A Working Bibliography - The University of Sydney

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Kember, Pamela., ‘A Report on the Asian Art Archive’, in FOCAS: Forum on Contemporary Art & Society, No. 5,
January 2003, p.372-377.
Lacayo, Richard, ‘The Rise and Rise of Asian Art’, Time Magazine, March 31 2003
Lee Weng Choy, ‘Tomorrow’s Local Library: The Asia Art Archive in Context’, Yishu: Journal of Contemporary
Chinese Art, vol. 4, no. 4, Dec. 2005.
Mami, Kataoka, ‘Beyond a Progressive Asia: Under Construction Collective Exhibition’, Mami, Kataoka, Under
Construction: New Dimensions of Asian Art, Tokyo: The Japan Foundation Asia Center, 2002
Mania, Astrid, ‘Curation on the Move’, ArtAsiaPacific, no. 47, 2006.
McNeill, David, ‘Planet Art: Aesthetics and Labour in the Era of Globalisation’, Huangfu, Binghui, ed., Site+Sight:
Translating Cultures, Singapore, Lasalle-SIA, 2002.
Munroe, Alaxandra, ‚Contemporary Art in Asia’, Artforum International, Vol.35, Issue 8, April 1997
Pi Li, ‘Fantasia: an imagination towards the daily life’ Mami, Kataoka, Under Construction: New Dimensions of Asian
Art, Tokyo: The Japan Foundation Asia Center, 2002
Robinson, Joel D., ‘The Construction Sites of Asian Art’ (The Exhibition of Under Construction: New Dimensions of
Asian Art, the Japan Foundation Forum and the Opera City Art Gallery, Tokyo, 2003), in Asian Art News,
Vol. 14, No. 1, January/February 2004, p.52-57.
Shinkawa, Takashi, ‘Promenade in Asia, A collaborative exhibition’, Art Asia Pacific, No.34, 2002.
Tavassoli, Babak A., ‘A Fresh Figure of Paradise’, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March
2004, p.95-103.
Thompson, Jonathan, ‘Without Borders’ (Sovereign Art Prize for Asia), Asian Art News, vol. 16, no. 4, 2006.
Woo, Lee Yong, ‘Globalism and the Vanity of Its System’, Yasuko, Furuichi, “Asia in Transition: Representation and
Identity”, Japan Foundation Asia Center, 2002
Yasuko, Furuichi, ed., International Symposium 2002, ‘Asia in Transition: Representation and Identity’, Report,
Japan: Japan Foundation Asia Center, 2002
Xu Jiang., ‘Earth Link and Cosmic Time’, in Yishu: Journal of Contemporary Chinese Art, Vol. 3, No. 1, March 2004,
p.89-94
Curatorial Practice
Aiha, Catherine, ed., Unfolding Perspectives: Three days of Lectures and Discussions at the ARS 01 Exhibition, Helsinki,
KIASMA [Museum of Contemporary Art] & NIFCA [Nordic Institute for Contemporary Art], 2002.
Biggs, Lewis, ‘ “Art, Money, Parties” and Liverpool Biennial’, in Harris, Art Money, Parties, 2004
‘Curators’ Trip to China’, Yishu, May 2002, Spring; [the curators who went in 2000 were Okwui Enwezor,
Suzanne Ghez, Lynne Cooke, Sebastian Lopez, Chris Dercon, Jessica Bradley, Sarat Maharaj.
Accompanied by Annie Wong, Ken Lum, Zheng Shengtian, Richard Yiu, interpreter, Chaos Chen]
Farqhuarson, Alex, ‘I Curate…You Curate…We Curate…’, Art Monthly (UK) no.269, September 2003.
Harris, Jonathan, ed., Art, money, parties¸ new institutions in the political economy of contemporary art, (Tate Liverpool
Critical Forum, Volume 7] Liverpool, Liverpool University Press, 2004.
Heinich Nathalie; Pollak, Michael, ‘From museum curator to exhibition auteur; inventing a singular position’, in
Greenberg, Rebecca; Ferguson, Bruce W.: Nairne, Sandy, eds., Thinking about Exhibitions, London,
Routledge, 1996.
Hiller, Susan; Martin, Sarah, The Producers: Contemporary Curators in Conversation, Newcastle, BALTIC, 2000.
Hou Hanru in Zhu Qi, ‘ “We’ve become true individuals” ’ [November, 2000, tr. Bernell, R.] in Wu Hung, ed.,
Chinese Art at the Crossroads: between past and future, between East and West, Hong Kong, New Art Media 2001
Hou Hanru, ‘Beyond the Chinese’ in Clark, John ed., Chinese art at the end of the millennium, Hong Kong, New Art
Media, 2000
Hou Hanru, Lecture in Symposium to accompany Asian Traffic at University of New South Wales, June 2004,
Hou Hanru, On the Mid-Ground [edited by Yu Hsiao-Hwei], Hong Kong, Timezone 8, 2002.
Jim Alice Ming Wai, ‘Interview with Hou Hanru’, [of January 8 th, 2006], Yishu: Journal of Contemporary Chinese Art,
vol. 5, no.1, March 2006, p.71.
Kamiya Yuki, ‘A potential role of Asian art in the International Art scene: a study of Asian art exhibitions in the
United States and Japan’, in Duksung Women’s University, Alternative Space Loop, Yellow Sea
Publications, The 2 nd ‘In-Between’ International Alternative Space Conference – Globalism and Alternative Spaces,
Seoul, Yellow Sea Publications, 2004