202 Skinner, Sarah J., ‘Estimating the real growth effects <strong>of</strong> blockbuster art exhibits: a time series approach’, Journal <strong>of</strong> Cultural Economics, 30, 2006. Smith, Dina: ‘<strong>The</strong> Narrative Limits <strong>of</strong> the Global Guggenheim. Mosaic (Winnipeg) Dec 2002 Vol 35 Issue 4 p85-103 Stanton, Richard, <strong>The</strong> forgotten Olympic art competitions: the story <strong>of</strong> Olympic art competitions <strong>of</strong> the 20 th century, Victoria [British Columbia], Trafford, 2000. Turner, C., ‘Getting the Message’ [Review <strong>of</strong> Adelaide Festival Sculpture Installations], Art & Australia, vol.32, no.1, Spring 1994. Ward, Martha ‘What’s Important about the History <strong>of</strong> Modern Art Exhibitions?’ in Greenberg, Ferguson & Nairne 1996, 451 -464. Walker, John, Art and Celebrity, London, Pluto Press, 2003. Weiss, Rachel ‘Some Notes on the Agency <strong>of</strong> Exhibitions’, Visual Arts and Culture, volume 2, 2000, 117-127 Williams, Gilda, ed., Fresh Cream, London, Phaidon, 2000 Wu Hung, editor and contributor, Chinese Art at the Crossroads: between past and future, between East and West, Hong Kong, New Art Media 2001 Yao, Pauline, ‘<strong>The</strong> Second Triennial <strong>of</strong> Chinese Art: History in the Making’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol.4, no.5, September 2005 Museums, Art Centers and other Art Institutions 2000+ ‘Colonialism or Collaboration?: Intercultural Arts Practice and International Arts Organisations’, Forum Transcript, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Akira, Tatehatata, ‘A Trojan Horse?: Multiculturalism in International Art Exhibitions’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002 ART AsiaPacific, Issue 37 (2003), Special Issue Asian Art Now: 21 Curators and Critics Pr<strong>of</strong>ile 63 Contemporary Asian Artists Asai, Toshihiro et al ed, Promenade in Asia: Cute, Tokyo: Shiseidô/Mito: Art Tower Mito, 2001. Asia Art Society, http://www.aaa.org.hk/links.html, Links to Online: Resources; Art Organisations; Atsuo, Yamamoto, ‘From Dualism to Oneness’, Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002 Barucha, Rustom, ‘ Beyond the Box: Problematising the New Asian Museum’, Focas (Forum on Contemporary Art & Society), no.2, July 2001 Bharucha, Rustom., ‘<strong>The</strong> New Asian Museum Beyond the Box: Problematising the New Asian Museum’, in FOCAS: Forum on Contemporary Art & Society, No. 2, July 2001, p.223-237. Benett, Tony, ‘<strong>The</strong> Rules <strong>of</strong> Culture: Exhibition and the Politics <strong>of</strong> Knowledge’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002 Carroll, Alison, ‘A floating world’, Art AsiaPacific 28, 2001 Chang, Alexandra, ‘<strong>The</strong> Control <strong>of</strong> Fear: Art and the Epidemic as Excess’ in Art Asia Pacific, No. 38 (Fall 2003), pp. 54-57 Clarke, David, ‘Contemporary Asian Art and Its Western Reception’, Huangfu, Binghui, ed., Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002. Eley, Ge<strong>of</strong>f, ‘Politics, Culture and the Public Sphere’, positions east asia cultures critique, Vol. 10, Number 1, Spring 2002 Enwezor, Okwui. and Apinan Poshyananda, ‘Looking Ahead: Dialogues in Asian Contemporary Art, November 8-9, 2002’ (Asia Society and Museum, New York), in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 2 No. 2, June 2003, p.112-121 Findlay, Ian, ‘Looking For A New Vision’, Asian Art News, vol. 13, no. 1, January/February 2003 Furuichi Yasuko, ed., Asia in Transition: representation and identity, Tokyo, <strong>The</strong> Japan Foundation Asia Center, 2002. Gao, Shiming., ‘Symposium: Edges <strong>of</strong> the Earth, Hangzhou; <strong>The</strong> Syndrome <strong>of</strong> Asia: Experience and Representation’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.83-88. Gaweewong, Gridthiya, ‘On Under Construction and Localization’, Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002 Hoskote, Ranjit, ‘India Ink, Manila Evelope: Three Meditations on Art and the Global Media’, Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002 Hou Hanru; Obrist, Hans-Ulrich, ‘Cities on the move’, Art AsiaPacific, 25, 2000 Hui, Wang, ‘<strong>The</strong> Geneology <strong>of</strong> Asian Imaginaries’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002
203 Kember, Pamela., ‘A Report on the Asian Art Archive’, in FOCAS: Forum on Contemporary Art & Society, No. 5, January 2003, p.372-377. Lacayo, Richard, ‘<strong>The</strong> Rise and Rise <strong>of</strong> Asian Art’, Time Magazine, March 31 2003 Lee Weng Choy, ‘Tomorrow’s Local Library: <strong>The</strong> Asia Art Archive in Context’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 4, no. 4, Dec. 2005. Mami, Kataoka, ‘Beyond a Progressive Asia: Under Construction Collective Exhibition’, Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002 Mania, Astrid, ‘Curation on the Move’, ArtAsiaPacific, no. 47, 2006. McNeill, David, ‘Planet Art: Aesthetics and Labour in the Era <strong>of</strong> Globalisation’, Huangfu, Binghui, ed., Site+Sight: Translating Cultures, Singapore, Lasalle-SIA, 2002. Munroe, Alaxandra, ‚Contemporary Art in Asia’, Artforum International, Vol.35, Issue 8, April 1997 Pi