A Working Bibliography - The University of Sydney

195
Smith, T., ‘Second person/first peoples: writing about post-colonial art’, Art Monthly Australia, 64, October 1993
Smith, T., ‘The Provincialism Problem’, Art Forum, 1974, reprinted in Taylor, P. ed., Anything Goes:
Smith, Terry, What is Contemporary Art?, Sydney, Artspace, 2001.
Smith, Terry, Transformations in Australian Art, Volume One: The Nineteenth Century – Landscape, Colony and Nation;
Volume Two, The Twentieth Century, Modernism and Aboriginality, Sydney, Craftsman House, 2002 [review by
Ian Maclean, Art Monthly Australia, no.164, October, 2003]
The Islamic World
Ali, W., Modern Islamic Art: Development and Continuity, Gainesville, University Press of Florida, 1997
Ali, W., ed., Contemporary Art from the Islamic World, London, Scorpion Publishing, 1989
A History of Turkish Painting, Seattle, University of Washington Press, 1988.
Khatbi, Abdelkébir, L’art contemporain arabe, Paris, Institut du Monde Arabe, 2001
Renda G., Kortepeter, Carl M., eds, The Transformation of Turkish Culture, Princeton, Kingston Press, 1986
Meso- and South America
Baddeley, Oriana, ‘Nostalgia for a New World’, Third Text, n21, Winter 1992/93, 29-34.
Berelowitz, Jo-Anne, ‘Conflict over “Border Art”: Whose subject, whose border, whose show?’, n40, Autumn
1997, 69-83
Berg, Stephen, ‘An Introduction to Oswald de Andrade’s Cannibalist Manifesto’, n46, Spring 1999, 89-91
Camnitzer, Luis, ‘Spanglish Art’, Third Text, n13, Winter 1990/91, 43-47.
Canclini, Nestor Garcia, ‘Remaking Passports: Visual Thought in the Debate on Multiculturalism’, Third Text,
n28/9, Autumn/Winter 1994, 139-146.
Canclini, Néstor García, Hybrid Cultures: Strategies for entering and leaving modernity, Minneapolis, University of
Minnesota Press, 1995
Craven, David, ‘The Latin American Origins of “Alternative Modernity”‘, Third Text, n36, Autumn 1996, 29-44
Goldman, Shifra M., “Metropolitan Splendors: The buying and selling of Mexico’ Third Text, 14, Spring 1991.
Goldman, Shifra M., ‘How Latin American Artists in the US View Art, Politics and Ethnicity in a Supposedly
Multicultural World’, Third Text, n16/17, Autumn/Winter 1991, 188-192.
Goldman, Shifra M., ‘Metropolitan Splendors: The Buying and Selling of Mexico’, n14, Spring 1991,
Goldman, Shifra M., Dimensions of the Americas: Art and social change in Latin America and the United States, Chicago,
Chicago University Press, 1994.
Gray, Nicola, ‘Excellente: Hybridity and Travel in Art from Mexico City and Beyond; El Super Show de Puro
Pop: Television from Greater Mexico’, Third Text, n45, Winter 1998-99, 90-4
Linsley, R., ‘Wilfredo Lam:painter of negritude’, Art History, vol.11, no.4., December 1988
Livingston, Jane; Beardsley, John, ‘The poetics and politics of Hispanic Art: a new perspective’ in Karp, Ivan;
Lavine, Steven D., Exhibiting Cultures: The Poetics and Politics of Museum Display, Washington, Smithsonian
Institution Press, 1991.
Merewether, Charles, ‘The phantasm of origins: New York and the Art of Latin America’, Art & Text 30, 1989.
Merewether, Charles, Mito y Magia en América: Los Ochenta (Myth and Magic in America: the 1980s) Monterey,
Museum of Contemporary Art, 1991
Mosquera, Gerardo, ‘Goodbye ideology, welcome difference: from Latin American Art to Art of Latin America’,
Third Text, 56, 2001, 25-32
Mosquera, Gerardo, editor, Beyond the Fantastic: contemporary art criticism from Latin America, London, inIVA, 1995
Paz, Octavio, ‘The Power of Mexican Art’, New York Review of Books, 6 December 1990
Paz, Octavio, Essays on Mexican Art [1987, tr. Lane H.], New York, Harcourt Brace, 1993
Ramírez, Mari Carmen, ‘Brokering identities. Art curators and the politics of cultural representation’, Bard College
Seminar, 1994
Ramírez, Mari Carmen, ‘Brokering Identities’ in Greenberg, Rebecca; Ferguson, Bruce W.; Nairne, Sandy, eds.,
Thinking about Exhibitions, London, Routledge, 1996
Ramírez, Mari Carmen, ‘Constellations: Toward a Radical Questioning of Dominant Curatorial Models’, Art
Journal, Spring, 2000.
Richard, Nelly, ‘Postmodernism and Periphery’, Third Text, no.2 Winter, 1987/88
Richard, Nelly, ‘Latin America: Cultures of Repetition or Cultures of Difference’, in Private Symbol: Social Metaphor,
Sydney, Fifth Biennale, 1984.