A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
A Working Bibliography - The University of Sydney
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2<br />
INTRODUCTORY NOTES:<br />
This a teaching and initial research bibliography which has been established over a number <strong>of</strong> years with<br />
Australian students who have no access to vernacular language materials in mind. For deep research, vernacular<br />
language speaking and reading ability is necessary, but this bibliography may also be useful for initial research by<br />
those without linguistic access to the art writings <strong>of</strong> the cultures concerned. It is usually updated every other<br />
year, depending on particular interests and available resources. Since this work originates as a personal teaching<br />
bibliography for different courses which naturally include frequent reference to my own works, I include lists <strong>of</strong><br />
these at three places. <strong>The</strong> bibliography is available as a PDF file via the website <strong>of</strong> the Department <strong>of</strong> Art History<br />
and Film at: http://www.arts.usyd.edu.au/departs/arthistory/index.php?page=staff&id=johclark<br />
Please contact the author at arthistory.enquiries@arts.usyd.edu.au or at john.clark@arts.usyd.edu.au with any<br />
notable omissions or additions. It is desirable for speed and accuracy <strong>of</strong> updating if you can do so with a<br />
country-specific file <strong>of</strong> additions only saved in the same categories and in .doc format for PC, and only if the text<br />
mentioned is available via reasonable international circulation. <strong>The</strong>matic or artist titles should be preceded by the<br />
name in square brackets eg [Xu Bing], [Noumea] to facilitate A-Z sorting. At the minimum a title should be held<br />
in a national library which can be accessed by international document request facilities. Some countries have<br />
valuable material in English but in obscure academic journals and some have extensive writings on modern art<br />
which are nonetheless difficult to access abroad because <strong>of</strong> small-volume and / or selective coterie circulation at<br />
home. But if a text is both important and can be found by international document search, it should be included.<br />
Entry is by Country, Topic, and Artist. In some sections which give works on specific artists, authors follow the<br />
name <strong>of</strong> the work or artist. Artists who cross cultural boundaries are generally given under contemporary art<br />
sections by their culture <strong>of</strong> origination, although there are no hard-and-fast rules for such affiliation, and some<br />
categories <strong>of</strong> overseas artists have been generated where there is sufficient material. <strong>The</strong>re has been no attempt to<br />
restrict the bibliography to books alone, but obviously it is not possible to include too many journal articles, book<br />
reviews, or notes on particular exhibitions. Catalogues are usually included if little other material is available on a<br />
given artist or if they contain useful general essays. Since some works not dealing specifically with modern art<br />
also refer to its important proto-history in the 19th and early 20th centuries, they are also included here. In<br />
general, the art works referred to are after 1850.<br />
In general this bibliography seeks a balance between art historical quality, availability, and relevance. Thus texts <strong>of</strong><br />
inadequate analytical or art historical reference have also been brought in since for some art cultures there is little<br />
other written work available in English. Many areas like modern history or writings on modern culture including<br />
literature are included on an ad hoc basis where these are available and seem useful, especially in areas where I<br />
have worked. Further suggestions for inclusion <strong>of</strong> minimum materials in political and cultural history adjacent to<br />
the field are welcome.<br />
For users <strong>of</strong> this bibliography in Australia:<br />
Works given are mostly those available in Australia and chiefly at the Australian National <strong>University</strong> Library,<br />
National Library <strong>of</strong> Australia, <strong>The</strong> Canberra School <strong>of</strong> Art Library, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> Fisher Research and<br />
Schaeffer Fine Arts Libraries and private sources in Canberra and <strong>Sydney</strong>. In the <strong>Sydney</strong> area, after holdings <strong>of</strong><br />
the <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> Fisher Research and Schaeffer Fine Arts Libraries, the best source for some <strong>of</strong> this<br />
material is probably the Art Gallery <strong>of</strong> New South Wales library which may be used for reference during<br />
weekdays. Fisher Research Library East Asian Collection is the recipient <strong>of</strong> an important ongoing donation <strong>of</strong> art<br />
catalogues via the National Art Center in Tokyo and also benefits from purchases under the Morrissey Bequest.<br />
Details <strong>of</strong> these may be accessed <strong>of</strong>f-campus by the library’s English on-line catalogue, as well as by CJK<br />
terminals if one is available in your library for full details. <strong>The</strong> catalogues are almost all in Japanese but frequently<br />
include many plate titles and essays in English or other European languages. <strong>The</strong>re are also quite extensive<br />
holdings <strong>of</strong> books on Asian Art at the State Library <strong>of</strong> New South Wales, and especially <strong>of</strong> pre-Second World<br />
War books on India, including important runs <strong>of</strong> early Indian art journals.<br />
For their assistance in updating this bibliography at various times I am grateful to Edan Corkill, Kikuchi Yôko,<br />
Lai Meilian, Phoebe Scott, Michael Fitzhenry, Helena Spanjaard, Helena Poropat, and Thomas Berghuis. From<br />
2007, I have placed this bibliography under the collective authorship <strong>of</strong> those doing the updating and their names<br />
are given on the title page.<br />
John Clark, April 2007.