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A Working Bibliography - The University of Sydney

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202<br />

Skinner, Sarah J., ‘Estimating the real growth effects <strong>of</strong> blockbuster art exhibits: a time series approach’, Journal <strong>of</strong><br />

Cultural Economics, 30, 2006.<br />

Smith, Dina: ‘<strong>The</strong> Narrative Limits <strong>of</strong> the Global Guggenheim. Mosaic (Winnipeg) Dec 2002 Vol 35 Issue 4<br />

p85-103<br />

Stanton, Richard, <strong>The</strong> forgotten Olympic art competitions: the story <strong>of</strong> Olympic art competitions <strong>of</strong> the 20 th century, Victoria<br />

[British Columbia], Trafford, 2000.<br />

Turner, C., ‘Getting the Message’ [Review <strong>of</strong> Adelaide Festival Sculpture Installations], Art & Australia, vol.32,<br />

no.1, Spring 1994.<br />

Ward, Martha ‘What’s Important about the History <strong>of</strong> Modern Art Exhibitions?’ in Greenberg, Ferguson &<br />

Nairne 1996, 451 -464.<br />

Walker, John, Art and Celebrity, London, Pluto Press, 2003.<br />

Weiss, Rachel ‘Some Notes on the Agency <strong>of</strong> Exhibitions’, Visual Arts and Culture, volume 2, 2000, 117-127<br />

Williams, Gilda, ed., Fresh Cream, London, Phaidon, 2000<br />

Wu Hung, editor and contributor, Chinese Art at the Crossroads: between past and future, between East and West, Hong<br />

Kong, New Art Media 2001<br />

Yao, Pauline, ‘<strong>The</strong> Second Triennial <strong>of</strong> Chinese Art: History in the Making’, Yishu: Journal <strong>of</strong> Contemporary Chinese<br />

Art, vol.4, no.5, September 2005<br />

Museums, Art Centers and other Art Institutions 2000+<br />

‘Colonialism or Collaboration?: Intercultural Arts Practice and International Arts Organisations’, Forum<br />

Transcript, Focas (Forum on Contemporary Art & Society), no.2, July 2001<br />

Akira, Tatehatata, ‘A Trojan Horse?: Multiculturalism in International Art Exhibitions’, Yasuko, Furuichi, “Asia in<br />

Transition: Representation and Identity”, Japan Foundation Asia Center, 2002<br />

ART AsiaPacific, Issue 37 (2003), Special Issue Asian Art Now: 21 Curators and Critics Pr<strong>of</strong>ile 63 Contemporary<br />

Asian Artists<br />

Asai, Toshihiro et al ed, Promenade in Asia: Cute, Tokyo: Shiseidô/Mito: Art Tower Mito, 2001.<br />

Asia Art Society, http://www.aaa.org.hk/links.html, Links to Online: Resources; Art Organisations;<br />

Atsuo, Yamamoto, ‘From Dualism to Oneness’, Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art,<br />

Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002<br />

Barucha, Rustom, ‘ Beyond the Box: Problematising the New Asian Museum’, Focas (Forum on Contemporary Art &<br />

Society), no.2, July 2001<br />

Bharucha, Rustom., ‘<strong>The</strong> New Asian Museum Beyond the Box: Problematising the New Asian Museum’, in<br />

FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p.223-237.<br />

Benett, Tony, ‘<strong>The</strong> Rules <strong>of</strong> Culture: Exhibition and the Politics <strong>of</strong> Knowledge’, Yasuko, Furuichi, “Asia in<br />

Transition: Representation and Identity”, Japan Foundation Asia Center, 2002<br />

Carroll, Alison, ‘A floating world’, Art AsiaPacific 28, 2001<br />

Chang, Alexandra, ‘<strong>The</strong> Control <strong>of</strong> Fear: Art and the Epidemic as Excess’ in Art Asia Pacific, No. 38 (Fall 2003),<br />

pp. 54-57<br />

Clarke, David, ‘Contemporary Asian Art and Its Western Reception’, Huangfu, Binghui, ed., Site+Sight: Translating<br />

Cultures, Singapore, Lasalle-SIA, 2002.<br />

Eley, Ge<strong>of</strong>f, ‘Politics, Culture and the Public Sphere’, positions east asia cultures critique, Vol. 10, Number 1, Spring<br />

2002<br />

Enwezor, Okwui. and Apinan Poshyananda, ‘Looking Ahead: Dialogues in Asian Contemporary Art, November<br />

8-9, 2002’ (Asia Society and Museum, New York), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2,<br />

June 2003, p.112-121<br />

Findlay, Ian, ‘Looking For A New Vision’, Asian Art News, vol. 13, no. 1, January/February 2003<br />

Furuichi Yasuko, ed., Asia in Transition: representation and identity, Tokyo, <strong>The</strong> Japan Foundation Asia Center, 2002.<br />

Gao, Shiming., ‘Symposium: Edges <strong>of</strong> the Earth, Hangzhou; <strong>The</strong> Syndrome <strong>of</strong> Asia: Experience and<br />

Representation’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.83-88.<br />

Gaweewong, Gridthiya, ‘On Under Construction and Localization’, Mami, Kataoka, Under Construction: New<br />

Dimensions <strong>of</strong> Asian Art, Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002<br />

Hoskote, Ranjit, ‘India Ink, Manila Evelope: Three Meditations on Art and the Global Media’, Mami, Kataoka,<br />

Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002<br />

Hou Hanru; Obrist, Hans-Ulrich, ‘Cities on the move’, Art AsiaPacific, 25, 2000<br />

Hui, Wang, ‘<strong>The</strong> Geneology <strong>of</strong> Asian Imaginaries’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”,<br />

Japan Foundation Asia Center, 2002

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