A Working Bibliography - The University of Sydney

205
Rugoff, Ralph, ‘Rules of the Game’, frieze, 44, January-February, 1999Smith Terry, ‘Biennales in the conditions of
contemporaneity’, Art and Australia, vol.42, no.4, Autumn 2005.
Smith, Terry, What is contemporary art? Contemporary Art, Contemporaneity and art to come, Sydney, Artspace Visual Art
Centre, 2001
Stallabrass, Julian, art Incorporated: the story of contemporary art, Oxford, Oxford University Press, 2004
Tama Bijutsudaigaku Geijutsugakuka Tatehatazemi Shimpojiumu kikaku, Isozaki Akira, Okabe Aomi, Kitagawa
Furamu, Nanjô Fumio, Hasegawa Yûko, Yokohama Kaigi 2004: Naze Kokusaiten ka?, Yokohama,
BankART1929, 2005
Zabel, Igor, ‘What our village needs now….Biennial localisation factors, Biennials in Dialogue conference, Kassel,
Documenta Halle, August, 2000
Art, Markets, and the Economy
Abbing, Hans, Why are artists poor? The exceptional economy of the arts, Amsterdam, Amsterdam University Press,
2002, 2004.
Baudrillard, Jean, For a critique of the political economy of the sign¸ [tr. Levin, Charles], New York, Telos Press, 1981.
[see the chapter: ‘The Art Auction: sign exchange and sumptuary value].
Burn, Ian, ‘The art market: affluence and degradation’, Artforum, April 1975; Harrison, Charles & Wood, Paul, ed.,
Art in Theory, 1900-1990: an anthology of changing ideas, Oxford, Blackwell, 1992.
Caves, Richard E., Creative Industries: contracts between art and commerce, Cambridge, Harvard University Press, 2000.
‘China is the world’s second largest exporter of art’, The Art Newspaper, XX, 66, February 2006.
‘Christie’s going going to China to hold auctions’, New York Times, 20 October 2005
De Monthoux, Pierre Guillet, The Art Firm: aesthetic management and metaphysical marketing, Stanford, Stanford
Business Books, 2004.
Galenson, David W., Artistic Capital, New York & London, Routledge, 2006.
Ginsburg, Victor; Weyers, Sheila, ‘Creativity and the life cycles of artists’, Journal of Cultural Economics, 30, 2006
Greffe, Xavier, Arts and Artists from an Economic perspective, Paris, Economica/UNESCO, 2002. [review Snatagata,
Walter, Journal of Cultural economics, Aug 2004. Vol. 28, Iss. 3]
Guillet De Monthoux, P., The Art Firm: Aesthetic Management and Metaphysical Marketing, Palo Alto, Stanford
University Press, 2004.
Linde, Rohr-Bongrad, et al, Kunst=Kapital, Der Capital Kunstkompass von 1970 bis heute, Köln, Salon Verlag, 2001
McCain, Roger, A., ‘Markets for works of art and “Markets for lemons” ’,in Hendon William S., Shanahan, James
L, McDonald, Alice J., Economic Policy for the Arts¸ Cambridge, Mass., Abt Books, 1980.
Moulin, Raymonde, Le Marché de l’art: mondialisation et nouvelles technologies, Paris, Flammarion, 2000.
Moulin, Raymonde, L’artiste, l’institution et le marché, Paris, Flammarion, 1997.
Moulin, Raymond; Quemin, Alain, ‘La certification de la valeur de l’art, Experts et expertises’, Annales, vol. 48, no.
6, Novembre-Décembre, 1993.
Napack, Joanathan, ‘An Art Market with Chinese characteristics’, Asian Art Archive newsletter, May 2006.
Quemin, Alain, ‘Globalization and mixing in the visual arts’, International Sociology, vol.21 (4), July 2006.
Quemin, Alain, L’art contemporain international: entre les institutions et le marché (Le rapport disparu) Nîmes, Éditions
Jacqueline Chambon/Artprice, 2002
Quemin, Alain, ‘L’art contemporain international à l’heure de la «globalisation». La place de la France dans le
concert des nations’, Pratiques: Réflexions sur l’art, no.12, Printemps 2002.
Quemin, Alain, Le rôle des pays prescripteurs sur le marché et dans le monde de l’art contemporain, Paris, Ministère des
Affaires Étrangères, 2001.
Rifkin, Jeremy, The Age of Access: The new culture of hypercapitalism where all of life is a paid-for experience, New York,
Jeremy P. Tarcher/Putnam, 2000.
Ruccio, D, Graham, J. Amariglio, J., ‘ “ The Good, the Bad and the Different”: Reflections on Economic and
Aesthetic Value’, in: Klamer, Arjo, (ed) The Value of Culture: On the Relationship between Economics and Arts,
Amsterdam, Amsterdam University Press, 1997.
Schuster, J. Mark, review of Wu Chin-tao, Privatising Culture: corporate art intervention since the 1980s, London, Verso,
2002, in Journal of Cultural Economics, 7, 2003.
Shell, Marc, Art & Money, Chicago, University of Chicago Press, 1995.
Simmel, Georg, on ‘Money and Commodity Culture’, in Frisby, David; Featherstone, Mike, Simmel on Culture¸
London, Sage Publications, 1997
Singer, Leslie P., ‘Phenomenology and economics of art markets: an art historical perspective’, Journal of Cultural
Economics, vol. XII, no.1, June 1988.