Li, ‘Fantasia: an imagination towards the daily life’ Mami, Kataoka, Under Construction: New Dimensions <strong>of</strong> Asian Art, Tokyo: <strong>The</strong> Japan Foundation Asia Center, 2002 Robinson, Joel D., ‘<strong>The</strong> Construction Sites <strong>of</strong> Asian Art’ (<strong>The</strong> Exhibition <strong>of</strong> Under Construction: New Dimensions <strong>of</strong> Asian Art, the Japan Foundation Forum and the Opera City Art Gallery, Tokyo, 2003), in Asian Art News, Vol. 14, No. 1, January/February 2004, p.52-57. Shinkawa, Takashi, ‘Promenade in Asia, A collaborative exhibition’, Art Asia Pacific, No.34, 2002. Tavassoli, Babak A., ‘A Fresh Figure <strong>of</strong> Paradise’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.95-103. Thompson, Jonathan, ‘Without Borders’ (Sovereign Art Prize for Asia), Asian Art News, vol. 16, no. 4, 2006. Woo, Lee Yong, ‘Globalism and the Vanity <strong>of</strong> Its System’, Yasuko, Furuichi, “Asia in Transition: Representation and Identity”, Japan Foundation Asia Center, 2002 Yasuko, Furuichi, ed., International Symposium 2002, ‘Asia in Transition: Representation and Identity’, Report, Japan: Japan Foundation Asia Center, 2002 Xu Jiang., ‘Earth Link and Cosmic Time’, in Yishu: Journal <strong>of</strong> Contemporary Chinese Art, Vol. 3, No. 1, March 2004, p.89-94 Curatorial Practice Aiha, Catherine, ed., Unfolding Perspectives: Three days <strong>of</strong> Lectures and Discussions at the ARS 01 Exhibition, Helsinki, KIASMA [Museum <strong>of</strong> Contemporary Art] & NIFCA [Nordic Institute for Contemporary Art], 2002. Biggs, Lewis, ‘ “Art, Money, Parties” and Liverpool Biennial’, in Harris, Art Money, Parties, 2004 ‘Curators’ Trip to China’, Yishu, May 2002, Spring; [the curators who went in 2000 were Okwui Enwezor, Suzanne Ghez, Lynne Cooke, Sebastian Lopez, Chris Dercon, Jessica Bradley, Sarat Maharaj. Accompanied by Annie Wong, Ken Lum, Zheng Shengtian, Richard Yiu, interpreter, Chaos Chen] Farqhuarson, Alex, ‘I Curate…You Curate…We Curate…’, Art Monthly (UK) no.269, September 2003. Harris, Jonathan, ed., Art, money, parties¸ new institutions in the political economy <strong>of</strong> contemporary art, (Tate Liverpool Critical Forum, Volume 7] Liverpool, Liverpool <strong>University</strong> Press, 2004. Heinich Nathalie; Pollak, Michael, ‘From museum curator to exhibition auteur; inventing a singular position’, in Greenberg, Rebecca; Ferguson, Bruce W.: Nairne, Sandy, eds., Thinking about Exhibitions, London, Routledge, 1996. Hiller, Susan; Martin, Sarah, <strong>The</strong> Producers: Contemporary Curators in Conversation, Newcastle, BALTIC, 2000. Hou Hanru in Zhu Qi, ‘ “We’ve become true individuals” ’ [November, 2000, tr. Bernell, R.] in Wu Hung, ed., Chinese Art at the Crossroads: between past and future, between East and West, Hong Kong, New Art Media 2001 Hou Hanru, ‘Beyond the Chinese’ in Clark, John ed., Chinese art at the end <strong>of</strong> the millennium, Hong Kong, New Art Media, 2000 Hou Hanru, Lecture in Symposium to accompany Asian Traffic at <strong>University</strong> <strong>of</strong> New South Wales, June 2004, Hou Hanru, On the Mid-Ground [edited by Yu Hsiao-Hwei], Hong Kong, Timezone 8, 2002. Jim Alice Ming Wai, ‘Interview with Hou Hanru’, [<strong>of</strong> January 8 th, 2006], Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 5, no.1, March 2006, p.71. Kamiya Yuki, ‘A potential role <strong>of</strong> Asian art in the International Art scene: a study <strong>of</strong> Asian art exhibitions in the United States and Japan’, in Duksung Women’s <strong>University</strong>, Alternative Space Loop, Yellow Sea Publications, <strong>The</strong> 2 nd ‘In-Between’ International Alternative Space Conference – Globalism and Alternative Spaces, Seoul, Yellow Sea Publications, 2004
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MODERN AND CONTEMPORARY ASIAN ART:
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CONTENTS Please note that paginatio
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Kuki and his times 95 Nishida Kitar
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Prints 155 ------------------------
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GENERAL WORKS ON ASIAPACIFIC AS A R
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11 [Global Conceptualism] Global Co
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13 Hearn, Maxwell K.; Smith Judith
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15 Tam, L.C.S.,et al, Hong Kong: Th
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17 Cai Guoqiang, painter and instal
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19 Li Wei: Jordan, Francesca and Ma
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21 Wen Lipeng, deceased, oil painte
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23 during the 1990s and the role of
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25 Andrews, Julia, Painters and Pol
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27 Wang Yuejin, ‘Anxiety of Portr
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29 Clark, John, ‘Official reactio
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31 Tsao Tsing-yuan, ‘The Birth of
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33 [Hong Lei] Goodman, Jonathan,
