A Working Bibliography - The University of Sydney

O’Hanlon, R., ‘Recovering the subject Subaltern Studies and Histories of Resistance in Colonial South Asia’,
Modern Asian Studies, 22, 1, 1988.
Rofel, Lisa, ‘Modernity and its Discontents’, positions east asia cultures critique, Vol. 9, Number 3, Winter 2001
194
Africa
Abiodun, Rowland et al, Yoruba: Art and Aesthetics, Zurich, Center for African Art & Rietberg Museum, 1991.
Appiah, Kwame Anthony, review, Critical Inquiry, no.17, Winter 1991.
Appiah, Kwame Anthony, In my father’s house: Africa in the philosophy of culture, New York, Oxford University Press,
1992.
Ekpo, Denis, ‘How Africa Misunderstood the West: The Failure of Anti-West Radicalism and Postmodernity’,
Third Text, n35, Summer 1996, 3-13.
Enwezor, Owiu; Zaya, Octsavio, “Moving In: eight contemporary African artists’, Flash Art, XXIX, 186, Jan/Feb
1996.
Gabriel, T.H., Third Cinema in the Third World, Ann Arbor, UMI Research Press, 1982
Hassan, Salah M.; Oguibe, Olu, Authentic Ex-Centric, Ithaca, Forum for African Arts, 2001
Hassan, Salah M., ‘The modernist experience in African art: towards a critical understanding ‘ in Hassan, Salah M.,
Altbach, Phillip G., The muse of modernity: essays on culture and development in Africa, Trenton & Asmara, Africa
World Press, 1990
Hassan Salah M.; Enwezor, Okwui, New Visions: recent works by Six Contemporary African Artists, Eatonville: Zora
Neal Hurston National Museum of Fine Arts, 1995.
Hassan, Salah M., Oguibe, Olu, Authentic / Ex-Centric: Conceptualism in Contemporary African Art, Ithaca, Forum for
African Arts, 2001.
Hylton, Richard, ‘Re-Framing Africa: Reading the Contemporary: African Art from Theory to the Marketplace
edited by Olu Oguibe and Okwui Enwezor’, Third Text, n50, Spring 2000, 122-4:
McEvilley, T., Fusion: West African Artists at the Venice Biennale, New York, Museum for African Art, 1993.
Mudimbe, Y.Y., The Invention of Africa: Gnosis, Philosophy, and the Order of Knowledge, Bloomington, Indiana
University Press, 1988.
Ngugi wa Thiong’o, Decolonising the Mind, London, James Carrey, 1986
Ngugi, wa Thiongo, Moving the Centre: The Struggle for Cultural Freedom, London, Heinemann, 1993.
Oguibe, Olu, The painting and prints of Uzo Egonu: 20 th century Nigerian artist, PhD Thesis SOAS, 1992
Oguibe, Olu, ‘In “The Heart of Darkness”’, Third Text, no.23, 1993.
Oguibe, Olu, Uzo Egonu: An African artist in the West, London, Kala Press, 1995.
Oguibe, Olu; Enwezor, Okwui, Reading the contemporary: African Art from Theory to Marketplace, London, in IVA,
1999.
Oguibe, Olu; Enwezor, Okwui, Reading the Contemporary, African Art from Theory to Marketplace, London,
inIVA,1999.
Pollack, Barbara, ‘Okui Enwezor: recharting borders’, Art News, 100, 11, 2001
Pietz, William, ‘The Problem of Fetish’, part 1, Res, no.9, Spring 1985; part 2, Res, no.13, Spring 1987, part 3a Res,
no.16. Autumn 1988
Senghor,Léopold Sédar, Liberté III: Négritude et Civilisation de l’Universel, Paris, Seuil,
Australia
Cramer, Sue, C., ed., Postmodernism: A consideration of the appropriation of aboriginal imagery , Brisbane, Institue of
Modern Art, 1989.
Dallas, C., ‘Conjuring Tricks’, Artscribe, September/October,1989
Fry, T., ‘Art as Ethnocide: The Case of Australia’, Third Text, no.5.
Fry, T., Willis, A-M., ‘Aboriginal Art:Symptom or Success?’, Art in America, July 1989.
Gascoigne, John, The enlightenment and the origins of European Australia, Cambridge, Cambridge University Press,
2002.
Gibson, Ross, Postcolonialism and the narrative construction of Australia, Bloomington, Indiana University Press, 1992
Gunew, Sneja & Rizvi, Fazal, Culture, Difference, and the Arts, Sydney, Allen and Unwin, 1994.
Gunew, Sneja, Framing Marginality, Multicultural Literary Studies, Melbourne, Melbourne University Press, 1994.
Murphy, B., ‘‘Provincialism Refigured’ or Culture Disfigured?’, Art Monthly [Australia], no.15, October 1988 [reply
to Smith,T., below]
Smith, T., ‘Provincialism Refigured’, Art Monthly [Australia], no.13, August 1988 [and the reply to Murphy, no.15,
in no.16, 1988].