong>of</strong> Art (tr, Hodges, Anne), New York, Semiotext(e), 2005.<br />

Belting Hans, <strong>The</strong> End <strong>of</strong> the History <strong>of</strong> Art, (tr. Wood, Christopher S.), Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 1987<br />

Bourdieu Pierre, La distinction:critique sociale du jugement, Paris. Les Éditions de Minuit, 1979.<br />

Bourdieu, Pierre, Outline <strong>of</strong> a <strong>The</strong>ory <strong>of</strong> Practice, [tr.Richard Nice], Cambridge, Cambridge <strong>University</strong> Press, 1977<br />

Bourdieu, Pierre, <strong>The</strong> Field <strong>of</strong> Cultural Production, [ed.and tr. Johnson, Randal], Cambridge, Polity Press, 1993, 2000<br />

Bourriaud, Nicolas, Postproduction, New York, Lukas & Sternberg, 2002, 2 nd edition 2005<br />

Bourriaud, Nicolas, Relational Aesthetics, (1998) [tr. Pleasance Simon; Woods, Fronza; with Copeland, Mathieu],<br />

Dijon, les presses du réel, 2002<br />

Burkhardt, Jacob, <strong>The</strong> Civilization <strong>of</strong> the Renaissance in Italy,(1860) [tr. Middlemore, S.G.C.] London, Phaidon, 1951<br />

Castells, Manuel, ‘Informationalism, networks, and the network society: a theoretical blueprint’, in Castell,s M.,<br />

ed., <strong>The</strong> Network Society: a cross-cultural perspective¸ Cheltenham, Edward Elgar, 2004.<br />

Eagleton, Terry, <strong>The</strong> Ideology <strong>of</strong> the Aesthetic, Oxford, Blackwell, 1990, 2000<br />

Foster, Hal ; Rosalind Krauss, Yve-Alain Bois, Benjamin H.D. Buchloh, Art since 1900: modernism, antimodernism,<br />

postmodernism, London, Thames & Hudson, 2004 [See reviews by Clark in Yishu: Journal <strong>of</strong> Contemporary<br />

Chinese Art , no.15, December 2005, and McNeil David, ]<br />

Guillory, John, ‘Canon’ in Lentricchia, Frank; McLaughlin, Thomas, Critical Terms for Literary Study, Chicago,<br />

<strong>University</strong> <strong>of</strong> Chicago Press, 1990.<br />

Habermas, Jürgen <strong>The</strong> <strong>The</strong>ory <strong>of</strong> Communicative Action, 2 vols, [tr. Thomas McCarthy], London, Heinemann, 1984<br />

Heidegger, Martin , ‘<strong>The</strong> Age <strong>of</strong> the World Picture’, <strong>The</strong> Question Concerning Technology and Other Essays, trans. W.<br />

Lovitt, Harper, New York, 1977.<br />

Heinich, Nathalie, Le triple jeu de l’art contemporain, Paris, Les Éditions de Minuit, 1998; [summary in Schaeffer,<br />

Jean-Marie: Think Art, Rotterdam, Witte de With, 1998]<br />

Holmes, Brian, ‘Maps, Global Solidarities’, Paris, Piet Zwart Institute, 2003 [from pzwart.wdka.hro.nl]<br />

Homes, Brian, ‘Flowmaps, the imaginaries <strong>of</strong> global integration’, Paris, Piet Zwart Institute, 2003<br />

Sakai, Naoki ‘‘You Asians’: On the Historical Role <strong>of</strong> the West and Asia Binary’, <strong>The</strong> South Atlantic Quarterly, vol.<br />

99, no.4, 2001, 789-817.<br />

Sakai, Naoki ‘Modernity and Its Critique: <strong>The</strong> Problem <strong>of</strong> Universalism and Particularism’ in M. Miyoshi and<br />

H.D. Harootunian eds. Postmodernism and Japan, Duke <strong>University</strong> Press, Durham and London, 1989.<br />

Biennales and Triennales by Site [only lists material available to John Clark]<br />

Beijing:<br />

2003<br />

<strong>The</strong> First Beijing International Art Biennale, China 2003, Promotional Brochure, Beijing International Art Biennale<br />

Office<br />

<strong>The</strong> Conference <strong>of</strong> the First Beijing International Art Biennale, China 2003 – Originality: Contemporaneity and Locality,<br />

Handbook, Beijing International Art Biennale Office, 2003<br />

2005<br />

<strong>The</strong> Second Beijing International Art Biennale, China 2005, Promotional Booklet, Beijing International Art Biennale<br />

Office, 2005<br />

Brisbane: Asia-Pacific Triennial <strong>of</strong> Contemporary Art [APT]<br />

Overall<br />

Marravillas, Francis, ‘Cartographies <strong>of</strong> the Future: <strong>The</strong> Asia-Pacific Triennials and the Curatorial Imaginary’,<br />

Cartographies <strong>of</strong> the Future: <strong>The</strong> Asia-Pacific Triennials and the Curatorial Imaginary’ paper presented at<br />

the Our Modernities: Positioning Asian Art Now Conference, Asia Research Institute, National <strong>University</strong> <strong>of</strong><br />

Singapore, Singapore, 19-22 February 2004, revised version in John Clark, Maurizio Peleggi and T.K.<br />

Sabapathy, eds., Eye <strong>of</strong> the beholder, <strong>Sydney</strong>, Wild Peony, 2006

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