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35 [Song Dong] Thomas, Taliesin,
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37 [Zhang Huan] Dziewior, Yilmaz, a
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39 Jia Fangzhou, ‘The Eternal Que
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41 Yuan Feng. and Yang Xiaoyan, ‘
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43 2003; Li, Zhe, ‘Stepping Out I
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45 Storer, Russell, ‘Shanghai Sta
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47 Sun, S., Modern Chinese Woodcuts
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49 Goldman, M., ‘The Party and th
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Red Gate Gallery, Beijing. http://w
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[Lau Tin-yum] Lau tin-yum, Hong Kon
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55 [Pan Xing Lei] Chen, Shieh-Wen,
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57 Clark, John, ‘La peinture mode
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59 [Feng Zhongrui], Li Chu-tsing; L
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61 [Taipei Biennale 2002], Wang, Ja
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63 Agahari, Rae, Beyond representat
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65 General Works Clark, J., ‘Mode
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67 Watson, Oliver ; Kimura Rieko ed
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69 Clark, John, ‘Artist and the S
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Smith, L.H.R., Contemporary Japanes
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73 Abstract painting in Japan, Hokk
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75 [Araki, Nobuyoshi] Sawaragi Noi,
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77 Annear, J., ‘A forest of art i
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79 [Murakami, Takashi] Kondo, Kenic
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81 Itoi, Kay, ‘The Elegance of Si
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83 National Museum of Modern Art, [
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85 Clark, John, ‘Japanese houses
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87 Society of Architects & Building
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89 Brisard, B., ‘Tange Kenzo: A h
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91 Medical facilities : new concept
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93 Wilson, Peter L. Western objects
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95 Gluck, C., Japan’s Modern Myth
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97 La Fleur, William A., ‘A turni
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http://www.musabi.co.jp/list.html M
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101 thesis, Australian National Uni
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103 Roe Jae-ryung, Contemporary Kor
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105 [Lee, Yong-Baek] review, Flash
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107 Sabapathy, T.K., ed., Past, Pre
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109 Chaiyan Rajchagool, The Rise an
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111 No Na Pak Nam, Phra Acharn Nak,
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113 Michaelsen, H., Die Entwicklung
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115 8 Actual Visions in Thai Contem
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117 Individual Artists Anurak Chata
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119 to shock’ The Nation, January
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121 Viboon Leesuwan: Viboon Leesuwa
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123 2000+ [Boonyavanishkul, Rearngs
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125 Kriengkraipetch, Suvann, Smith,
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127 Suehiro Akira, Capital Accumula
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129 Koch, Maurice, “Jos-Henri Pon
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Nguyen Thi Dinh, No other road to t
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133 [Nguyen Manh Hung], Edwards, Br
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135 Holt, Claire, Art in Indonesia:
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137 Supangkat, J., Sanento Yuliman
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139 [Hendra Gunawan], Hendra Gunawa
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Wardani, Farah, ed., Karbon: Ruang
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BRUNEI 143 [bin Omar, Zakaria], Zak
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145 Whitley, Keri, ‘Castle’s Jo
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147 [ASEAN Art Awards 2002], Teo, J
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- Page 155 and 156: 155 Foundation Asia Center, 2002; F
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- Page 179 and 180: 179 Gallbally, A., ‘Aestheticism
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