09.02.2013 Views

A Working Bibliography - The University of Sydney

A Working Bibliography - The University of Sydney

A Working Bibliography - The University of Sydney

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

204<br />

Kantor, Sybil Gordon, Alfred H. Barr Jr. and the intellectual origins <strong>of</strong> the Museum <strong>of</strong> Modern Art, Cambridge, Mass.,<br />

<strong>The</strong> MIT Press, 2002<br />

Kuoni, Carin, ed., Words <strong>of</strong> Wisdom, a curator’s vade mecum on Contemporary Art, New York, Independent Curators<br />

International, 2001<br />

Linde, Rohr-Bongrad, et al, Kunst=Kapital, Der Capital Kunstkompass von 1970 bis heute, Köln, Salon Verlag, 2001<br />

Marquis, Alice Goldfarb, Alfred H. Barr, Jr., Missionary for the Modern, Chicago, Contemporary Books, 1989<br />

Misiano, Viktor, ‘ “Zones <strong>of</strong> Contact”: from “confidential zones” to “operational zones” ’ in Macdonald, Ewan &<br />

Parker, Luke editors, 2006 Biennale <strong>of</strong> <strong>Sydney</strong>: Zones <strong>of</strong> Contact, <strong>Sydney</strong>, Biennale <strong>of</strong> <strong>Sydney</strong>, 2006.<br />

Mosquera, Gerardo, ‘On art, politics and the millennium in Latin America’, in Chambert, C., ed., Strategies for<br />

Survival – now!, Paris, AICA Press, 1995<br />

Müller, Hans Joachim, Harald Szeemann: Exhibiton-Maker {Translated by Kais, Leila}, Ostfildern-Ruit, Hatje Cantz<br />

Verlag, 2006<br />

O’ Doherty, Brian, Inside the White Cube: the ideology <strong>of</strong> the Gallery Space, Berkeley, <strong>University</strong> <strong>of</strong> California Press,<br />

expanded edition 1986.<br />

Ramírez, Mari Carmen, ‘Constellations: Toward a Radical Questioning <strong>of</strong> Dominant Curatorial Models’, Art<br />

Journal, Spring, 2000. See also her ‘Brokering Identities’ in R. Greenberg, B.W. Ferguson, S. Nairne eds.<br />

Thinking about Exhibitions, Routledge, London and New York, 1996.<br />

Rojek, Chris, Celebrity, London: Reaktion Books, 2001.<br />

Schöllhammer, Georg, ‘documenta 12 magazines’ in Ctrl+Pdf; Journal <strong>of</strong> Contemporary Art issue no., 3, November<br />

2006.<br />

Sibaya, Judy Freya, ‘A note from the editor’, Ctrl+Pdf; Journal <strong>of</strong> Contemporary Art issue no., 3, November<br />

2006.p.19-20<br />

<strong>The</strong>a, Carolee, foci; interviews with ten international curators, New York, apexart curatorial program, 2001<br />

Tucker, Marcia, ‘Become a great curator in six simple steps!’, in Kuoni, Carin, ed., Words <strong>of</strong> Wisdom, a curator’s vade<br />

mecum on Contemporary Art, New York, Independent Curators International, 2001.<br />

Walker, John, Art and celebrity, London, Pluto Press, 2003.<br />

Biennales in Art Exhibition Systems<br />

Blok, René; Glaser, Martin, et al, Das Lied von der Erde / <strong>The</strong> Song <strong>of</strong> the Earth, Kassel, Museum Fridericianum,<br />

2000 [a survey with texts on these Biennales: Havana, Istanbul, Johannesburg, Kwangju/Gwangju, Lyon,<br />

Pittsburgh, São Paulo, <strong>Sydney</strong>]<br />

Brenson, Michael, ‘<strong>The</strong> curator’s moment – trends in the field <strong>of</strong> contemporary art exhibitions’, Art Journal,<br />

Winter 1998.<br />

Britton, Stephanie, ‘Biennials <strong>of</strong> the world –myths, facts, and questions’, Artlink, vol.25, no.3, September 2005<br />

Bydler, Charlotte, <strong>The</strong> Global Art Word Inc.: on the globalization <strong>of</strong> contemporary art, Upsala, Acta Universitatis<br />

Upsaliensis, 2004<br />

Clark, John, ‘Contemporary Asian Art and Biennales: the perpetual modern?’, contribution to a Clark Art<br />

Institute conference on new approaches to Asian Art history, April 2007.<br />

Grasskamp, Martin, ‘For example, Documenta, or, how is art history produced?’ in Greenberg, Rebecca; Ferguson,<br />

Bruce W.: Nairne, Sandy, eds., Thinking about Exhibitions, London, Routledge, 1996.<br />

Poinsot, Jean-Marc ‘Large Exhibitions: A sketch <strong>of</strong> typology’ in R. Greenberg, B.W. Ferguson, S. Nairne eds.<br />

Thinking about Exhibitions, Routledge, London and New York, 1996<br />

McEvilley, Thomas, ‘Arrividerci Vencie: the Third World Biennials –reviews <strong>of</strong> Third World international survey<br />

exhibitions’, ArtForum, November 1993.<br />

Meyric Hughes, Henry, ‘<strong>The</strong> History and Significance <strong>of</strong> the Biennale as an instrument <strong>of</strong> Globalization’ in Art<br />

Criticism and Globalisation, Assoçiao Brasiliera de Criticos de Arte, São Paolo, 2006.<br />

Okabe, Oomi, ‘Gendaibijutsu no hen’yô to Bijutsuten’, in Omuka Toshiharu, kenkyû daihyôsha, Kansha, Tenji,<br />

Kanshô, sono juyô no bijutsushi, [Heisei 14 nendo -16 nendo kagaku kenkyûhi hojokin, Kenkyûhôkokusho no.<br />

1430029] Tsukuba, Tsukuba Daigaku Geijutsugakkei, 2001<br />

Osborne, Peter, ‘<strong>The</strong> power <strong>of</strong> assembly –art, world, industry’, in Macdonald, Ewan & Parker, Luke editors, 2006<br />

Biennale <strong>of</strong> <strong>Sydney</strong>: Zones <strong>of</strong> Contact, <strong>Sydney</strong>, Biennale <strong>of</strong> <strong>Sydney</strong>, 2006<br />

Rug<strong>of</strong>f, Ralph, & Rinder, Larry, ‘In Conversation’, at www.stretcher.org/archives;

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!