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A Working Bibliography - The University of Sydney

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201<br />

Walker, David, Anxious Nation: Australia and the Rise <strong>of</strong> Asia, 1850-1939¸ St. Lucia, <strong>University</strong> <strong>of</strong> Queensland Press,<br />

1999<br />

Modern & Contemporary Exhibition Systems<br />

‘A New Cure for Asian Art Curators’, Asian Art News 9:4 1999<br />

‘Asia and Modernity’, Special Issue <strong>of</strong> Humanities Research, 2, 1999 with articles by Clark, Lilley, Low, Labrador,<br />

Sang.<br />

‘Asian Art: Prospects for the Future.’ International Symposium 1999 with articles by Elliott, Davenport, Mashadi,<br />

Nakamura, Poshyananda, Rajah, Tatehata, Tokyo, Japan Foundation, 1999.<br />

‘Avant-garde: a parallax view’, [with articles by Bris Groys, Kuroda Raiji, Hasegawa Yûko, and Sumitomo<br />

Fumihiko], A journal <strong>of</strong> contemporary art and culture / Kanazawa 21 seiki Bijutsukan Kensetsujimukyoku, Kenkyû<br />

Kiyô, Issue 02/2003.<br />

Baudrillard, Jean, ‘<strong>The</strong> Beaubourg Effect: Implosion and Deterrence’ in October 20 1982 3-13<br />

Crimp, Douglas On the Museum’s Ruins. MIT Press, Cambridge and London, 1993.<br />

Davis, A.R., ed., Search for identity: Modern Literature and the Creative Arts in Asia, <strong>Sydney</strong>, Angus and Robertson,<br />

1974.<br />

Enwezor, Okwui, ‘Between worlds: postmodernism and African artists in the Western metropolis’, in Oguibe&<br />

Enwezor, 1999.<br />

Evans, Graeme: ‘Hard-branding the cultural city--from Prado to Prada’. (International Journal <strong>of</strong> Urban and Regional<br />

Research June 2003 v27 i2 p229-255<br />

Ferguson, Bruce et al 1997 ‘Maing International Exhibitions’ in A. Harding ed Curating: <strong>The</strong> Contemporary Art<br />

Museum and Beyond, Art and Design, no.52.<br />

Hall, Stuart 2001 ‘Museums <strong>of</strong> Modern Art and the End <strong>of</strong> History’ in Annotations 6: Stuart Hall and Sarat Maharaj,<br />

Modernity and Difference, Institute <strong>of</strong> International Visual Arts, London.<br />

Hansen, David & Martin, Jean-Hubert, 1992, ‘A view from the Centre’, Art Monthly Australia, no.48 April & no.51<br />

July 1992.<br />

Hassan and Oguibe, eds., Hassan, Salah M.; Oguibe, Olu, Authentic Ex-Centric, Ithaca, Forum for African Arts,<br />

2001.<br />

Holubizky, Ihor , ‘Here and Now’, International Contemporary Art, November 1999 - January 2000, 11-14<br />

‘Global Tendencies: Globalism and the large-scale exhibition’, Art Forum, vol. XLII, no.3, November 2003<br />

Hong Kong Art Archive, http://web.hku.hk:8400/~hkaa/hkaa/<br />

Hou Hanru; Obrist, Hans-Ulrich, Cities on the Move, Ostfildren-Ruit, Verlag Gerg Hatje, 1997.<br />

Manton, Neil, ‘<strong>The</strong> Arts <strong>of</strong> Diplomacy’, Artlink, Vol. 20, No. 2, July 2000Art Asia Pacific, vol.3, no.4, 1996.<br />

McEvilley, Thomas, ‘Arrivederci Venice’, On the ‘Third World’ Biennials, Artforum International, Vol.32, Issue 3,<br />

November 1993<br />

Möntmann. Nina., ed., Art & Intit6tutions: current conflicts, critique and collaborations¸ London, Black Dog<br />

Publishing.2006.<br />

Mosquera, Gerardo, 1995, ed., Beyond the Fantastic: Contemporary Art Criticism from Latin America, Lonon, inIVA,<br />

1995.<br />

Mosquera, Gerardo, ‘On art, politics and the millennium in Latin America’, in Chambert, C., ed., Strategies for<br />

Survival – now!, Paris, AICA Press, 1995<br />

Mosquera, Gerardo, ‘Alien-Own / Own Alien: note son globalization and cultural difference’, in Papastergiadis,<br />

Nikos, Complex Entanglements: Art Globalization and Cultural Difference, London, Rivers Oram Press, 2003<br />

Oguibe, Olu; Enwezor, Okwui, Reading the Contemporary, African Art from <strong>The</strong>ory to Marketplace, London, inIVA,<br />

1999.<br />

Osborne, Peter, ‘<strong>The</strong> power <strong>of</strong> assembly –art, world, industry’, in Macdonald, Ewan & Parker, Luke editors, 2006<br />

Biennale <strong>of</strong> <strong>Sydney</strong>: Zones <strong>of</strong> Contact, <strong>Sydney</strong>, Biennale <strong>of</strong> <strong>Sydney</strong>, 2006<br />

Poshyananda, Apinan et al, Traditions / Tensions: Contemporary Art In Asia, New York, Asia Society Galleries &<br />

<strong>Sydney</strong>, <strong>The</strong> Fine Arts Press, 1996 [reports: Art Asia Pacific, vol.3, no.4, 1996; Mehta in Eyeline:<br />

contemporary visual arts, no.32, summer 1996; Art in America, Februrary 1997; Ewington, Yang, Munroe in<br />

ART AsiaPacific, no.15, 1997; Owen, Michael. ‘Contemporary Art in Asia: Traditions/Tensions.’ Third Text<br />

no.41 Winter 1997-98<br />

Poshyananda, Apinan, ‘A new cure for Asian art curators’, Asian Art News, vol.9, no.4, 1999<br />

Seminar on Fine Arts <strong>of</strong> Southeast Asia, Bangkok; Association <strong>of</strong> Southeast Asian Institutions <strong>of</strong> Higher Learning,<br />

1964.<br />

Sirefman, Susanna: Formed and Forming: Contemporary Museum Architecture. Daedalus Summer 1999 v128 i3)

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