A Working Bibliography - The University of Sydney

199
Preziosi, Donald & Farago, Claire (eds), Grasping the world : the idea of the museum, Burlington, Ashgate Publishers,
2004
Šola, Tomislav, Essays on museums and their theory : towards the cybernetic museum, Helsinki : Finnish Museums
Association, 1997
Sherman Daniel & Rogoff, Irit (eds) Museum culture : histories, discourses, spectacles, Minneapolis, University of
Minnesota Press, 1994
Asian Art, Modern and Contemporary [duplicates some sections above]
Akbar, Shireen, curator, Rickshaw Painting: Traffic Art in Bangladesh, Fukuoka, Fukuoka Asian Art Museum,
Fukuoka, 1994
Clark, John, ‘Modernities in Art: how are they “other”?’ in World Art Studies: exploring Concepts and Approaches, eds.
Wilfried van Damme and Kitty Zijlmans, Amsterdam: Amsterdam University Press, 2006.
Clark, John ‘A spectacle of questions’, Asian Art News, vol.16, no.1, January/February, 2006, 68-72.
Clark, John, ‘Between the worlds: Chinese art at Biennales since 1993’ in Yishu, A journal of Chinese Contemporary
Art, 2005 [Extended version reprinted as Chapter Three here]
Clark, John, Entry on ‘Modern and Contemporary Asian Art’ in Grove Art Online / The Dictionary of Art, New
York, Oxford University Press, September 2005
Clark, John, on ‘Japanese Contemporary Art and Globalization’ presented at conference ‘Globalization,
Localization, and Japanese Culture in the Asia Pacific Region’ organized by the International Center for
Japanese Studies, Kyoto, and the Department of Japanese Studies of the National University of Singapore
from October 28 th to 30 th, 2004. [reprinted as Chapter Two here]
Clark John, essay for www.anthology-of-art.net ‘What in the context of contemporary art, is your vision of a
future art?’, February, 2002.
Clark, John, ‘Asian Modernisms’, Humanities Research, 2, 1999 & Marg, March 2002.
Clark, John editor and contributor, Chinese art at the end of the millennium, Hong Kong, New Art Media, 2000
Clark, John, ‘Modern Asian Art: its construction and reception’, in Asian Contemporary Art Reconsidered, Tokyo,
Japan Foundation Asia Center, 1998.
Clark, John, Modern Asian Art, Sydney, Craftsman House & Honolulu, University of Hawai’i Press, 1998.
Clark, J., ‘The Conditions for Post-Modernity in Japanese art of the 1980s’, in Sugimoto, Y., ed., The Postmodernity
Debate and the Japanese Experience, London, Kegan Paul International, 1994
Clark, John, Editor and Contributor, Modernity in Asian Art, Sydney, Wild Peony Press, 1993.
Clarke, David, ‘Contemporary Asian Art and its Western Reception’, Third Text, vol. 16, no. 3, 2002, 237-242.
Flores, Patrick, ‘Place and Presence: Conditions of Possibilities in Contemporary Asia Art’, unpublished Power
Lecture, Museum of Contemporary Art, Sydney, unpaginated, 2002.
Friede, Claus, Seyfarth, Ludwig, eds, Kunst aus Megastädten Asiens – Art from Asia Pacific Megacities, Hamburg,
Kunsthaus Hamburg ,2000.
Kishi, Sayaka, ‘Bijutsukan “Ajia” to deau toki – Fukuoka Ajia Bijutsukan no setsuritsu to tenkai’, in Hirano
Kenichirô, kanshû, Sengô nihon no kokusai bunka kôryû, Tokyo, Chikusô Shobô, 2005
Lee Weng-Choy, ‘Just What Is It that Makes the Term Global-Local So Widely Cited, Yet So Annoying?’ in Flight
Patterns, exhibition catalogue, The Museum of Contemporary Art, Los Angeles, 2000
Mertens, Brian, ‘Womanifesto 2001’, Art AsiaPacific, no.36, 2002.
McEvilley, Thomas: ‘Towards a World-class City’, Art in America, Sept 1995 Vol 83 No 9 p45
Napack, Jonathan: ‘Alternative visions’: (Art in America Nov 2002 Vol 90 Issue 11) p94-9
Nuridsany. Michel, China Art Now, [tr. Pickford, Susan] Paris, Flammarion, 2004
Poshyananda, Apinan, cur. & ed., Traditions/Tensions, New York, Asia Society, 1995.
Sekai Bijutsu Zenshû, Tokyo, Heibonsha, 1928-30
Tipton, Elise; Clark, John, eds, Being Modern in Japan: Culture and Society from the 1910s to the 1930s, Sydney,
Australian Humanities Research Foundation and Honolulu, University of Hawaii Press, 2000.
Turner, Caroline. Ed., Art and Social Change: Contemporary Art in Asia and the Pacific,, Canberra, Pandanus
Books,2005
Vine, Richard: ‘Asian Futures’ Art in America July 1998 Vol 86 No 7 p34-43
Vine, Richard: ‘The Wild, Wild East’, Art in America Sept 2003 Vol 91 Issue 9 p40-9
Wee, C.J. W-L: (2003) ‘Creating High Culture in the Globalized ‘Cultural Desert’ of Singapore’ in The Drama
Review, Vol 47, No 4, Winter 2003)
Weisenfeld, G., Mavo: Japanese artists and the avant-garde 1905-1931, Berkeley, University of California Press, 2002