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A Working Bibliography - The University of Sydney

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196<br />

Richard, Nelly, ‘Postmodern decentredness and cultural periphery: <strong>The</strong> disalignments and realignments <strong>of</strong> cultural<br />

power’ in Richard, Nelly & Murphy, Berenice, eds. Art from Latin America, La Cita Transcultural, <strong>Sydney</strong>:<br />

Museum <strong>of</strong> Contemporary Art, 1993<br />

Richard, Nelly, ‘Postmodernism and Periphery’, Third Text, n2, Winter 1987/88, 5-12.<br />

POSTCOLONIALISM AND ‘THIRD’ CRITIQUES AT THE CENTRE<br />

‘Periphery and Center: Survey – Recentred?’, Flash Art, vol. XXXIX, no. 251, Nov-Dec 2006.<br />

Akbar, Ali Nobil, ‘Whose underground: Asian cool and the poverty <strong>of</strong> hybridity’, Third Text, 54, 2001.<br />

Albertazzi, L., ‘<strong>The</strong> Magicians convene in Paris’, Contemporanea, July/August 1989<br />

Anderson, Perry, ‘Modernity and Revolution’, New Left Review, 144, 1984.<br />

Appadurai, Arjun, Modernity at large: cultural dimensions <strong>of</strong> globalization, Minneapolis, <strong>University</strong> <strong>of</strong> Minnesota Press,<br />

1996.<br />

Appiah, K. ‘Is the post in post-modern the post in post-colonial?’ Critical Inquiry, vol. 17, Winter 1991.<br />

Araeen, R., ‘From Primitivism to Ethnic Arts’, Third Text, no.1, Autumn 1987<br />

Araeen, R., ed., <strong>The</strong> Other Story, London, South Bank Centre, 1989; see also Special Issue <strong>of</strong> Third Text,<br />

8/9.reviews: Archer-Straw,P., ‘<strong>The</strong> Other Story’, Art Monthly[UK] 133, February 1990; Solanke, A., ‘From<br />

another world’, Art Monthly[UK] 132, December January, 1989-90<br />

Araeen, Rasheed, ‘A New Beginning: Beyond Postcolonial Cultural <strong>The</strong>ory and Identity Politics’, Third Text, n50,<br />

Spring 2000, 3-20<br />

Araeen, Rasheed, ‘How I iscovered my Oriental Soul in the Wilderness <strong>of</strong> the West’, Third Text, n18, Spring 1992,<br />

85-102.<br />

Araeen, Rasheed, ‘Sleeping with the enemy and revisting postcolonial theory’, Third Text, 56, 2001, 75-79.<br />

Benjamin, Walter, “Paris, the Capital <strong>of</strong> the Nineteenth-Century, 1935”, in <strong>The</strong> Arcades Project, trans. Howard<br />

Eiland and Kevin McLaughlin, <strong>The</strong> Belknap Press <strong>of</strong> Harvard <strong>University</strong> Press, Cambridge and London,<br />

1999<br />

Bhabha, Homi K., ed., Nation and Narration, New York, Routledge, 1990.<br />

Bhabha, Homi K., <strong>The</strong> Location <strong>of</strong> Culture, New York, Routledge, 1994.<br />

Bharucha, Rustom, ‘Beyond the Box: Problematising the “New Asian Museum”’, Third Text n52, Autumn 2000,<br />

11-19<br />

Bharucha, Rustom, ‘Interculturalism and its Discriminations: Shifting the Agendas <strong>of</strong> the National the<br />

Multicultural and the Global’, Third Text, n46, Spring 1999, 3-24.<br />

Boehmer, Elleke, Colonial & Postcolonial Literature: Migrant Metaphors, New York, Oxford <strong>University</strong> Press, 1995.<br />

Bréon, Emmanuel et al, Coloniales 1920-1940, exh. cat. Musée Municipal de Boulogne-Billancourt, 1990<br />

Buchloh, B.H.D., ‘<strong>The</strong> Whole Earth Show’, [interview with Jean-Hubert Martin], Art in America, May 1989<br />

Buchloh, Benjamin H.D. and Jean-Hubert Martin, ‘Interview’ Third Text, n6, Spring 1989, 19-27<br />

Buell, Frederick, National Culture and the new Global System, Baltimore, <strong>The</strong> John Hopkins <strong>University</strong> Press, 1994.<br />

Çelik, Zeynep, "Speaking Back to Orientalist Discourse", in Orientalism’s Interlocutors, eds. Jill Beaulieu and Mary<br />

Roberts, Durham and London, 2002, 19-41<br />

Chakrabarty, D., ‘Postcoloniality and the Artifice <strong>of</strong> History: Who speaks for “Indian” pasts?’, Representations, 37,<br />

Winter 1992.<br />

Chambers, E., <strong>The</strong> Artpack a history <strong>of</strong> black artists in Britain, London,Minorities’ Arts Advisory Service, 1988<br />

Chambers, Iain, ‘Exposure, Abeyance and Dislocation: Some Comments on Benita Parry’s Discussion <strong>of</strong> Homi<br />

Bhabha’s “<strong>The</strong> Location <strong>of</strong> Culture” ’, Third Text, n31, Summer 1995, 108-110<br />

Chen, Kuan-Hsing ed., Trajectories: Inter-Asia Cultural Studies, Routledge, 1998.<br />

Chow, Rey, Writing Diasporas, Bloomington, Indiana <strong>University</strong> Press, 1992.<br />

Clark, John, ‘What Contemporary Asian Art Is [or Is Not]: <strong>The</strong> View from MoMA and the View from Asia’, in<br />

eds. Clark, John, Peleggi, Maurizio and Sabapathy, T.K, Eye <strong>of</strong> the Beholder: Reception, Audience and Practice <strong>of</strong><br />

Modern Asian Art, <strong>University</strong> <strong>of</strong> <strong>Sydney</strong> East Asian Series no. 15, Wild Peony, <strong>Sydney</strong>, 2006, pp. 295-317.<br />

Clark, John, ‘A Short Review <strong>of</strong> a Very, Very Long Book’, Yishu: Journal <strong>of</strong> Contemporary Chinese Art, vol. 4, no. 4,<br />

Dec. 2005.<br />

Clark, John, “On Two Books by Edward W. Said”, Jurnal Bicara Seni, 1996, 20-47<br />

Clarke, David, <strong>The</strong> Influence <strong>of</strong> Oriental Thought on Postwar American Painting and Sculpture, New York, Garland<br />

Publishing, 1988.<br />

Clifford, J., <strong>The</strong> Predicament <strong>of</strong> Culture: 20th century ethnography, literature and art, Cambridge, Mass., Harvard UP, 1988<br />

Clifford, James, “On Orientalism”, in <strong>The</strong> Predicament <strong>of</strong> Culture: Twentieth Century Ethnography, Literature and Art,<br />

Harvard <strong>University</strong> Press, Cambridge, 1988, 255-276

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