A Working Bibliography - The University of Sydney

192
Jameson, F., ‘The Politics of Theory: Ideological Positions in the Post modernism debate’, New German Critique,
33, Fall 1984;
Jameson, F., Postmodernism, Durham, Duke University Press, 1992.
Jencks, C., What is Post-Modernism?, New York, Academy Editions, 1986.
Lyotard, J-F,, The Postmodern Condition, Minneapolis, University of Minnesota Press, 1984;
Matisse, H., Écrits et propos sur l’art, Paris, Hermann, 1972;
Mercer, Kobena, ‘Black Hair/Style Politics’, New Formations, no.3, Winter 1987.
Nietzsche, ‘Notes’ (1873). In W. Kaufmann, editor and translator, The Portable Nietzsche, Viking Press, 1954
Nochlin, L., Realism, Harmondsworth, Penguin, 1971.
Pollock, G., ‘Artists’ mythologies and media genius, madness and art history’, Screen, 21, no.3, 1980
Pollock, G., and Orton, F., Vincent Van Gogh, Artist of his time, Oxford, Phaidon, 1978.
Ray, W., The Logic of Culture: authority and identity in the modern era, Oxford, Blackwell Publishers, 2001.
Rubin, William, ed.. & curator, “Primitivism” in Twentieth Century Art, New York, The Museum of Modern Art,
1984.
Schmidt, B., Postmoderne - Strategie des Vergessens, Darmstadt und Neuwied, Hermann Luchterhand Verlag, 1986.
Sontag, Susan, ‘On Style’ &’Notes on “Camp”’, in Against Interpretation, New York, Farrar, Straus, Giroux, 1961,
1966.
Spooner, Brian, ‘Weavers and dealers: The Authenticity of an Oriental Carpet’, in Appadurai, Arjun, ed., The Social
Life of Things, Cambridge, Cambridge University Press, 1986.
Walker, J.A., Art in the age of mass media, London, Pluto Press, 1983
Wollheim, R., On Art and the Mind, Cambridge, Harvard University Press,, 1974
Zaya, Octavio; Michelson, Anders, Interzones: A work in progress, Tabapress, 1996.
Art Movements
Ackerman, J., ‘The Demise of the Avant-Garde’, Comparative Studies in Society and History 11, no. 4, October, 1969
Bürger, Peter, Theory of the Avant-Garde,[1974,1980] (tr. Shaw, M.; foreword by Schulte-Sasse, Jochen),
Minneapolis, University of Minnesota Press, 1984.
Calinescu, M., Five Faces of Modernity, Durham : Duke University Press, 1987.
Calinescu, M., “ ‘Avant-Garde’: Some Terminological Considerations”, Yearbook of Comparative and General
Literature, 23/4, 1974, at pg. 69.
Danto, Artur C., After the end of art: contemporary art and the pale of history, Princeton, Princeton University Press,
1997.
Lehman, David, “Politics, Protest and the Avant-Garde”, Dissent, Fall 1998.
Hess, T.B. & Ashberry, J., Avant-Garde Art, London, Collier-Macmillan, 1967, 1968.
Jones, Caroline, Machine in the Studio, Chicago, University of Chicago Press, 2000.
Krauss, Rosalind .E., The 0riginality of the Avant-Garde and Other Modernist Myths, Cambridge, The MIT Press, 1986,
1993.
Poggioli, Renato, The Theory of the Avant-Garde, [1962, tr. Fitzgerald, G.], Cambridge, The Belknap Press, 1968.
Szabolsci, M., “Avant-Garde, Neo-Avant-Garde, Modernism: Questions and Suggestions”, New Literary History:
Modernism and Postmodernism, III/1, Autumn, 1971.
Wood, P., ed., The Challenge of the Avant-Garde, New Haven, CT : Yale University Press ; London : Open
University, 1999.
Corporeal Theories (selected)
Ames, Roger T. and Kasulis Thomas P., with Dissanayake, Wimal, Self as body in Asian theory and practice, Albany :
State University of New York Press, c1993.
Butler, Judith, Bodies that matter: on the limits of discursive sex, New York, Routledge, 1993.
Elkins, James, Pictures of the body : pain and metamorphosis, Stanford, Calif. : Stanford University Press, 1999
Haraway, Donna, Simians, Cyborgs and Women: the reinvention of Nature, New York, Routledge, 1991
Kemp, Martin and Wallace, Marina, Spectacular Bodies: The Art and Science of the Human Body from Leonardo to Now,
Berkeley: University of California Press, 2000
Kristeva, Julia [tr. Roudiez, Leon S.], Powers of Horror: An essay on abjection, New York, Columbia University Press,
1982.
Merleau-Ponty, Maurice, Phenommenology of Perception, London: Routledge & Kegan Paul, 1962
Leder, Drew, The Absent Body, Chicago: University of Chicago Press, 1990