A Working Bibliography - The University of Sydney

191
Hopkins, A.G., ed., Globalization in World History, London, Pimlico, 2002.
Jameson, Fredric; Miyoshi Masao, eds. The Cultures of Globalization, Durham N.C., Duke University Press, 1998.
King, Anthony D., 1991, ed., Culture, Globalization and the World-System, Basingstoke, Macmillan, 1991.
Kristeva, Julia, Nations without Nationalism, New York, Columbia University Press, 1993.
Lee, Pamela M., ‘Boundary Issues: The Art World Under the Sign of Globalism’ in Artforum (November 2003),
pp. 164-167
Liu, Lydia H., ‘Beijing Sojourners in New York: Postsocialism and the Question of Ideology in Global Media Culture’
in positions: east asia cultures critique, volume 7, number 3 (winter 1999), pp. 763-797
Meyer, James, ‘The Global Exhibition’ in Artforum (November 2003), pp. 154-162
Nagahara, Yutaka, 1952-, ‘Monsieur le Capital and Madame la Terre Do Their Ghost-Dance: Globalization and
the Nation-State’, The South Atlantic Quarterly, 99.4, Fall 2000
Ong Aihwa, Flexible Citzizenship: the cultural logics of transnationality, Durham, Duke University Press, 1999.
Papastergiadis, Nikos & Araeen, Rasheed, ‘a monument against monuments’ in Best, Susan & Green, Charles,
eds. in the every day, critical and theoretical speculations on the 11th biennale of sydney, Sydney, Artspace, 1998.
Robertson, R., Globalization: Social Theory and global culture, London, Sage, 1992.
Sakai, Naoki, 1946- ‘"You Asians:" On the Historical Role of the West and Asia Binary’, South Atlantic Quartely,
99.4, Fall 2000
Schein, Louisa, ‘Diaspora Politics, Homeland Erotics, and the Materializing of Memory’ in positions: east asia cultures
critique, volume 7, number 3 (winter 1999), pp. 698-729
Tomlinson, John, The Globalization of Culture, Cambridge, Polity Press, 1999.
Theories of Art [selected]
Ben-Amos, Dan, ‘The seven strands of tradition’, Journal of Folklore Research, no.21, 1984.
Bourdieu, Pierre, The Rules of Art: Genesis and Structure of the Literary Field, [1992, tr. Emanuel, S.], Cambridge, Polity
Press, 1996.
Gell, Alfred, Art and Agency: an Anthropological Theory, Oxford, Clarendon Press, 1998.
Adorno, T., Aesthetic Theory, [1970] London, Routledge and Kegan Paul, 1984,
Adorno, T., Horkheimer, M., The Dialectic of Enlightenment [1944, 1969], London, Verso, 1979
Adorno,T., Minima Moralia [1951], London, Verso, 1978
Anderson, P., ‘Modernity and revolution’, New Left Review, no.152, July/August 1985
Baumann, Z., Legislators and Interpreters, Ithaca, Cornell University Press, 1987
Berman, Marshall, All that is Solid Melts into Air: The Experience of Modernity, Simon and Shuster, New York, 1982
Bürger, P., Theory of the Avant-garde, [1974], Minneapolis,University of Minnesota Press, 1984
Crary J., Suspensions of perception: attention, spectacle and modern culture, Cambridge Mass., MIT Press, 2001.
Eagleton, T., ‘Capitalism, Modernism, and Postmodernism’, New Left Review, no.152, July/August 1985
Eliot, T.S, Tradition and the Individual Talent, 1919, various editions.
Foster, H., ed., Postmodern Culture [originally The Anti-Aesthetic], Port Townsend, The Bay Press, 1983, and London,
Pluto Press,1987;
Foster, H., Recodings, Seattle, Bay Press,1985
Graburn, Nelson, Ethnic and Tourist Arts, Berkeley, University of California Press, 1976.
Greenberg, C., Modernist Painting, 1965, reprinted in Frascina, ed., Modern Art and Modernism, Harper and Row,
New York, 1982.
Guilbaut, Serge, How New York Stole the Idea of Modern Art, Chicago: University of Chicago Press, 1983.
Harvey, D., The Condition of Postmodernity, Oxford, Basil Blackwell, 1989.
Haskell, F., Past and Present in Art and Taste, New Haven, Yale University Press, 1987 [review by Duro, P., Art
History, vol.11, no.4, December 1988].
Hess, W., Dokumente zum Verständnis der modernen Malerei, Hamburg, Rowolts Taschenbuch Verlag, 1956;
Hofmann, W., Grundlagen der Modernen Kunst, Stuttgart, Alfred Kröner Verlag, 1978;
Huyssen, A., ‘Mapping the Postmodern’, New German Critique, 33, Fall 1984, 5-52;
Huyssen, A., ‘The Search for Tradition: Avant-Garde and Postmodernism in the 1970s’, New German Critique, 22,
Winter 1981, 23-40;
Iversen, M., ‘The Positions of Postmodernism’, Oxford Art Journal, 12:1, 1989, pages 31-34;
Jameson, F., ‘Marxism and Postmodernism’, New Left Review, 176, November / December 1989, 31-45;
Jameson, F., ‘Postmodernism: the cultural logic of late capitalism’ New Left Review, 146, July/August 1984, 53-92;