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A Working Bibliography - The University of Sydney

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206<br />

Singer, Leslie P., ‘Rivalry and externalities in secondary art markets’, Journal <strong>of</strong> Cultural Economics, vol. V, no.2, June<br />

1981<br />

Singer, Leslie P., ‘Microeconomics <strong>of</strong> the art market’, Journal <strong>of</strong> Cultural Economics, vol. II, no.2, 1978<br />

Skinner, Sarah J., ‘Estimating the real growth effects <strong>of</strong> blockbuster art exhibits: a time series approach’, Journal <strong>of</strong><br />

Cultural economics, no.30, 2006, p.109-125.<br />

Swedburg, Richard, ‘<strong>The</strong> cultural entrepreneur and the creative industries’, Journal <strong>of</strong> Cultural Economics, 13 October<br />

2006 online [sociological additions to Caves 2000, above]<br />

Throsby, ‘An artistic production function: theory and an application to Australian visual artists’, Journal <strong>of</strong> Cultural<br />

Economics, 30, 2006.<br />

Throsby, David, ‘Determining the value <strong>of</strong> cultural goods: how much (or how little) does contingent value tell<br />

us?’, Journal <strong>of</strong> Cultural Economics, 27, 2003<br />

Throsby, David, Economics and Culture¸ Cambridge, Cambridge <strong>University</strong> Press, 2001 [review by Dimaggio Paul,<br />

in Journal <strong>of</strong> Cultural Economics, vol.27, 2003]<br />

Throsby, David, ‘Economic and Cultural Value in the work <strong>of</strong> creative artists’, in Avrami, Erica, ; Mason, Randall,<br />

de la Torre, Marta, Values and Heritage Conservation, Los Angeles, <strong>The</strong> Getty Conservation Instuitute, 2000.<br />

Van den Bosch, Annette, <strong>The</strong> Australian Art World: Aesthetics in a global market, <strong>Sydney</strong>, Allen & Unwin, 2005<br />

Velthuis, Olav: Talking Prices : Symbolic Meanings <strong>of</strong> Prices on the Market for Contemporary Art, Princeton, Princeton<br />

<strong>University</strong> Press, 2005. [review by Valsan, Calin, <strong>The</strong> Journal <strong>of</strong> Cultural Economics, vol.30, 2006]<br />

Velthuis, Olav, Imaginary Economics: contemporary artists and the world <strong>of</strong> big money, Rotterdam, NAi Publishers, 2005.<br />

Wijnberg, Nachoem M., in Journal <strong>of</strong> Cultural Economics vol.30, 2006, review <strong>of</strong> English, James F., <strong>The</strong> Econnomy <strong>of</strong><br />

prestige: Prizes, Awards, and the circulation <strong>of</strong> cultural value, Cambridge, Mass., Harvard <strong>University</strong> Press, 2005.<br />

Wu, Chin-tao, Privatising Culture: corporate art intervention since the 1980s, London, Verso, 2002.<br />

Art Dealers<br />

Beckmann, Michael, ‘Art auctions and bidding rings: empirical evidence from German auction data’, Journal <strong>of</strong><br />

Cultural Economics, no 28, 2004, 125-141.<br />

De Coppet, Laura; Jones, Alan, <strong>The</strong> Art Dealers: the powers behind the scene talk about the business <strong>of</strong> art, New York,<br />

Clarkson N. Potter, 1984.<br />

Goldstein, Malcom, Landscape with Figures: a history <strong>of</strong> art dealing in the United States, Oxford, Oxford <strong>University</strong><br />

Press, 2000.<br />

Jensen, Robert, Marketing Modernism in Fin-de-Siècle Europe, Princeton, Princeton <strong>University</strong> Press, 1994<br />

Marquis, Alice Goldfarb, <strong>The</strong> art biz : the covert world <strong>of</strong> collectors, dealers, auction houses, museums, and critics, Chicago,<br />

Contemporary Books, 1991<br />

Moulin, Raymonde; Quemin, Alain, ‘La Certification de la valeur de l’art: experts et expertises’, Annales ESC,<br />

novembre-décembre¸1993, no.6.<br />

Secrest, Meryle, Duveen: A life in Art, Chicago, <strong>University</strong> <strong>of</strong> Chicago Press, 2004<br />

Simpson, Colin, Artful partners, <strong>The</strong> partnership: the secret association <strong>of</strong> Bernard Berenson and Joseph Duveen, London,<br />

Bodley Head, 1987.<br />

Paas, Martha White, review <strong>of</strong> Goldstein Malcom, Landscape with figures, a history <strong>of</strong> art dealing in the United States,<br />

Oxford, Oxford, <strong>University</strong> Press, 2000 in Journal <strong>of</strong> Cultural Economics, Aug 2002. Vol. 26, Iss. 3.<br />

‘<strong>The</strong> Top Ten’ [Collectors] as <strong>of</strong> 02/12/2002] at www.telegraph.co.uk<br />

White, Harrison C. & Cynthia A., Canvases and Careers: institutional change in the French painting world, New York, John<br />

Wiley & Sons, 1965.<br />

Cultures and Commodities<br />

Clunas, Craig, ‘Modernity Global and local: Consumption and the Rise <strong>of</strong> the West’, American Historical Reivew,<br />

December 1999<br />

De Marchi, Neil, Review <strong>of</strong> Phillips & Steiner, eds, Unpacking Culture: Art and Commodity in Colonial and Post-Colonial<br />

worlds, Berkeley, <strong>University</strong> <strong>of</strong> California Press, 1999 in <strong>The</strong> Journal <strong>of</strong> Cultural Economics, Aug 2002, Vol. 26,<br />

no. 3<br />

Mitchell, W.J.T., ‘Gombrich and the Rise <strong>of</strong> Landscape’, in Bermingham, Ann; Brewer, John, eds., <strong>The</strong><br />

Consumption <strong>of</strong> culture 1600-1800: Image, Object, Text, London, Routledge, 1995.<br />

Hybridity, Post-coloniality and Globalization [duplicates some sections above]<br />

Appadurai, Arjun ‘Introduction: Commodities and the Politics <strong>of</strong> Value’ in A. Appadurai ed. <strong>The</strong> Social Life <strong>of</strong><br />

Things: Commodities in Cultural Perspective, Cambridge <strong>University</strong> Press, Cambridge, 1986.

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